Sentences with phrase «at the art museum while»

Not exact matches

He ambles around the auditorium he's rented at the San Francisco Museum of Modern Art while the staff of Pandora, the online radio company he founded, buzzes around him.

While at the museum, check out the many activities for children, including Family Sundays, art classes and special projects such as decorating sugar candy skulls and creating Dia de los Muertos art of your own.

Kate Middleton rocked a stunning Jenny Packham design, statement jewels, and a beautiful chignon while at the Metropolitan Museum of Art to attend the St. Andrews 600th Anniversary Dinner.

while she was here, we went to a couple museums and art galleries and stopped at one of my favorite restaurants, betony, for dinner.

While at the Urban Lights exhibit at the Los Angeles County Museum of Art, my dear Mystery Man, and close friend, David, entertained me as I relived my childhood fantasy of being a dancer for a few minutes =)

Other options: having drinks while dancing the night away at the Seattle Art Museum's «Remix;» loud rock music at the New Crocodile.

About Photo # 3717630: Logan Lerman is dapper in a suit while attending the premiere of his latest film Indignation held at the Museum of Modern Art on Monday (July 25) in New York City.

Tracee Ellis Ross is a bubblegum princess on the red carpet while arriving at the 2018 Met Gala held at the Metropolitan Museum of Art on Monday (May 7) in New York City.

Joel Edgerton looks cool in a shiny blue jacket while stepping out for MoMA's The Contenders screening of Loving held at the Museum of Modern Art on Thursday (November 17) in New York City.

Keri Russell and Matthew Rhys switch things up while hitting the carpet at the 2017 Met Gala held at the Metropolitan Museum of Art on Monday (May 1) in New York City.

Keri Russell and Matthew Rhys couple up while attending the 2018 Met Gala held at the Metropolitan Museum of Art on Monday (May 7) in New York City.

We're bringing in principals, we're bringing in parents, reaching out to other arts groups... so while I feel like we're definitely feeling the cuts and we're seeing it in schools and suffering is happening with museums and cultural institutions in Chicago, at the same time there's a lot of energy and excitement about national conversations around the arts.»

Because if I have to write this post about all the otaku activities going on at the Honolulu Museum of Art this month while I'm thinking about how there's an pen, and there's an apple, and UNH, now... READ MORE

While many young people visit Amsterdam for the marijuana scene — and perhaps to peek at the legal prostitutes in the Red Light District — the city is teeming with high culture, from the world - class art in the Van Gogh Museum and the Rijksmuseumn to P.C. Hooftstraat, the shopping street where you can find plenty of the contemporary, cutting - edge design that has become a source of pride in Amsterdam and the Netherlands.

Downtown shouldn't be missed by foodies, who will love the Grand Central food market, where you can eat as well as browse, while culture - lovers can enjoy concerts at Disney Hall or world - class exhibitions at the Museum of Contemporary Art.

Natural lovers are sure to enjoy a leisurely day spent at Hama Rikyu Garden while history buffs will embrace the rich culture and ancient traditions displayed at Ancient Orient Museum or the Bridgestone Museum of Art.

If you came to Santa Fe, I would tell you to stroll around the city's historic and colorful Plaza; visit the Georgia O'Keeffe Museum and the International Folk Art Museum or any of the other half dozen museums in town; explore the galleries on Canyon Road; take a hike in the nearby mountains; have a soak and a massage at 10,000 Waves; take in an opera (summer) at the famed Santa Fe Opera House; and catch one of New Mexico's dramatic sunsets, while having a libation at the Bell Tower Bar of La Fonda Hotel.

SFMOMA's «On the Go» program, which has been bringing art into the community while the museum completes its renovation, began with Mark di Suvero at Crissy Field in 2013.

The Villa Song is a gorgeous four star property with French Colonial - style architecture located beside Saigon River in District 2 of Ho Chi Minh City.Guests staying here will find themselves perfectly situated in a sanctuary of calm while still being a short transit away from the main highlights of a stay in Ho Chi Minh City, such as the Reunification Palace, War Remnants Museum, Saigon Opera House, Ben Thanh Market, Thien Hau Pagoda, Notre Dame Cathedral, and more.Four styles of rooms are available at this location: Deluxe Garden, Deluxe River View, Art Suite River View, and Imperial Suite.All are elegantly decorated in a clean modern style with accents of Vietnamese taste, and are equipped with air conditioning, sleek furnishings, high speed wireless internet access, en suite bathroom with full amenities, in - room safe, and more.

Every district has sub-districts that even contain landmarks such as Downtown Paradise comprising of four sub-districts including the Waterfront, River City, Downtown and Motor City in which the Paradise City Town Hall and Museum of Art in River City, while a large chrome statue of a man holding a flag is known as the symbol of the city situated at the Waterfront, alongside many more landmarks within every sub-district.

While traveling between combat areas on the map, players will encounter world puzzles that allow the player to obtain chests that can contain virtual 3D models and game art that can be viewed in the museum at Peach's Castle, the hub world area of the game.

Don is a life trustee at the Museum of Contemporary Art Chicago, while Barbara is an Art Institute of Chicago trustee, as well as a member of the Expo Chicago art fair's civic committArt Chicago, while Barbara is an Art Institute of Chicago trustee, as well as a member of the Expo Chicago art fair's civic committArt Institute of Chicago trustee, as well as a member of the Expo Chicago art fair's civic committart fair's civic committee.

It may be sheer coincidence, but exhibitions at the Brooklyn Museum and the Kunsthalle Vienna this autumn both focus on the women artists who were identified with Pop art, while an exhibition at the Jewish Museum in New York tackles a related subject: painting and feminism (with a bit of Jewishness thrown into the mix).

These questions, and many more, come to mind while viewing The Philadelphia Museum of Art's Audubon to Warhol: The Art of American Still Life, an ambitious, scholarly show that traces American still - life painting back to its roots at the birth of our society.

Fishman is currently the subject of two large exhibitions: «Louise Fishman: A Retrospective» at the Neuberger Museum of Art acts as the 77 - year - old's first comprehensive show, while «Paper Louise Tiny Fishman Rock» at the Institute of Contemporary Art, Philadelphia displays an entirely different body of work, focusing on sketchbooks, smaller paintings and sculptures, and other rarely - seen items.

While in the United States, it was remarkable to hear people talking about his 2010 — 11 retrospective at the Museum of Contemporary Art Chicago many months after it had closed.

Belgian dancer and choreographer Anne Teresa De Keersmaeker introduced her postmodern dance work «Violin Phase» — the third of four movements set to the music of Steve Reich — at the National Museum of Modern and Contemporary Arts on Monday and Tuesday.A square - shaped sheet of white sand was placed in the middle of a white cuboid space while the late afternoon sunlight streamed in.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

At Art Basel Miami Beach this week, Jack Shainman Gallery presents Odutola's most ambitious work to date, a five - foot tall portrait from her latest series, while earlier pieces are currently on view in group shows at Brooklyn's Museum of Contemporary African Diasporan Arts (MoCADA) and the Jenkins Johnson Gallery in San FranciscAt Art Basel Miami Beach this week, Jack Shainman Gallery presents Odutola's most ambitious work to date, a five - foot tall portrait from her latest series, while earlier pieces are currently on view in group shows at Brooklyn's Museum of Contemporary African Diasporan Arts (MoCADA) and the Jenkins Johnson Gallery in San Franciscat Brooklyn's Museum of Contemporary African Diasporan Arts (MoCADA) and the Jenkins Johnson Gallery in San Francisco.

On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

In addition to creating work while at The Residency; artists attend openings and talks, visit museums and galleries, and receive vital feedback from art professionals through one - on - one studio visits and public open houses.

I first encountered Stettheimer's paintings at the Metropolitan Museum of Art, about four years ago, while meandering through a survey of twentieth - century American painting cobbled together from the museum's holMuseum of Art, about four years ago, while meandering through a survey of twentieth - century American painting cobbled together from the museum's holmuseum's holdings.

In the run up to his major exhibition, Academy of Tal R at Louisiana Museum of Modern Art, Denmark (until 10 September 2017), the artist was interviewed by Kasper Bech Dyg and Marc - Christoph Wagner, who spent six months with him while he was in the process of making his grand series of railcar paintings, Habakuk.

While there, he sought out the Henri Matisse paintings in the Museum of Modern Art in New York, and those at the National Gallery of Art and the Phillips Collection in Washington, D.C..

In the run up to his major exhibition, Academy of Tal R at Louisiana Museum of Modern Art, Denmark, the artist was interviewed by Kasper Bech Dyg and Marc - Christoph Wagner, who spent six months with him while he was in the process of making his grand series of railcar paintings, Habakuk.

While at MoMA, Hoptman also organized a number of contemporary art exhibitions including Love Forever: Yayoi Kusama, 1958 - 1968 (co-curated with Lynn Zelevansky of the Los Angeles County Museum of Art, 1998) and Projects # 60: John Currin, Elizabeth Peyton, Luc Tuymans (1997)-- each was cited as one of the 10 best exhibitions of its year by ArtForum magaziart exhibitions including Love Forever: Yayoi Kusama, 1958 - 1968 (co-curated with Lynn Zelevansky of the Los Angeles County Museum of Art, 1998) and Projects # 60: John Currin, Elizabeth Peyton, Luc Tuymans (1997)-- each was cited as one of the 10 best exhibitions of its year by ArtForum magaziArt, 1998) and Projects # 60: John Currin, Elizabeth Peyton, Luc Tuymans (1997)-- each was cited as one of the 10 best exhibitions of its year by ArtForum magazine.

I often think of the lobby gallery at the Whitney Museum as a place where visitors kill time while waiting for the elevator and where art goes to die.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

In London, Adjaye Associates recently designed the Marian Goodman Gallery space (2014), while in the US, the firm delivered a museum for contemporary art in Denver (2007) and the Ethelbert Cooper Gallery of African & African American Art at Harvard's Hutchins Center (2014)-- for which Adjaye co-curated the inaugural exhibitiart in Denver (2007) and the Ethelbert Cooper Gallery of African & African American Art at Harvard's Hutchins Center (2014)-- for which Adjaye co-curated the inaugural exhibitiArt at Harvard's Hutchins Center (2014)-- for which Adjaye co-curated the inaugural exhibition.

His 1945 exhibition Artists Look Like This at the Philadelphia Museum of Art, mounted while still in his twenties, paved the way for his lifetime entrée to the great minds of his day.

When curators at Saint Louis's Contemporary Art Museum asked Cindy Sherman whether there was a moment in her career whose resonance might be underappreciated, one around which she might like to develop an exhibit and a book, she selected her earliest adult creative years, beginning while she was still a student at Buffalo State College in the mid-1970s.

While Mr. Sultan used imagery from newspaper photos as his source material, the paintings have powerful resonance today, said Alison Hearst, an assistant curator at the Modern Art Museum of Fort Worth, which organized the show.

While its big three supply about half the art, following a more modest summer show at the Neuberger Museum in Purchase, others provide the big names and the innovations.

Also, while the general audience of color that Cassel Oliver appears to address is present at the Studio Museum in Harlem, which is located in a walking and shopping district in a majority - minority neighborhood, it is less in evidence at Grey Art Gallery, a downtown university gallery that draws students, tourists, and art patroArt Gallery, a downtown university gallery that draws students, tourists, and art patroart patrons.

click here to download PDF By Tara Plath While Smoke, Nearby, an exhibition of work by Mexico City - based Tania Pérez Córdova, which recently opened at the Museum of Contemporary Art Chicago, marks the artist's first solo appearance in the United States, the show feels like somewhat of a homecoming.

Several galleries, notably Pierre Matisse and Julien Levy, began showing the work of European Surrealists on a regular basis, while major group exhibitions, such as Fantastic Art Dada and Surrealism at the Museum of Modern Art in 1936, brought it to the attention of a larger audience.

While teaching in Los Angeles, Mallary exhibited paintings made of polyester at the Urban Gallery, New York, in 1954, and was included in three annuals at the Los Angeles County Museum of Art.

In the 1950's, Leslie was included in the historic Ninth Street Show, curated by Leo Castelli, had five solo shows at the Tibor de Nagy Gallery, and was included in the Museum of Modern Art's Sixteen Americans exhibition, all the while receiving great praise for his more geometric variety of Abstract Expressionism.

Deitch presented the first American gallery show of Shanghai artist Chen Zhen in 1996, and while at the Museum of Contemporary Art, he curated a major exhibition with Cai Guo - Qiang.

During the fair, exhibitions on Theaster Gates and Laura Owens were on display (at Nasher Sculpture Center and Dallas Art Museum respectively), while solo shows by Eric Fischl, Harry Nuriev and Sara Rahbar filled Dallas Contemporary.