Sentences with phrase «at the salon des»

The real jokesters, in Naumann's way of thinking, include the «excessivist» artist who signed his work Joachim - Raphaël Boronali and showed a picture that was painted by a donkey's tail at the Salon des Indépendants in Paris in 1910.

During this year, he exhibited his sculptures for the first time at the Salon des Tuileries in Paris and in Switzerland at the Galerie Aktuaryus in Zurich.

She moved frequently between France and Cuba throughout the 1930s and 1940s; having started studying architecture at the Universidad de La Habana, Havana, Cuba (1938 — 39), she trained at the Art Students League, New York, NY, USA (1942 — 43), before exhibiting five times at the Salon des Réalités Nouvelles, Musée d'Art Moderne de la Ville de Paris, France (1949 — 53).

In 1948 the couple relocated to Paris, where Herrera befriended a group of abstract artists and honed her individual style, showing at the Salon des Réalités Nouvelles.

In 1911, a retrospective exhibition of Rousseau's works was shown at the Salon des Indépendants.

Around the end of the 19th century, he was continuously exposing his works at the Salon des Indépendants.

Braque exhibited his first Fauvist works at the Salon des Indépendants in Paris in 1907.

By 1946, having rejected formal art training before the war, Soulages established a studio in Paris and exhibited at the Salon des Indépendants in 1947, having his first solo exhibition at the Galerie Lydia Conti in 1949.

Form defined by colour and its purification has been a central characteristic of Herrera's work since she exhibited at the Salon des Réalités Nouvelles between 1949 and 1953.

Examples of his work were accepted for inclusion in a group exhibition at the Salon des Surindépendants.

During 1913 he exhibited his work at the Salon des Indépendants and Salon d'Automne, and his work was noticed by Pablo Picasso, Guillaume Apollinaire, and several others.

In 1947 his work was shown at the Salon des Surindependants.

Not exact matches

In 2017, I am planning a trip to Amsterdam, London (for the Business Travel Show), Berlin (for the ITB) and Saint - Malo (for the Salon des Blogueurs de Voyage), while Sharron is travelling to Eilat, Japan, Lille and speaking at the World Tourism Forum in Istanbul.

Popović is an MFA graduate of Academy of Fine Arts, Zagreb, Croatia and has been awarded a number of distinguished grants and awards including the Art Omi Residency Program at Omi International Arts Center, Ghent, New York, USA (2017); ArtsLink Residency Program at Portland Institute for Contemporary Art, Portland, Oregon, USA (2006); 36th Split Salon Prize, Croatian Art Society, Split, Croatia (2009); Annual Young Artist Prize, Croatian Art Society, Zagreb, Croatia (2006); Filip Trade Contemporary Art Collection Prize, Zagreb, Croatia (2005); Cité Internationale des Arts Residency Studio Program at Cité Internationale des Arts, Paris, France (2005); Grand Prix of the 8th Triennial of Croatian Sculpture, Zagreb, Croatia (2003).

Traveled to Worcester Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey Art Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox Art Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington Art Gallery, University of Texas at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des Arts Décoratifs, Paris (June 6 — September 17) Olympic Arts Festival Los Angeles 1984, Newport Harbor Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the Permanent Collection: Paintings and Sculpture, Museum of Modern Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge, Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master Drawings: 1928 — 1984, Janie C. Lee Gallery, Houston (March 7 — April) La Part des Femmes dans l'Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis Gallery, New York (January12 — February 4)

Many exhibitions were held in Paris for example in the galleries Arnaud, Drouin, Jeanne Bucher, Louis Carré, Galerie de France, and every year at the «Salon des Réalités Nouvelles» and «Salon de Mai» where the paintings of all these artists could be seen.

He exhibited at the Exposition du Cinquantenaire in the Salon des Indépendants of the Grand Palais in Paris, without taking account of the opinion of the rest of the surrealists, who had decided not to participate in it, which nearly led to Dalí being expelled from the group led by Breton.

He has also participated in numerous group shows including the Salon de Montrouge, Génie de la bastille at the Opera Bastille, Espace Beaurepaire, Paris and Academie des Beaux - Arts de Paris.

Some of these works were included in the Association Artistique Les Surindépendants» 11th Exposition du Salon des Surindépendants at the Porte de Versailles, where they drew the attention of Hans Arp.

A sort of Salon des Refusés (whose precedents may be tracked through the subsequent succession of more independent minded efforts, from Kurt Schwitters's Merzbau to Donald Judd's sited galleries in Marfa), The Bell is at once a monument to the artist and an anti-monument, as Smithson defined it.

In 1951 he had his first contact with French artists, exhibiting in Paris at the «Salon des Realistes Nouvelles».

The sculpture was exhibited at the Paris Salon d'Automne of 1912 in the famous Salle des Cubistes, a landmark exhibition in the history of modern art.

Returned to France from 1963 - 69, painting and exhibiting: Salon des Independents, City of Chatillon, One - man exhibitions at Galerie des Jeunes, Galerie Mouffetard, Atelier Decima as well as Polder Gallery in the Hague.

He participated in the Salon des Indépendants and the Salon d'Automne in 1912 and held his first solo show in 1914 at Der Sturm Gallery in Berlin.

Jean Metzinger, following the Succès de scandale created from the Cubist showing at the 1911 Salon des Indépendants, in an interview with Cyril Berger published in Paris - Journal 29 May 1911, stated:

In 1913 Brâncuși's work was displayed at both the Salon des Indépendants and the first exhibition in the U.S. of modern art, the Armory Show.

In 1949 he was represented in the Salon des Surindépendants and was given his first one - man exhibition, at the Galerie Nina Dausset.

18 — 28 January: Calder exhibits Romulus and Remus and Spring at the Salon de la Société des Artistes Indépendants, Paris.

While Pissarro was accepted to show at the official Salon throughout the 1860s, in 1863 he participated with Edouard Manet, James Abbott McNeill Whistler, and others in the historic Salon des Refusés.

He exhibited at the Salons d'Automne et des Indépendants and took part in the La Section d'Or group.

From the late 1860s, Monet and other like - minded artists met with rejection from the conservative Académie des Beaux - Arts, which held its annual exhibition at the Salon de Paris.

As a result of the joint studios at the Stedelijk Museum in Amsterdam where three artists worked together emerged the installation Salon de Lumiere showed at the Palais des Beaux - Arts in Paris.

May 1, 2014 — May 1, 2015 American Abstract Artists 75th Anniversary Print Portfolio Exhibitions in Colleges and Museums, 2012 - 2015 Painting Center, «Wit», Curated by Joanne Freeman, New York, NY, 2013 Sideshow Gallery, Brooklyn, NY, 2013 - 2008 (Annual Exhibition) Paris CONCRET, «American Abstract Artists International», Paris, France, 2012 Parc Floral De Paris, «Le Salon des Realties Nouvelles», Invitational, Paris, France, 2012 The Ice Box, Crane Arts, «Abstraction to the Power of Infinity», Curated by Janet Kurnatowski, Philadelphia, PA, 2011 OK Harris Gallery, «American Abstract Artists 75 Anniversary», New York, NY, 2011 Galerie oqbo Deutche Kunstlerbund, «75th Anniversary American Abstract Artists International», Berlin, Germany, 2011 Herbert F. Johnson Museum of Art, Cornell University, «75h Anniversary of the American Abstract Artists», Ithaca, NY, 2011 Sideshow Gallery, «Material Matters»: American Abstract Artists, Curated by Kat Griefen, Director AIR Gallery, Brooklyn, NY, 2007 Florence Lynch Gallery, «Material Sign» (four person exhibition), Curated by Stephen Westfall New York, NY, 2006 RB Stevenson Gallery, «New Year Gallery Selections», San Diego, CA, 2003 2002, 2000 Art Resources Transfer, «A Conversation Exhibition», New York, NY, 2003 The Affordable Art Fair, «Rosenberg + Kaufman Fine Art», Pier 92, New York, NY, 2002 Klein Art Works, «Blotto» (four person exhibition), Chicago, Ill, 2000 Condesa Lawler Gallery, «Abstract Index», New York, New York, 1999 Art Initiatives, «Dealer's Choice», New York, NY, 1999 Allan Stone Gallery, New York, NY, 1992, 1985 The Gallery at Hastings - on - Hudson, «The Legacy of the Abstract Expressionists», Hastings - on - Hudson, 1990 0scarsson Siegeltuch Gallery, New York, NY, 1987, 1985 Goldie Paley Gallery, Moore College, Philadelphia, PA, 1986 Ruggiero Henis Gallery, «Mixed Media», a sculpture exhibition Curated by Fredericke Taylor, New York, NY, 1989 John Davis Gallery, New York, NY, 1988 San Francisco Art Institute, «Four Painters», San Francisco, CA, 1981 «Art Today USA II» (organized by David Galloway, Teheran, Iran, 1976 Newport Harbor Art Museum, «Market Street Program», Los Angeles, CA, 1973 San Francisco Art Institute, «Drawing Invitational», San Francisco, CA, 1973

1994 - Introduced to madame Bernadette Chirac on the occasion of the exhibition at the «Mairie du XII arrondissement Salon des Peintres et Sculpteurs Contemporains».

Vincent van Gogh, who lived in Paris between 1886 and 1888, would have seen this work at the 1887 Salon des Indépendants, then the most important exhibition of modern art in general and Neo-Impressionism in particular.

Awards and Grants 2011 Augarten Contemporary, Artist in Residence, Vienna 2010 International Contemporary Art Prize Diputacio de Castello 2010 Croatian Association of Artists Award, Zagreb 2009 IASPIS, Stockholm 2009 ARCO Prize for young artists, Madrid 2007 International Residence at Recollets, Paris 2007 Kunstzeitraum, Artist residency, Munich 2006 - 07 KW Institute for Contemporary Art, Studio program, Berlin 2002 Cité Internationales des Arts, Paris 2002 36th Zagreb Salon Award, Zagreb 2002 Filip Trade Award, Zagreb

In 1912 he exhibited at the Salon National des Beaux - Arts and the Salon d'Automne.

Uecker, Mack and Piene began working together in joint studios at the Stedelijk Museum in Amsterdam in 1962 and installed a «Salon de Lumière» at the Palais des Beaux - Arts in Paris.

In Paris, he met Stanley William Hayter, exhibited at the 1926 Salon des Indépendants, and in 1927 began giving performances of his miniature circus.

no. 135 Milwaukee Art Center; Tokyo, Bridgestone Gallery; Honolulu Academy of Arts; London, Royal Academy of Arts; Athens, Zappeion; Rome, Palazzo Venezia; Munich, Haus der Kunst; Monte Carlo, Salons Perves; Berlin, Kongrehalle; Copenhagen, Kunsthal Charlottenborg; Stockholm, Liljevalchs Konsthall; Milan, Civico Padiglione d'Arte Contemporanea; Brussels, Palais des Beaux - Arts; Dublin, Municipal Gallery of Art; Madrid, Casa del Buen Retiro; Kunstmuseum Lucerne; Musee d'Art Moderne de la Ville de Paris; Vienna, Akademie der bildenden Kunste; Washington, D.C., Corcoran Gallery of Art; Philadelphia Museum of Art; New York, Whitney Museum of American Art; Providence, Rhode Island School of Design, Museum of Art; Boston, Museum of Fine Arts; Detroit Institute of Arts; Minneapolis Institute of Arts; University of Illinois at Urbana - Champaign, Krannert Art Museum; City Art Museum of St. Louis; Cincinnati Art Museum; Omaha, Joslyn Art Museum; Denver Art Museum; Seattle Art Museum; Fresno State College; Fine Arts Gallery of San Diego; Fort Worth Art Center; Des Moines Art Center; Nashville, Tennessee Fine Arts Center at Cheekwood; Birmingham Museum of Art; Wichita Art Museum; Ithaca, Cornell University, Andrew Dickson White Museum of Art; Coral Gables, University of Miami, Joe and Emily Lowe Art Gallery; Columbia Museum of Art; Mexico City, Museo de Arte Moderno; Toronto, O'Keefe Centre, USA: NOW, November 1962 - October 1967, p. 92, fig. 2, illustrated New York, The Whitney Museum of American Art, Jack Tworkov: A Retrospective Exhibition, March - May 1964, no. 21, illustrated New York, The Pace Gallery, Selected American Painters of the 1950's, February - April 1974 Glasgow, Third Eye Centre, Jack Tworkov: Paintings 1950 - 78, May - June 1979, cat.

Here he met Kandinsky, Mondrian, Miró and Calder and exhibited works at the «Salon des Surindépendants».

Swynnerton exhibited internationally, including at the Salon de la Société Nationale des Beaux - Arts, Paris in 1905.

In 1925, Adnet was recognized as one of the most promising young designers at both the Salon d'Automne and Les Expositions des Arts Decoratifs.

Real estate investment website Gooplex.com is presenting its first edition of the Salon de l'investissement immobilier du Québec (SiiQ)(The Real Estate Investment Tradeshow 2012), on Sept. 29 at Montreal's Palais des Congrès.