Sentences with phrase «at the female gaze»

Not exact matches

When it was clear she was dead, the male stayed with the female for a short while, and even appeared to gaze back at the body while leaving, according to a letter published this week in Current Biology.

In confronting an extraterrestrial presence through the gaze of a human female, emphasizing her intelligence and composure while sneakily teasing out her emotional history, «Annihilation» at times suggests a more ferocious companion piece to Denis Villeneuve's 2016 thriller, «Arrival.»

Most of the jurors kept a tone of reserve at the press conference, which relied on the help of several translators to field questions on fashion and the female gaze.

Youth: Youth is annoying as hell, the kind of navel - gazing film that finds great meaning in the ogling of a perfect female body, but there are just enough wonderful moments peppered in there — Rachel Weisz's monologue; the song at the end — to keep you from writing the whole thing off entirely.

MTV Teo Bugbee looks at the career of James Wan from Saw (2004) to The Conjurer 2 (2016) Village Voice Angelica Jade Bastién on the female gaze of American Psycho Pajiba gets vicious with a list of «female equivalents of Sam Worthington» (i.e. generically attractive & completely unmemorable but they keep getting big roles) including Zoey Deutch, Britt Robertson, and Lily Collins (who Warren Beatty will try to make happen again soon in his Howard Hughes movie).

Ostensibly both a remake of the Southern Gothic erotic thriller by Don Siegel from 1971 and also an adaptation of Thomas P. Cullinan's 1966 novel «A Painted Devil», Coppola (who also wrote the screenplay and won the Best Director Award at the 2017 Cannes Film Festival) smartly and slowly unravels her tale via the female gaze in a film that, if one is patient with it, slowly pulls you under its sunlit and fainéant spell.

The glee of Mike's precision - based moves is founded both in the fiery overtness of the sexual innuendoes and the fact that Tatum — a movie star at the peak of his powers — is willing to indulge the female and gay male gaze to the full extent of his skilful abilities.

Hammer is at her strongest when she's defying the male gaze, in such works as Multiple Orgasms (1976), a film that attempts to find a visual language for female pleasure, with moaning faces superimposed over images of caves.

«The Female Gaze, Part II: Women Looking at Men,» a group show that runs at Cheim & Read through September 2, is as ambitious in scope as it is in ideology, showcasing work by a wide range of artists — including Tracey Emin, Alice Neel,... Read More

Unacknowledged or under - acknowledged at the time, relegated to the margins or forgotten by history, the profound female artists of their time inverted the male gaze and anticipated the future while male Pop artists were getting stuck in their own styles.

Her work has also been featured in several group shows curated by Indira Cesarine at The Untitled Space including «One Year of Resistance,» «Secret Garden: The Female Gaze on Erotica,» «She Inspires,» «Uprise / Angry Women» and «(Hotel XX)» at SPRING / BREAK Art Show 2018.

A 272 - page catalog with 12 scholarly essays, edited by PAFA's Curator of Modern Art, Robert Cozzolino (who also served as Female Gaze's curator, and worked alongside PAFA President David R. Brigham in making the case that PAFA should be the recipient of Alter's gift) is available through PAFA and at Amazon.com.

NSFW: Female Gaze is a large thematic group exhibition at the Museum of Sex, curated by Vice's Creators» editor in chief, Marina Garcia - Vasquez, and Museum of Sex's associate curator, Lissa Rivera.

Installation view of «The Female Gaze, Part Two: Women Look at Men» at Cheim & Read, New York.

Related reviews look at other practitioners of the male and female gaze and place Edward Steichen in the company of Paul Strand and Alfred Stieglitz.

Kelsey Shwetz, who paints nudes from the perspective of the female gaze (BACG included one at Art Basel last year) is lined up for a show at the gallery.

Amanda Charchian «Ana in Costa Rica,» 2012 at «In The Raw: The Female Gaze on The Nude» Exhibit, (Courtesy of Untitled Space Gallery, New York)

In a new group art show at Tribeca's Untitled Space, «In The Raw: The Female Gaze on the Nude,» 20 female artists have been assembled to offer their intimate interpretations of the classicFemale Gaze on the Nude,» 20 female artists have been assembled to offer their intimate interpretations of the classicfemale artists have been assembled to offer their intimate interpretations of the classic nude.

In the Raw: The Female Gaze on the Nude is on view at Untitled Space from May 3 - 21.

«In The Raw: The Female Gaze on the Nude» is an exhibit at The Untiled Space of 20 female artists and their intimate vision on the femaleFemale Gaze on the Nude» is an exhibit at The Untiled Space of 20 female artists and their intimate vision on the femalefemale artists and their intimate vision on the femalefemale nude.

Judith Linhares» oil paintings of dreamy female nudes are also intensely colored, but they relate in an unexpected and intimate way to a pair of black and white photographs by Rory Mulligan showing a torso of a woman and the back of a man gazing at a night sky.

Curators Indira Cesarine and Coco Dolle have joined forces to created In the Raw: The Female Gaze on The Nude, now on view at The Untitled Space, New York, through June 4, 2016.

At the end of (Female figure)'s looped routine, in one such moment of shared gaze, she lip - syncs Wolfson's own voice:

Kimberly Brooks is a panelist participating in a public forum at Pennsylvania Academy Of Fine Arts entitled «The Female Gaze: Women Artist Making Their Way In The World.»

At Lehmann Maupin, the menacing message of «you will always love me» in Another love story (2011 — 2015) is in a stark contrast to the Wanting to be with you (2015), in which the demure message is scrawled beneath an image of a female figure gazing at an enormous rock (Lehmann Maupin will also open a new show of Emin's work in New York on May 5At Lehmann Maupin, the menacing message of «you will always love me» in Another love story (2011 — 2015) is in a stark contrast to the Wanting to be with you (2015), in which the demure message is scrawled beneath an image of a female figure gazing at an enormous rock (Lehmann Maupin will also open a new show of Emin's work in New York on May 5at an enormous rock (Lehmann Maupin will also open a new show of Emin's work in New York on May 5).

Earlier this week, four female museum directors gazed up at an image of a woman sporting the all - caps slogan «The Future is Female.&female museum directors gazed up at an image of a woman sporting the all - caps slogan «The Future is Female.&Female.»

Juergen Teller ran at Lehmann Maupin through October 17, 2009, Janine Antoni at Luhring Augustine through October 24, and «The Female Gaze: Women Look at Women» at Cheim & Read through September 19.

At Lehmann Maupin, the menacing message of «you will always love me» in Another love story (2011 — 2015) is in a stark contrast to the Wanting to be with you (2015), in which the demure message is scrawled beneath an image of a female figure gazing at an enormous rocAt Lehmann Maupin, the menacing message of «you will always love me» in Another love story (2011 — 2015) is in a stark contrast to the Wanting to be with you (2015), in which the demure message is scrawled beneath an image of a female figure gazing at an enormous rocat an enormous rock.

52 - week self - promotional digital drawing experiment that saw the artist turn an inward gaze at how female representation.

In 2015, Carla Gannis began her Selfie Drawings series as a so - called 52 - week self - promotional digital drawing experiment that saw the artist turn an inward gaze at how female representation.

If criticism manifests most strongly in the face of what is meant to move us forward as a species, one can only imagine what curator John Cheim was expecting for the onset of his most recent exhibition, The Female Gaze, Part II: Women Look at Men.

2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

(Juxtapoz Magazine) Her newest paintings, titled «The End Of Love», and on view until May 13th, 2018, burst off the canvas with sensual depictions of rich, bold color, and sexuality, revealing — at last — the truth of the female gaze, from a purely honest, female perspective.

Upcoming exhibitions include «The End Of Love» - an exhibition exploring themes including sensuality, the female gaze, media, imagery and social phenomena - from May 2nd - May 13th, 2018 at the Untitled Space in Tribeca, Manhattan.

Recent exhibitions include solo shows at the Federal Reserve, Washington DC and her work was included in the Philadelphia Museum's exhibition The Female Gaze: Women Artists Making Their World.

Faceless female figures appear to be shameful of their exposed bodies, but at the same time seem oblivious to the viewer's gaze.

The Female Gaze, Part Two: Women Look at Men, Cheim & Read, New York.

«In The Raw: The Female Gaze,» curated by Indira Cesarine and Coco Dolle, runs from May 3 until May 21, 2016 at Untitled Space Gallery in New York.

In Consumer Art, female models are photographed gazing at the camera playfully as they fondle and eat such suggestive foods.

The Female Gaze, Part Two: Women Look at Men displays works by women artists who paint, photograph, and sculpt the male body.

«British Art Show 8», Southampton Art Gallery, Southampton «BIG», Big Hodges Gallery, New York «British Art Show 8», Norwich Castle Museum and Art Gallery, Norwich (cat) «The Female Gaze, Part Two: Women Look at Men», Cheim & Read, New York «Making & Unmaking: An exhibition curated by Duro Olowu», Camden Arts Centre, London (cat) «You go to my Head», Galerie Templon, Brussels «Drawn from Life: People on Paper», The Collection, Lincoln «Entanglements, Curated by Glenn Ligon», Luhring Augustine, New York «Stranger», Museum of Contemporary Art Cleveland, Cleveland «One Day, Something Happens: Paintings of People», The Atkinson, Southport «British Art Show 8», Scottish National Gallery of Modern Art, Edinburgh (cat)

Joan Semmel included in The Female Gaze, Part Two: Women Look at Men curated by John Cheim, at Cheim & Read, New York.

Looking at Art History frequently feels that way for the female viewer but Tyson's surprised expression is also the steady gaze of self - as - surance and artistic authority.

Her work was recently included in Black Sheep Feminism: The Art of Sexual Politics, a four - artist exhibition curated by Alison Gingeras at the Dallas Contemporary, and The Female Gaze, Part Two: Women Look at Men at Cheim and Read in New York.

If criticism manifests most strongly in the face of what is meant to move us forward as a species, one can only imagine what curator John Cheim was expecting for the onset of his most recent exhibition, The Female Gaze, Part II: Women Look at Men.1 It might be easier, though perhaps a bit militant in this case, to look askance at a man for tackling a women - centric show, or at the canon - grounded lineup, or at the cautionary, simplified curatorial statement [Would we view these works differently if they were made by men?]

In addition, «Shifting: African American Women Artists and the Power of Their Gaze» presents work by 39 black female artists at the David Driskell Center at the University of Maryland, College Park.

In my photo compositions I use glittery, shiny, ephemeral materials to create colorful backgrounds to gaze at the grotesque and beautiful trappings of the female body.

«The Female Gaze, Part Two: Women Look at Men,» at Cheim & Read, features work exclusively by women that attempts to reverse stereotypical gender roles.

Next Tuesday June 27, 40 female artists fearlessly address sexual themes in their work with a gorgeous exhibition on nudes, «the gaze,» sensuality and erotica at The Untitled Space (45 Lispenard).

In conjunction with the exhibition, Main Line Art Center is proud to present the lecture «Happily Ever After and the Female Gaze: Philadelphia Women Artist Trailblazers — Then and Now» led by Cindy Veloric, MA, research assistant at the Philadelphia Museum of Art, Artistic Advisor at Main Line Art Center, and independent art historian.