Over the last few games, Bethesda had developed the race into a ferocius people who excel
at swordplay.
Not exact matches
VIOLENCE / GORE 6 - People are shot with pistols and we see lots of
swordplay, sometimes resulting in a bit of blood (
at various times a man and woman have blood on their faces and / or torsos and bruises and scratches).
At the same time, Uchida is responsible for some of the most remarkable swordplay films of the 1950s and»60s; his five - film Musashi Miyamoto epic (not screened at MOMA), starring Kinnosuke Nakamura in the title role and Ken Takakura as his arch-nemesis Kojiro, surpasses the better - known Inagaki Samurai Trilogy starring Toshiro Mifune in terms of both drama and swordplay, yet remains little - known in the West (despite its availability on DVD in the U.S.) After the BAM retrospective (and others) in 2008, most of Uchida's films remained unscreened and undistributed in America, so with MOMA's bigger series recently ending, it's time again to encourage distributors like the Criterion Collection, Kino Lorber, and Arrow Video to bring out more of the director's masterpieces, both for critical reconsideration and for those whom the veteran filmmaker will be a major new discover
At the same time, Uchida is responsible for some of the most remarkable
swordplay films of the 1950s and»60s; his five - film Musashi Miyamoto epic (not screened
at MOMA), starring Kinnosuke Nakamura in the title role and Ken Takakura as his arch-nemesis Kojiro, surpasses the better - known Inagaki Samurai Trilogy starring Toshiro Mifune in terms of both drama and swordplay, yet remains little - known in the West (despite its availability on DVD in the U.S.) After the BAM retrospective (and others) in 2008, most of Uchida's films remained unscreened and undistributed in America, so with MOMA's bigger series recently ending, it's time again to encourage distributors like the Criterion Collection, Kino Lorber, and Arrow Video to bring out more of the director's masterpieces, both for critical reconsideration and for those whom the veteran filmmaker will be a major new discover
at MOMA), starring Kinnosuke Nakamura in the title role and Ken Takakura as his arch-nemesis Kojiro, surpasses the better - known Inagaki Samurai Trilogy starring Toshiro Mifune in terms of both drama and
swordplay, yet remains little - known in the West (despite its availability on DVD in the U.S.) After the BAM retrospective (and others) in 2008, most of Uchida's films remained unscreened and undistributed in America, so with MOMA's bigger series recently ending, it's time again to encourage distributors like the Criterion Collection, Kino Lorber, and Arrow Video to bring out more of the director's masterpieces, both for critical reconsideration and for those whom the veteran filmmaker will be a major new discovery.
A Touch of Zen features one of the best villains of any 1970s
swordplay film, a cunning enemy commander whose troops dog Hsu
at ever turn, portrayed by Han Ying - chieh, who also served as action director.
Similar to it's predecessors, Pirates of the Caribbean:
At World's End is jammed with action, frequent and often graphic swordplay, impaling, and aggressive ammunition exchanges between the pirates and the British Navy who, at present, have the upper hand in the war to control the waterway
At World's End is jammed with action, frequent and often graphic
swordplay, impaling, and aggressive ammunition exchanges between the pirates and the British Navy who,
at present, have the upper hand in the war to control the waterway
at present, have the upper hand in the war to control the waterways.
Along with themes of betrayal and vengeance, there are plentiful
swordplay, (including the graphic skewering of
at least two unlucky combatants), knife fights, draconian whipping scenes
at the Chateau D'If prison, attempted suicides, shootings, and premeditated treachery.
At this point in the series, we have little choice but to expect leftovers, shoehorning Sparrow and a villain du jour into the plot of an existing pirate novel's plot, determining to deliver eye - candy goods copiously mixed with one - facet characters performing slapstick during ample
swordplay.
The first of these is heaven, where the recently deceased Nightcrawler is having a tough time settling in,
at least until Azazel and a band of pirates turns up for some
swordplay.
At the core of the combat is, of course,
swordplay.
The motions of the
swordplay is precise and
at least feels accurate —
at least there's more movement options than just swing.
But while the combat may not be as complicated, players must still craft potions, bombs, and daggers, all while mastering
swordplay and the many magical signs
at Geralt's disposal.
Ever since it official unveiling
at E3 2010, much has been made of The Legend of Zelda: Skyward Sword's MotionPlus - enhanced
swordplay.
With two sets of buxom vampire sisters
at the player's disposal, over a dozen stages of high - octane real - time
swordplay await, each characterized by the hordes of zombies infesting the land and the over-the-top methods our heroes employ to kill them.
Swordplay, beautiful graphics, and Peter Dinklage highlight the first extended look
at the initial episode of the new six - part series from Telltale Games.
Game design experience and ingenuity overflows from this game's bountiful goblet
at every gameplay turn, led by the long - awaited delivery of the most elusive part of the Wii's initial marketing pitch: truly immersive motion controlled
swordplay.
I remember they changed Link from a lefty to a righty for no good reason in Twilight Princess despite direction not mattering
at all for
swordplay.
That's to say he probably would have won, if it wasn't for the beautiful and majestic Griffith
at the scene to show Guts some quick
swordplay.
From its spectacular
swordplay to its breathtaking crossbow shootings, Infinity Sword embodies action role - playing
at its finest.As it has been for all in your bloodline, this is your birthright - to free your people...
Thanks to our friends
at Spada's new
Swordplay site for links to an article
at the Richmond Journal of Law & Technology on INFORMATION INFLATION: CAN THE LEGAL SYSTEM ADAPT which asks, how do vast quantities of new writing forms challenge the legal profession, and how should lawyers adapt?