Sentences with phrase «at the character voices»

Not exact matches

Here's a big furry character with a deep booming voice, parents throw their kids at him and walk away!

But some Bunyan, writing Pilgrim's Progress in a prison where it was so damp that, as he cried, «The moss did verily grow upon mine eyebrows»; some Kernahan, born without arms and legs, but by sheer grit fighting his way up until he sat in the House of Commons; some Henry M. Stanley, born in a workhouse and buried in Westminster Abbey; some Dante, his Beatrice dead, he himself an exile from the city of his love, distilling all his agony into a song that became the «voice of ten silent centuries», or some more obscure and humble life close at hand where handicaps have been mastered, griefs have been built into character, disappointments have been turned into trellises, not left a bare, unsightly thing — such incarnations of fortitude and faith have infectious power.

With each modulation Wagner purposely strains the tenor's voice more, the growing physical strain of the music conveying the emotional conflict within the character: although praising the goddess with his lips, his heart, or at least part of his heart, lies elsewhere.

Dostoevsky, on the other hand, is brilliant wherever extreme effects are called for, but almost hopeless at creating a substantial world around the delightful clamor of his characters» voices, or at creating a credible psychological personality behind any of those voices.

It seemed to me as if I suddenly knew the voice [of John Ames]-- it sounds sort of mystical, but at that point I had the conviction that I knew the character.

Liberty ES also won a second Promising Practice Award for the creation of and implementation of the Student Leadership Team, a voice for students in developing a character education foundation at Liberty ES.

But insiders tell The Herald that, while Yaa Asantewaa is a carbon copy of her mother in form, shape and character, Amina Rawlings, is mentioned to be at the mercy of the wind; easily swayed by whose voice is louder at a particular time — it is mostly Nana Konadu's voice, which vibrates in her ears and that is what she often times obey.

Co-written with novelist Christine Angot (Incest), whose voice can be heard in the series of casually cruel, at times desperately hilarious conversations that Binoche's character engages in with a merry - go - round of likely and unlikely suitors, this is clearly Denis» chattiest effort yet, marking an about - face for a director whose oeuvre has defined itself, in part, through its swooning visuals and deft aesthetic touch.

Though an admirable attempt to allow the characters to tell their own story in their own voices, docu may be a bit too freely associative, as it becomes difficult at times to identify individual characters... Picture's second half, which proceeds in a more linear fashion, is resolutely gripping.

Naruto: Clash of Ninja Revolution 2 is not the best game in this series of fighters, graphically it's good for a Wii game, the sound is good, the voice acting is great, the controls are ok, there is a large number of characters to play as which is great and even some game exclusive characters, multiplayer is ok, the story mode introduces an new and unique story with some interesting characters but kind of falls short, and the difficulty can be down right frustrating at times, there is some good versus modes and a fun survival mode, all in all i would only recommend this to Naruto fans, and people who love fighting games.

As strong as the two characters at the heart of the game are, this is a story that struggles to find its voice.

Singleton is better at criticizing than understanding, and he leaves too many characters lacking a legitimate voice.

«He reminds me of one of those characters in old Greek theater who very explicitly state the philosophical dilemma at hand and put it in a way that feels in line with that character's interests and voice,» said Eisenberg.

Some of the character models aren't great (though the voice work uniformly is), there are some graphical issues here and there, and the testosterone - injected guitar riffs that underscore the firefights seem at grating odds with the setting and story.

Some of the side characters that are related to the Divine Beasts quest have well - done dialogue and voices while others can be cringe - worthy at times.

Filing off what little edge there was from the first film's supervillainy, introducing a host of mostly forgettable new characters (Al Pacino was initially down to voice the bad guy, but dropped out at the last minute), and doubling down on the adored - by - kids, annoying - to - adults Minions, the film has occasional moments of wit and invention, but it's mostly a bland retread without the heart of its predecessor.

Even in a man - versus - machine story that can come off a little silly or overwrought at times, just hearing the soothing voices of characters like «It's Reyn time» Reyn or the medic - who - heals - you - by - shooting - you Sharla makes everything feel so gosh - darned poignant and profound and posh.

Overall it's a very corny, tongue in cheek poke at the TV cop shows of the 70s and 80's with the characters are well voiced and styled exactly as you would expect.

Character actor Dennis Burkley, who starred in My Name is Earl and most recently did voice work on King of the Hill, died at his home in Sherman Oaks, Calif. over the weekend, CNN reports.

At the end of Anthropoid, we're introduced to one of this hidden character that emerges at the very end — who had been there all along in the story too — and isn't a human character, but someone it is given a voice towards the enAt the end of Anthropoid, we're introduced to one of this hidden character that emerges at the very end — who had been there all along in the story too — and isn't a human character, but someone it is given a voice towards the enat the very end — who had been there all along in the story too — and isn't a human character, but someone it is given a voice towards the end.

But in the rare moments in which these characters actually do speak to one another (always when louder sounds are drowning out their voices), the things they say are so basic and obvious that one wonders whether they actually know each other at all.

There are three characters (a fourth if you count a disembodied voice), it hints at being set in the far future — ...

«One Brick at a Time: Making The LEGO Batman Movie» (16:10) details the creative processes of the film, from turning real Legos into digital animation to the voice cast bringing the characters to life.

Produced by James L. Brooks, who knows a thing or two about character - driven comedy (The Simpsons, Broadcast News), The Edge of Seventeen screams with an idiosyncratic voice at a time when so many movies just want to fall in with the popular crowd.

The music, sound effects and voice acting (with the main characters especially) are all at the top of their league too, and work perfectly.

Hop, featuring Brand's voice as the title character, held on firmly to the top spot at the box office, grossing an estimated $ 21.6 million in its second week of release.

The duo also discusses coming up with the voices for their characters and what they were like at ten - years - old.

Read on for details on the film, the voice cast, and a look at over 20 images of the characters» designs.

Tatum jumped on board and provides the dubbed voice for the lead character, while Joseph Gordon - Levitt joins him as his new partner at the Bucharest PD.

There were a few minor issues — the character of Morgana and his purpose as a «guide» for Joker feels suffocatingly restrictive at times, acting as the annoyingly vocal wall preventing the player from engaging in the game's activities during main story events, and the English localisation and voice - work, despite its overall quality, often felt stilted and flowed much less naturally in the early game compared to its predecessors.

The voice case really imbue the characters with their own definitive personalities and evoke the appropriate responses, usually uproarious laughter, at exactly the right time.

While the extremely well - designed and well - rendered character costumes and weapons give some basic idea of what the characters are like, the voice acting for the characters is awful and doesn't convey much personality at all, especially the player character, Naja.

Other characters are the Angel Islington (Cumberbatch), the pigeon - friendly Old Bailey (Cribbins), the Earl at Earl's Court (Lee), and the never seen (if memory serves — like I said, it's been a while) Jessica, Richard's fiancée, voiced by Romola Garai.

Each character has a distinct voice and personality, and the dialogue is funny, if a bit too reliant on puns at times.

Every character in the film makes choices, and the film's commitment to its South Boston framework continually asks — as smalltime private eye Patrick Kenzie (Casey Affleck) does in his opening voice - over — whether those choices are what define us or not, and whether they are «real» choices at all, or are already determined by the nature of the chooser, dictated by the choices he didn't make.

While time inevitably marches on, director Roger Mainwood has a splendid constant at his disposal in the pitch - perfect voice performances of Blethyn and Broadbent, who inhabit their hand - drawn characters with a vivid, fully - dimensional authenticity.

Kristen Bell fares just as poorly as the repressed stay - at - home mom who struggles to find her voice in her marriage, trying to drum up laughs in a bra - shaming sequence that is almost identical to the one she was involved in just in the last year in her role in the Melissa McCarthy vehicle, The Boss — that it's Kunis's character, the most fashionable of the three moms (the one with perfect hair, make - up and 5 - inch designer heels) who wears doesn't know her bra isn't sexy only speaks to the film's laboring to force comedy without build - up.

He's an artist whose illustrations can be glimpsed at Eli Cash's apartment in «The Royal Tenenbaums» (just to the right of the giant paintings by Miguel Calderon), and he also voiced a farmer character in «Fantastic Mr. Fox.»

Co-starring Kathryn Hahn and Shirley MacLaine as Walter's sister and mother, plus Patton Oswalt as a disembodied eHarmony customer service voice that's constantly calling Walter and therefore continuously reminding the audience of Walter's growth (the dialogue is unfortunately that artless), «Walter Mitty» boasts a strong cast, but one misused by a pedestrian script that embraces clichés and places conventional, groan - worthy conclusions at the end of each storyline shared by Walter and every major character he's met.

But the film's other main female character serves as its much - needed voice of reason: Shazi Raja as a musician friend of Troy's who's already studying at Harvard.

A voice cast including «Sarah Silverman», «Jack McBrayer» and «John C. Reilly» all do a great job at bringing the characters to life and the fun exchange of banter between them is the heart of the film.

The first thing fans will notice is that the game features voice - acting for at least one character, a mysterious woman (Princess Zelda?)

And finally, you have Sid the sloth (voiced by John Leguizamo), who seems to be the only character who hasn't developed at all since the first movie and has only become more grating with each additional sequel.

The voice of every video game character ever, Nolan North, has talked about the mysterious Visceral Games Star Wars project in a panel at...

A character study in an era when the Sundance Indie has franchised the idea and repackaged it as formulaic insincerity, Bergman's debut is at a throwback, and Bergman himself an emerging voice from an emerging industry.

The material here more closely resembles his efforts on «Scott Pilgrim vs. the World» than «Project X,» at least in the sense that he's lending a sensitive or sympathetic edge to all of the characters» shenanigans, and it proves that he's got a voice as a writer that articulates honestly the point of view of young characters in a pop - culture - saturated society.

Juliette's voice actor in particular absolutely nails the character, doing a top job of believably selling the player on the creeping dread that the game exudes at every turn while also evoking tones making her sound like a more softy spoken, tense version of Swedish actress Noomi Rapace in the process.

At least it brought back Matt Ryan, who plays Constantine in the story lived recent TV series to voice the character.

Duncan, a frugal accountant, is a clear, potential obstruction for Benjamin, but at least the character's opposition comes across as a sensible voice of reason, motivated by actual concern for his brother's well - being.

At the film's recent press day, del Toro and Gutierrez spoke about the genesis of the project, Gutierrez's unusual pitch that convinced del Toro to produce the movie, Gutierrez's vision using authentic folk art characters, the film's humanistic tone, casting a talented and eclectic international group of actors to voice the larger than life characters, choosing Reel FX to tackle the complicated animation design, gaining the support of Fox's Jim Gianopulos, how Zoe Saldana and Diego Luna learned to sing, the film's amazing music, and del Toro's upcoming projects including «Crimson Peak,» «The Strain,» «Pacific Rim 2,» the «Pan's Labyrinth» Musical, and the possibility of a «Hellboy 3.»