Sentences with phrase «at the map selection»

It seemed like, when looking at the map selection, it just seems like so few maps.

Not exact matches

Put their experience into the context of a map or a journey, and suddenly all of these influences become apparent - the recommendation they got from their friend about you, the first time they land on your site, the login and password setup process, the speed of your site, color selection, and most importantly the ease at which you solved a problem for them.
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For example, passages at the pre-primer through second grade levels are presented with pictures, and maps and illustrations are part of the expository selections at fourth grade through high school levels.
The west cliff area is to the left of the Pier when looking at the map, a selection of hotels will show in a filtered search below and a full selection of approx 100 hotels will show when checking availability.
According to BigDownload, the build only contains a few maps where a few animated targets can be fired at and holds no actual gameplay from Natural Selection 2.
While the selection of maps may be small, at least there's some interesting ideas to be found in the modes.
Despite only a limited map selection at launch, there's a surprising amount of variety packed across the maps that ensures they avoid growing stale quickly.
PUBG Update 12 heads to the test server for some extensive testing, rebalances weapons in a major way and introduces map selection, at last.
His work was also shown at Punta delle Dogana in the exhibitions «Prima Materia» (2013 - 14), «In praise of doubt» (2011 - 13), «Mapping the Studio» (2009 - 11) and at Palazzo Grassi for «The World belongs to you» (2011 - 12) and» A Post-pop Selection» (2006 - 2007).
Works by a selection of younger artists who also represented Cyprus at Venice Biennale during the last ten years or so, traverse across ideas of construction and deconstruction, presence and absence, while concurrently investigate issues around the subjectivity and arbitrariness of mindsets as well as the mapping of oneself in the sphere of existence.
David Hammons works have been previously exhibted at Punta della Dogana in «Dancing with Myself» (2018), «Slip of the Tongue» (2015), «Prima Materia» (2013 — 2015), in «In Praise of Doubt» (2011 - 2013) and in «Mapping the studio: Artists from the collection of François Pinault» (2009 - 2011); at Palazzo Grassi in «Il mondo vi appartiene» (2011 - 2012), «The François Pinault Collection: a Post-Pop selection» (2006 - 2007), «Where Are We Going?
His works were shown at Punta della Dogana and Palazzo Grassi in the exhibitions «Dancing with Myself» (2018), «In Praise of Doubt» (2011 - 13) «The World Belongs to You» (2011 - 12), «Mapping the Studio» (2009 - 11), «Italics» (2008 - 2009), «A Post-Pop selection» (2006 - 7) and «Where are We Going?»
«Further Evidence — Exhibit A» at P.P.O.W. is a selection of Schneemann's multimedia work from the 1980s and»90s that maps an intricate vocabulary of symbols and correlations.
May 3 - 8, 2016 VIP Preview: May 3 from 2 - 5 pm CONTEXT Art New York Pier 94 55th Street and Westside HighwayPier 94 I 55th St and the Westside Highway See hours and map Building on our ongoing program, Accola Griefen will highlight a diverse selection of historically significant women artists of the 20th and 21st century in their booth at CONTEXT New York in May 2016.
The loveliest part of her exhibition at the De La Warr Pavilion is a selection of drawings in which she precisely and exquisitely maps out on graph paper the exact patterns she wants to paint.
Maps + Patterns at DC Moore Gallery featured a selection of mixed - media works, which demonstrated a continued adherence to the concerns of Pattern and Decoration, so integral to Kozloff's work since the movement's founding in the early 1970s.
New York and North Adams, Massachusetts, Drift of Summer, RM Gallery, Auckland, New Zealand Observe / Recognize, Berlin Gallery at Legends Santa Fe, Santa Fe, New Mexico 2010 Collision, Rhode Island School of Design Museum, Providence, Rhode Island Lush Life, Invisible Exports Gallery, New York, New York Everyday Mystics, Patricia Sweetow Gallery, San Francisco, California Vantage Point, Recent Acquisitions, Smithsonian National Museum of the American Indian, Washington DC Raw State, Shelby Street Gallery, Santa Fe, New Mexico New Paintings, Staley Wise Gallery, New York, New York Alluring Subversions, Timken Art Center, California College of The Arts, San Diego, California Currents, University of Northern Colorado, Greeley, Colorado organized by Cicely Cullen 2009 On Stellar Rays, Lover, New York, New York, organized by Kate Gilmore and Candice Madey Signs Taken For Wonders, Jack Shainman Gallery, New York, New York, organized by Isolde Brielmaier, Surveillance, Affirmation Arts, New York, New York, organized by Rachel Vancellete Solution, DiverseWorks, Houston, Texas, organized by Janet Phelps Eiteljorg Museum, Recent Acquisitions, Eiteljorg 2008 - 09 Fellows, Indianapolis, Indiana The Banality of Good, Claremont Graduate University, Claremont, California, organized by Chris Christion Currents, Metro Visual Arts Center, Denver, Colorado, organized by Cicely Cullen Relevant, Nathan Cummings Foundation, New York, New York, organized by Amerinda 2008 Blueballs, Production Fund LAB, New York, New York, organized by Jackie Saccoccio Visions, Flushing Town Hall Projects, Flushing, New York, organized by Omar Lopez - Chahoud Voices of the Mound, Institute of American Indian Arts, Santa Fe, curated by Linda Lomahaftewa - Singer Kentler International Drawing Space and Long Island University, Native Voices, New York, New York 516 Arts, Cautionary Tales, Albuquerque, New Mexico, curated by Holly Roberts Jersey City Museum, 1 × 1 Project, Shameless, Jersey City, New Jersey, curated by Rocio Aranda Alvarez Circa Art Fair, Puerto Rico, with Samson Projects Volta 4, Basel, Switzerland, with Samson Projects 2007 SONOTUBE, Santa Barbara Contemporary Arts Forum, Santa Barbara, California, curated by Miki Garcia Off The Map, The National Museum of the American Indian, Smithsonian Institution, New York, New York, curated by Kathleen Ash - Milby New England School of Art and Design, Boston, Massachusetts, organized by Charles Giuliano Postmillennial Black Madonna (in two parts): Paradise @ MoCADA, and Inferno @ Skylight Gallery, Brooklyn, New York Newark Open 2007, Newark, New Jersey, organized by Omar Lopez - Chahoud 2006 The Aldrich Museum of Contemporary Art, No Reservations, Ridgefield, Connecticut, curated by Richard Klein Paul Kopeikin Gallery, Paperworks, Los Angeles, California, curated by Daria Brit Shapiro Westport Arts Center, BROOKLYN, Westport, Connecticut, curated by Amy Simon State University of New York, Paumanoka, Stony Brook, New York, curated by Stephanie Dinkins The Jersey City Museum, Tropicalisms, Jersey City, New Jersey, curated by Rocio Aranda - Alvarado ARCO, Madrid, Spain, with Samson Projects MACO Art Fair, Mexico City, Mexico with Samson Projects 2005 Le Désert de Retz, Massimo Audiello, New York, New York, curated by David Hunt Alona Kagan Gallery, From the Root to the Fruit, New York, New York, curated by David Hunt Out of Bounds, Wave Hill, Glyndor Gallery, Bronx, New York, curated by Jennifer McGregor Evolving Pattern, New Jersey State University, Jersey City, New Jersey, organized by Midori Yoshimoto Play, Iandor Fine Arts, Newark, New Jersey, curated by Jomo Jelani Heywood Artists Alliance AIR Exhibition, Cuchifritos Gallery, New York, New York 2004 The Urge That Binds, Samson Projects, Boston, Massachusetts Jersey City Museum, Jersey (New), Jersey City, New Jersey, curated by Dr. Rocio Aranda New American Talent, The Jones Art Center for Contemporary Art, Austin, Texas, selection by Jerry Saltz The Space Between Words, Kean University, Union, New Jersey, curated by Judith Page Timeless / Timeliness, Aljira Center for Contemporary Art, Newark, New Jersey, curated by Dominique Nahas Super Salon, Samson Projects, Boston, Massachusetts, curated by Camilo Alvarez
Other contents include a contribution from Philadelphia's Headlong Dance Theater, which relates the process behind the company's highly regarded Cell piece from 2006; facsimile reproductions of 1960s letters from the artist James Lee Byars to MoMA curator Dorothy Miller (the second installment of the Modern Artifacts series, presented in collaboration with The Museum of Modern Art Archives); two more «Guarded Opinions» from guards at the Hammer Museum in Los Angeles — this time offering commentary on paintings by Degas and Gustave Moreau; an anonymous confessional piece about the life of a «decor artist»; a selection of never - before - published map sketches by Michigan artist Neil Greenberg; Angus Trumble's «2001 in Retrospect»; and a found object contributed by Stephen Weyl.
They are also not policy prescriptive in that they were chosen for scientific purposes to represent the span of the radiative forcing literature at the time of their selection and thus facilitate the mapping of a broad climate space.
These should be accessible and used across the energy access spectrum, from smart meter developers designing transparency into their systems, to donor funded projects looking at using satellite imagery and algorithms to map the potential for rural sites for commercial off - grid projects (effectively subsidising the site selection process for commercial operators).
The Ottawa crime map sets out markers for various crimes — breaking and entering, theft, etc. — the nature of which can be controlled by a selection panel, so that, for instance, you could look at the location of all thefts from a vehicle.
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From median household income to average drive times, site selection technology allows real estate professionals to visualize a specific site by layering different pieces of data on a map, says Michael Kesselman, co-founder and chief product officer at Woeburn, Mass. - based geoVue.
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