Sentences with phrase «at standard movie»

The theater's screen, billed as the largest in South Florida at 60 - by - 80 feet, will also play a role in the movie: the Ryan Coogler - directed «Black Panther» reportedly will feature an hour of footage formatted specifically for IMAX screens, offering a taller picture compared to those at standard movie theaters.

Not exact matches

Standard fare at the restaurant is a steady stream of old Italian movies, including the iconic Godfather trilogy.

Cameras, meanwhile, snap pictures at a rate of 1,000 per second (standard movie cameras take 24).

This post therefore looks at a few alternative date ideas; most of them won't cost you much at all, and they're all a bit different to your bulk - standard trip to the movies.

The collection of Racks and Blacks brings us both movies and galleries at Brazzers quality standards, but its size is a bit small, and that's why it comes in last in our top.

And while we can't really help you on where to go — other than to say grabbing a drink or coffee is pretty standard — the people at Hinge, an online dating app, once rounded up data that says the cliche dinner and a movie actually...

So next time you find yourselves sputtering mad over the cultural perversity of The Twilight Saga and its ability to rake in billions of sparkle - tainted dollars, an even more culpable target for lowering the standards of cinema can be found merely by looking at kiddie flicks, which undoubtedly kick starts bad taste in movies.

... Even by the relaxed standards of horror movies, «Freddy» is a sloppy, simplistic, amateurish, abysmally acted, incompetently written production that would be more at home on a cable - access channel than in national syndication.

I wonder aloud what the level of commits were at that time or whether contemporary movies impose the present cultural standards back in time.

Furious at this «sex pact» — it even has its own hashtag, #SEXPACT2018 — the olds decide to mount a counteraction; the movie's title once had another word before Blockers, a synonym for rooster, before advertising standards kicked in.

At the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile GerimAt the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerimat loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerima.

While It Comes At Night is without question a horror film, its horrors are more cerebral and internalized than your standard jump - scare laden scary movie.

It's the kind of movie one can't really gauge by the usual standards, just by how funny you find it, and opinions will widely vary depending on the viewer's aptitude to laugh at pot humor and crude bathroom and sex jokes of the most outrageous variety.

Robert Totten / Don Siegel — «Death Of A Gunfighter «(1969) A flawed, but nevertheless interesting, minor Western that fits neatly into the revisionist movement in the genre at the end of the 1960s / beginning of the 1970s, «Death Of A Gunfighter» is best remembered as the film that birthed the name «Alan Smithee» (or here in its original spelling, «Allen Smithee»), which became the standard DGA pseudonym when a director took their name off a movie for the next thirty years.

Leonard Maltin — a hell of a historian, if only a mediocre critic — gives background to the standard «Night at the Movies» simulation that includes in this instance the trailer for Bogart and Huston's Key Largo, a newsreel, the comedy short So You Want to Be a Detective, and the Looney Tunes cartoon Hot Cross Bunny (featuring an ape on Lionel Barrymore, whom audiences would have just seen in the Key Largo trailer).

Jackson shot the movie at 48 frames per second compared to the standard 24 frames per second most movies are shot in.

Sadly, with almost all recognizable traces of the Marvel comic stripped away, and some incredibly standard action B - movie motivations thrown in, this is a film that is equally scoffed at by Punisher fans and those unfamiliar.

There's nothing too profound, but there's at least enough to distinguish this from the standard - issue action flick I'm guessing the live - action movie will be.

There is no way that the movie wouldn't be improved by simply cutting out all of that secondary content; it would likely trim the movie to an unusual hour length and would require a different ending and probably at least one standard issue best friend as sounding board, but the movie would be a lot closer to tolerable then.

Liman and Cruise worked well together on the time - switching sci - fi b - movie, Edge of Tomorrow, and, even though American Made looks to follow a fairly standard rise - and - fall arc, at least it looks one of Hollywood's favourite sons has been given a chance to flex his acting muscles.

By today's standards, that's a date movie, though Smith isn't quite to deft observer of young adult social life that Judd Apatow and friends are at their best, and he tends to find that long strings of scatological utterances are funny by virtue of being scatological.

Current standards for zombie movies based on zombie games are pretty low, but at least Dead Rising isn't taking itself seriously.

At the very least, other filmmakers should be paying very close attention to the way Abrams and friends have heightened anticipation for what looks to be a fairly standard monster movie.

0:00 — Intro 4:05 — Headlines: Karl Urban is the New Judge Dredd, Sam Worthington to Star in Commando Remake, Terminator 3 - D Animated Remake, Lights Camera Jackson: The - 11 Year - Old Film Critic 20:35 — Review: The Expendables 57:45 — Review: Scott Pilgrim vs. The World 1:47:30 — Trailer Trash: Skyline, Enter the Void, Unstoppable 2:03:30 — Other Stuff We Watched: BBC's Sherlock, Man v Food: Season 3, Lock Up, 12th & Delaware, Marooned, Billion Dollar Brain, Cropsey, Johnny Handsome, Until the Light Takes Us, And the Pursuit of Happiness, The Last Lovecraft, Mad Monkey Kung Fu, Standard Operating Procedure, Spartan, Master and Commander: The Far Side of the World, Cobra 3:05:45 — Junk Mail: Film Junk Mega Mix, Favourite and Best Actors, Devil Trailer, Movies with Right Wing Agendas, TIFF Tips 3:26:20 — Twitter Poll: Why did Scott Pilgrim Fail at the Box Office?

While the teaser trailer and posters have been vague, selling a standard issue Tom Cruise action movie, the new full trailer gives us a better look at the story for Paramount's holiday tentpole «Jack Reacher».

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Support this site when you buy The Emperor's New Groove & Kronk's New Groove: 2 Movie Collection Blu - ray + DVD now at Amazon.com Past Releases: Emperor's: New Groove DVD • 2 - Disc Ultimate Groove DVD • Standard DVD • Instant Video Kronk's New Groove: DVD • Instant Video

Now a prequel takes us back to Sulley and Mike's student days at Monsters University: this is a standard buddy movie, sports movie, and campus movie (with, incidentally, an eerie similarity to The Internship).

Some may find the pacing slow by today's standards - with this made - for - TV movie clocking in at just over three hours - but it has a chilling ending that's well worth the wait.

Many of these are first - world problems to be sure, especially when the movie gives all of its characters plenty of money and means to get by, but at least they're first - world problems rooted in the psychological reality that many parents, especially mothers, feel enormous pressure to make their kids» lives conform to ever - shifting standards of perfection.

In a cinematic world where James Bond and Jason Bourne are the current standard bearers for spy movies, something like «Tinker, Tailor, Soldier, Spy» should have come as a nice breath of fresh air... a low tech and character based look at the type of material that usually involves shootouts and explosions.

The movie took a few swipes at how underappreciated mothers are, but mostly it was about how guilty they feel for failing, in one way or another, to live up to their own stressed - out standards of maternal enlightenment.

At Eureka - Movies it'll cost you half ($ 10.97) of what the VHS cassette ($ 22.98) will cost you and about a third of what the standard issue DVD ($ 29.98) will cost you.

Other than that, «Bulletproof» is your standard vulgar, mindless, action - buddy flick, albeit with a love story at its center — something that might have marked the movie as a landmark among the kind of fictional relationships that date back to «Huckleberry Finn,» if it weren't trying so hard to deny its identity.

Kathryn Bigelow's Best Director win at this year's Academy Awards kind of confirmed the unspoken standard for female directors to aspire to, which is to make a movie that a talented man might make as a talented man might have made it.

But «Mudbound,» after showing to great acclaim at the Sundance, Toronto, New York and AFI film festivals, is a Netflix production, and while its 17 - theater nationwide release is a generous allotment by company standards, it's a shame that a movie this aesthetically, historically and politically rich will have to shrink itself to the dimensions of the world's TV and computer screens.

The Prestige's «Transported Man» pales beside Christopher Nolan's own astounding magic trick: persuading a mass audience to see movies so structurally complex that they just about qualify as avant - garde, at least by Hollywood standards.

At first glance, Snowpiercer seems to hit all the check marks for a standard popcorn movie: huge budget ($ 40 million), all - star cast (Chris Evans, Ed Harris, Tilda Swinton), and a graphic novel adaptation that promises action.

They transformed how I looked at movies and provided me with the knowledge and scope of what movies had to offer beyond the standard child fare or summer blockbuster action flick I would have seen at that age.

While never rising above the B - movie standard that defined his subsequent career — including classics like Creature From The Black Lagoon (Jack Arnold, 1954), It Came From Outer Space (Jack Arnold, 1953) and The Valley Of Gwangi (James O'Connolly, 1969)-- he is quite effective at adapting his performance to the tonal shifts of the film, ultimately delivering a suitable lead character for each of the genres the film navigates.

Well, Lenny's wife Roxanne (Salma Hayek), who even Lenny admits in the movie's single and genuinely clever joke is too beautiful for him, is over-emotional (the movie's opinion of her) because she wants to have another kid, so it does aim one sexist stereotype at one of its few major female characters (Speaking of sexism, can we talk about the MPAA ratings board's glaring double standard in pointing out that a movie's nudity is of the «male rear» variety, directly implying that there's something different — worse, more offensive — about the same of the female kind?).

I was fully ready to, in standard fashion, arrive at the theater sometime in the vicinity of 9 a.m. to sit down and watch what was apparently an awesome movie.

Topped by an embossed glossy slipcover, the standard Blu - ray case (DVD packaging is also an option at least from some retailers) holds a Disney Movie Rewards code and a Disney Movie Club enrollment pamphlet.

It is often tempting to look at the possible influences that a particularly derivative - feeling movie has drawn on, to see the superior versions of a standard or rote narrative.

Additionally, a clip of Jeanne in «The Monster of Piedras Blancas» (1959) is used in American Standard's new at - home movie marathon commercial, which, btw, also features an adorable cat.

The bad guy almost always dies at the end in superhero movies, but Jordan's performance will live on as an all - time MCU moment that established Killmonger as the new standard in Marvel movie evil.

MOVIE: THE GIRL WITH ALL THE GIFTS STARRING: GEMMA ARTERTON; SENNIA NANUA; GLEN CLOSE; PADDY CONSIDINE DIRECTED BY: COLM MCCARTHY AMovieGuy.com's RATING: 3 STARS (Out of 4) These days, with The Walking Dead at the end of it's pop culture boom and zombie movies being standard genre flicks that are a part of the cinematic norm, a movie needs to be very precise in getting the flesh eating creatures rMOVIE: THE GIRL WITH ALL THE GIFTS STARRING: GEMMA ARTERTON; SENNIA NANUA; GLEN CLOSE; PADDY CONSIDINE DIRECTED BY: COLM MCCARTHY AMovieGuy.com's RATING: 3 STARS (Out of 4) These days, with The Walking Dead at the end of it's pop culture boom and zombie movies being standard genre flicks that are a part of the cinematic norm, a movie needs to be very precise in getting the flesh eating creatures rmovie needs to be very precise in getting the flesh eating creatures right.

As «Black Panther» continues to set new standards for superhero movies at the box office, have a hero shot taken of you and two of Marvel's other popular characters, Captain America and Spider - Man.

The mini HDMI output lets you output this video playback to a TV simply and easily (no cable is included), and the 4 GB of internal memory will store 2 - 5 movies at standard definition quality.

Battery life is 5 hours long, which is poor by any standard, though it should be enough to watch two movies at home, since this tablet is more a portable TV than an attractive and versatile tablet.