Sentences with phrase «at the freedom gallery»

Images of solidarity and strength in Palestine Tadamon Exhibition opens on the 3rd September 2010 at the Freedom Gallery.

Not exact matches

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2016 The Freedom Principle: Experiments in Art and Music, 1965 to Now, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Southern Accent: Seeking the American South in Contemporary Art, Nasher Museum of Art at Duke University, Durham, NC The Nest, an exhibition of art and nature, Katonah Museum of Art, Katonah, NY Hateful Things / Resilience, De Pree Art Center Hope College, Holland, MI Africans in America, Goodman Gallery, Johannesburg, South Africa

The exhibition «On Freedom» at Aperture Foundation Gallery is opens on July 13th, and includes photographs by Debi Cornwall from her series, «Welcome to Camp America».

2014 The Freedom Principle: Experiments in Art and Music, 1965 to Now, Museum of Contemporary Art, Chicago, IL Amerika, David Castillo Gallery, Miami, FL Camera as Release, JP Morgan Chase Collection at Paris Photo, Paris, France The Moment.

All Our Mothers, Sue Williamson's new show at Goodman Gallery, Johannesburg, celebrates the strength of the extraordinary women who helped to bring this country to freedom, and examines the generation gap between these wise, iconic veterans of the struggle, and their granddaughters, the confident young born frees.

Among his upcoming solo exhibitions are Subjective Cosmology at MOCAD, Detroit (2016) and Massimo de Carlo Gallery, Milan (2016) and group exhibitions including School of the Art Institute, Chicago's 150th Anniversary Show and The Freedom Principle curated by Naomi Beckwith and Dieter Roelstraete, now traveling to the ICA Philadelphia (2016).

This month alone, you can visit two exhibitions she's conceived: «S / Election: Democracy, Citizenship, Freedom» at the Los Angeles Municipal Art Gallery, where she was recently named curator, and «A Subtle Likeness» at ONE National Gay & Lesbian Archives at the USC Libraries.

That blessed freedom from gravity, heat, cares and constraints conferred by the summer's first dive into the aquamarine purity of a pool is celebrated by Lorraine Shemesh in the refreshing solo exhibition, «Inside Out,» at the Gerald Peters Gallery on the Upper East Side.

Two UK exhibitions last year were of particular note: the ambitious but skewed Peace and Freedom at Tate Liverpool, which interpreted the work solely through the single, distorting lens of Picasso's «political activism», and the Gagosian Gallery's Mediterranean Years, which, in simply highlighting Picasso's playfulness, was by far the more beguiling and seductive.

FRANCHISE FREEDOM Dutch duo Studio Drift, supported by FAENA ART and in partnership with BMW and Pace Gallery, will premiere Franchise Freedom, a performative artwork at the interface between technology, science, and art on the beach of Faena DiFREEDOM Dutch duo Studio Drift, supported by FAENA ART and in partnership with BMW and Pace Gallery, will premiere Franchise Freedom, a performative artwork at the interface between technology, science, and art on the beach of Faena DiFreedom, a performative artwork at the interface between technology, science, and art on the beach of Faena District.

Her work has been exhibited widely, including in shows at the Brooklyn Museum; North Carolina Museum of Art, Raleigh; National Underground Railroad Freedom Center, Cincinnati, OH; Williams College Museum of Art, Williamstown, MA; and Kimura Gallery, University of Alaska, Anchorage.

Exhibitions include a / wake in the water: Meditations on Disaster (2014) at the Museum of Contemporary African Diasporan Arts, Memoirs of A Watermelon Woman (2016) and A Subtle Likeness (2016) at the ONE National Gay and Lesbian Archives, S / Election: Democracy, Citizenship, Freedom (2016) at the Los Angeles Municipal Art Gallery, where she previously served as Curator, and baby boy (2017) at Transmission gallery, GGallery, where she previously served as Curator, and baby boy (2017) at Transmission gallery, Ggallery, Glasgow.

The internationally renowned Passion for Freedom art festival opens once again in London on Monday 1st October at its new home in the Royal Opera Arcade Gallery & La Galleria Pall Mall.

Her work has been featured in solo exhibitions at Cleopatra's in Brooklyn, NY, and at NADA, NY with Essex Flowers, and in group shows including 3 Sculptors, Rachel Uffner Gallery, NY, NY; For Views, Hercules Art Studio Program, NY, NY; Freedom Culture, The Journal Gallery, Brooklyn, NY; Habeas Corpus, Halsey McKay Gallery, East Hampton, NY.

The exhibition Azadi va Edalat (transliteration from the Persian for Freedom and Justice) at the Oglethorpe University Museum of Art in Atlanta, GA, includes a large selection of works by beta pictoris gallery artist Taravat Talepasand.

At Tanya Leighton Gallery, the estimable Sharon Hayes has collected old records of speeches and lectures by some of the worst politicians in American history («Freedom's Finest Hour» by Ronald Reagan, or «The Barry Goldwater Story»)-- a reminder that in the US, even reactionary politics eventually ends up in the market's clutches.

Things Get Lost by Michaela Pilar Brown opens at Honfleur Gallery and Sweet Air of Liberty: Freedom in More Than 3 Acts by Benita Elliott opens at Vivid Solutions Gallery.

Her recent exhibitions include Eva Hesse and Sol LeWitt at the Craig F. Starr Gallery, New York (2011) and Lee Bontecou: All Freedom in Every Sense at the Museum of Modern Art, New York (2010).

From tribes to chains; from community to cargo; from farms to ships to plantations; from South to North; from slavery to freedom - the migration routes of black people from Africa to America form the subject of Betye Saar's new series, Migrations / Transformations, scheduled to be on view at Michael Rosenfeld Gallery from September 8 to October 28, 2006.

Previous solo exhibitions at the gallery in New York include include Drift (2016), which was first on view at David Zwirner, London, Freedom (2011), Terminus: Drawings (1979 - 1982) and Recent Paintings (2009), Recent Work (2006), Remnants (2003), and Come on, play it again (2001).

He participated in «Cornelius Cardew and the Freedom of Listening», CAC Bretigny; «British Art Show 7: In The Days Of The Comet», Nottingham Contemporary, Nottingham and The Hayward Gallery, London; «Radical Nature», Barbican Art Gallery, London; «The Associates», DCA, Dundee; «What You See is Where You're At», The Scottish National Gallery of Modern Art, Edinburgh; Kunsthaus Zürich, Zürich; and «Younger than Jesus», New Museum, New York; In 2008 he received the inaugural Derek Jarman Award.

Recent exhibitions include Witness at the Robert Klein Gallery in Boston, Circus at the Magnum Gallery in Paris, and Road to Freedom: Photographs of the Civil Rights Movement at the High Museum of Art.

2007 Multiple Vantage Points: Southern California Women Arts, 1980 - 2006, Los Angeles Municipal Art Gallery, Barnsdale, CA Agents of Change: Women, Art and Intellect, Ceres Gallery, New York, NY Big Picture: Provisions for the Arts of Social Change, Nathan Cummings Foundation, New York, NY At Freedom's Door: Challenging Slavery in Maryland, Reginald F. Lewis Museum, Baltimore, MD Crossing the Line: African American Artists in the Jacqueline Bradley and Clarence Otis, Jr..

Both the National Gallery and Jack Shainman exhibitions coincide with the 50th anniversary of the March on Washington for Jobs and Freedom, at which Martin Luther King, Jr. delivered his «I Have A Dream» speech, another factor that ties Marshall's work to the history of the Civil Rights movement.

took place on June 5th, 2015 at Barbara Gladstone gallery and supported and celebrated the rights, lives, and creative freedom of African LGBTQI individuals in an effort to ensure that we can all exist with love, pride, and courage.

Exhibitions include a / wake in the water: Meditations on Disaster (2014) at the Museum of Contemporary African Diasporan Arts, Memoirs of A Watermelon Woman (2016) and A Subtle Likeness (2016) at the ONE National Gay and Lesbian Archives, and S / Election: Democracy, Citizenship, Freedom (2016) at the Los Angeles Municipal Art Gallery and baby boy (2017) at Transmission Glasgow.

Her solo shows include: «This Sweetness Outside of Time», Peres Projects, Los Angeles (2010), «Lioness,» New Museum, New York (2009), «Dorothy Iannone,» Anton Kern, New York (2009), «Follow me,» September, Berlin (2008), «She's a freedom fighter,» Air de Paris, Paris (2007), «Seek the Extremes...,» Kunsthalle Wien, Vienna (2006), and «Dorothy lannone,» The Wrong Gallery at Tate Modern, London (2005).

He has published widely in continental philosophy of art, ethics, responsibility, on Derrida, Deleuze, Rancière, Nancy, Lyotard, Heidegger, Nietzsche and Kant; and at the same time he has given many readings of what he calls performative texts in galleries, including Wilkinson («Where narrative stops»), Focal Point («Goldmine ten theses on music»), Stroom («The swerve of freedom after Spinoza»), and Extra City («Philosophers enowning that there be no own»); and he collaborates with artists, notably Ian Kiaer, Benoît Maire, and Gregory Maass & Nayoungim.

In 2013, AfroSurreal Chicago organized its first exhibition, Marvelous Freedom / Vigilance of Desire, Revisited, which was on view at The Arcade Gallery at Columbia College Chicago.

The unique opportunity to exhibit at one of the world's largest and most prestigious museums of art and culture marks a seminal moment in Griffiths» career, and follows the success of the artist's most recent solo exhibition, Enduring Freedom, at Halcyon Gallery in 2015.

Among the organizations giving initial support to the group are Artisan Lounge, Life Is Art, MDC Museum of Art + Design at the Freedom Tower, Dimensions Variable, Stephen Gamson Studios, SeaFair, McCormick Place Miami, CU - 1 Gallery, AIA Miami, Florida Grand Opera and The Art Experiences.

Presented to great acclaim at New York's Cheim & Read gallery this past summer, the work consists of enlarged, colorized silkscreen «paintings» of declassified and oftentimes heavily censored American military and intelligence documents that have recently been made available to the public through the Freedom of Information Act.

Fashion and Freedom at the Manchester Art Gallery sees established designers present works in response to the social changes women went through in WWI.

Through the series of the artworks that presents at the The Breeder Gallery, she builds her own city of feelings in a way almost invisible, non-figurative, minimalist, but with the absolute power and the incredible freedom that provide the large surfaces.

In 2015, Emmanuel's museum exhibition REMNANTS premiered at the Freedom Park Museum in Pretoria and will tour to Boston University's 808 Gallery in January 2016.

Three years later he received the freedom of the City of Salford, and in 1966 to 1967 the Arts Council of Great Britain organised a travelling retrospective exhibition that included six weeks at the Tate Gallery.

Griffiths» most recent solo exhibition at Halcyon Gallery, Enduring Freedom (2015), presented an entirely new body of work which alluded to a sense of disillusionment and abandon typical of many post-war twentieth - century painting.

, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.

Recent solo shows include THE UNSPEAKABLE FREEDOM DEVICE at Grundy Gallery, 2015; SCHOOL OF CHANGE and All Suffering SOON TO END!

Van de Ven has had solo exhibitions at Gallery Paul Andriesse, Amsterdam, NL (2012); Freedom, Netwerk, Aalst, BE; Bloomberg Space, London, UK, (both 2011); Le Grand Café, centre d'art contemporain, Saint - Nazaire, FR (2005); Le Magasin, centre national d'art contemporain, Grenoble, FR (2003); Salon Paris Photo, Paris, FR (2002); MuHKA, Antwerp, BE and Museum het Domein, Sittard, NL (both 2001).

at BAK Utrecht, NL, and Kunsthal Extra City Antwerp, BE; Politiek Kunstbezit, Jonas Staal at Van Abbemuseum, Eindhoven, NL; The City that Doesn't Exist, Ludwig Forum Aachen, DE (all 2012); Melanchotopia, Witte de With Center for Contemporary Art, Rotterdam, NL; Project Europa: Imagining the Impossible, Wallach Gallery, Columbia University, New York, US; Moving Worlds, Podbielsky Contemporary, Berlin, DE (all 2011); The Politics of Collecting / The Collecting of Politics, Van Abbemuseum, Eindhoven, NL; Morality — Act VIII Nether Land, Dutch Cultural Center, Shanghai World Expo, China (both 2010); Freedom of Expression, Museum As Hub, Van Abbemuseum at the New Museum, New York, US; Free as Air and Water, Cooper Union, New York, US (all 2009); Be (coming) Dutch, Van Abbemuseum, Eindhoven, NL (2008); and Be What You Want But Stay Where You Are, Witte de With, Center for Contemporary Art, Rotterdam, NL (2005).

His latest show «Freedom of Assembly» takes Gates to London's Bermondsey, where he ties together contemporary events in the city with his own history; a series of new paintings and sculptures with thought - provoking narratives are on exhibit at White Cube Gallery.

Next Wednesday Wunderkammern gallery will be presenting Freedom as Form featuring the work of BR1, Alexis Diaz, Eron, Faith47 in its first collective exhibition at the new location in Milan.

His work has been shown at galleries in San Francisco, Oakland, Miami and New York and has been published in «The Freedom Book vol.

, T293, Piazza Amendola, Naples 2009 «Call + 972 2 5 839 749», Andres Janacu / Galería Perdida at Project Row House, Houston 2009 «Interior Design for Bastards», T293, Naples 2009 «Destroy and Rejuvenate», Regina Gallery, Moscow 2008 «Feux de Détresse», Galerie Chantal Crousel, Paris 2008 «Lucky In The Misfortune», Masion Descartes, Institut Français des Pays - Bas, Amsterdam 2008 «Asleep», Dvir Gallery, Tel Aviv 2008 «They Hate Us For Our Freedom», Contemporary Art Museum St.Louis, St. Louis 2008 «Change», Galerie Neu, Berlin 2008 «Counter-Poison», Komplot, Brussels 2008 «Claire Fontaine», Witte de With Center for Contemporary Art, Rotterdam 2008 «Tragitti periferici», Facoltà di Architettura, Università degli studi di Catania, Catania 2008 «Instructions for the sharing of private property», project space, The Kitchen, New York 2008 «Capitalism is not working», House of Gaga, Messico, D.F. 2007 «Équivalences», Centre d'Art Villa Arson, Nice 2007 «Utlendinger Overalt», The White Tube, Oslo 2007 «Get Lost», Module, Palais de Tokyo, Paris 2007 «How to cook a wolf / How to?»

«FRANCHISE FREEDOM» BY STUDIO DRIFT December 6: 9 PM — Faena Hotel — By Invitation Only Studio Drift, Faena Art, Pace Gallery, and BMW will premiere «Franchise Freedom,» a performative artwork at the interface between technology, science, aFREEDOM» BY STUDIO DRIFT December 6: 9 PM — Faena Hotel — By Invitation Only Studio Drift, Faena Art, Pace Gallery, and BMW will premiere «Franchise Freedom,» a performative artwork at the interface between technology, science, aFreedom,» a performative artwork at the interface between technology, science, and art.

While the total freedom associated with making art seems antithetical to the 9 - to - 5 slog, there are definite correlations between art and work, and they are given form in the impeccably timed Today I Made Nothing at Elizabeth Dee Gallery.

Eastwood's recent exhibitions have included; Laptop & Chips at SE9 Container Gallery, Work / Recreation / Freedom at Nunnery Gallery, London, Present Tense at Swindon Art Gallery, UK, @PaintBritain, Ipswich Museum, UK, and Royal Academy Summer Show Royal Academy of Arts, London.