Sentences with phrase «at urban centres»

Beardslee et al [43] studied 81 families, randomly selected at an urban centre of a health maintenance organization, with 153 children between the ages of six and 19 years.

Not exact matches

Quebec, where home ownership rates have been rising, remains a renting - friendly society, at least in the urban centres, and Montrealers who move to Toronto are often shocked by the pressure they feel to buy.

«There's no doubt that Canada is at the forefront of discussion around how to create more vibrant urban centres, increase density and build more sustainable cities,» said council spokesperson Kevin Brass.

Condominium dwellers in major urban centres are indeed the lucky ones in at least this respect, with newer fibre broadband providers emerging as alternatives to traditional phone and cable companies.

And, at the same time, neither of Alberta's major urban centres expresses a strong preference for regulation, following the overall pattern for the province:

While in use at the demonstration centre, the panels showcased distributed solar power for homes in British Columbia, bringing to life «practical solutions for urban sustainability, [and how to] move away from fossil fuels.»

Lukaku's soon - to - be Manchester United teammate Paul Pogba is also in LA with on vacation and the duo recently took some time out to take on all comers in a 5 - a-side match at the Urban Soccer 5 centre.

Event: Smart Cities: Bridging Physical and Digital Organiser: Amy O'Neill Date: 9 and 10 November 2012 (8 November is invitation only and not open to the public) Venue: Leeds City Museum, Millennium Square LS2 8BH Audience: General audience For more information: Smart Cities: Bridging Physical and Digital A short interview with project researcher Dr Andrew Hudson - Smith, Director and Reader in Digital Urban Systems Centre for Advanced Spatial Analysis at UCL, is available at http://www.esrc.ac.uk/publications/audio/festival-2012-events.aspx.

«In addition to cooling urban microclimates, these trees, which are integrated within dense urban street networks, also provide other benefits, such as reducing the risk of flash flooding and cleaning the air,» says Peter Edwards, Principal Investigator at the Future Cities Laboratory and Director of the Singapore - ETH Centre.

The second author of the paper, Dr Gururaja K V from the Centre for Infrastructure, Sustainable Transportation and Urban Planning at the Institute of Science, Bangalore, India, had observed that another species of frogs, known as the Ochlandra reed frog (Raorchestes ochlandrae), breeds in internodes of bamboo.

These differences in their genetic makeup are an indication that urban life does impact the evolutionary trajectory of a species, write researchers at Martin Luther University and the German Centre for Integrative Biodiversity Research (iDiv) Halle - Leipzig - Jena in the current issue of the renowned journal «Proceedings of the Royal Society B».

July 2010 - Urban Lendahl Heads New Research Centre EuroSyStem PI Urban Lendahl named as Scientific Director of the Wallenberg Institute for Regenerative Medicine EuroSyStem PI Urban Lendahl will be the Scientific Director of a new regenerative medicine research centre at the Karolinska Instituet in StocCentre EuroSyStem PI Urban Lendahl named as Scientific Director of the Wallenberg Institute for Regenerative Medicine EuroSyStem PI Urban Lendahl will be the Scientific Director of a new regenerative medicine research centre at the Karolinska Instituet in Stoccentre at the Karolinska Instituet in Stockholm.

«Our industry has been shaken by climate perils impacting urban centres and 2017 is on track to become one of the most expensive years on record,» said Maurice Tulloch, Chairman of Global General Insurance at Aviva and Chair of ClimateWise.

Visit the blog of Centre for Mobilities & Urban Studies (C - MUS) where most teachers at the MSc programme in Mobilities & Urban Studies are affiliated.

«There was a juvenile called Keith Marsden who played centre - back for Manchester New zealand urban area Reserves and we both thrill the ball at the unvaried organize and my ankle swelled up.

Vancouver About Blog Peter Ladner is a public speaker, author of The Urban Food Revolution and Fellow at the SFU Centre for Dialogue.

A new report by the Norwegian Refugee Council's Internal Displacement Monitoring Centre, launched today at the UN in New York, reveals this is largely due to the growth and concentration of urban populations, particularly in vulnerable countries.

There's also the inescapable truth that, even you assume for sake of argument that the electricity you stick in your Model S is 0 % renewable and 100 % coal, you are at least keeping the poisonous side - effects of combustion away from urban centres and are not dragging a potpourri of contaminants down high streets and past schools or sitting in a fuggy 25 mile tailback of them.

Despite that, the car will be positioned at the centre of the «lifestyle vehicle» market, with a greater focus on urban use than off - road performance.

Jaguar is demonstrating for the first time its portfolio of urban self - driving technologies in a Range Rover Sport, at the Horiba test centre in Nuneaton, UK today.

Statistics Canada reported in 2012 that Canada's overall vacancy rate was 2.8 % and of the major urban centres, Calgary's was the lowest at 1.3 %.

But with strong price growth in the last decade or so, that balance has shifted, says Tsur Somerville, director of the UBC Centre for Urban Economics and Real Estate at the Sauder School of Business.

Tom Davidoff, director of the Centre for Urban Economics and Real Estate at Sauder, said that at a tax rate of $ 15,000 for a house worth $ 1 million, a minimum of $ 100 million a year would be raised in Vancouver alone.

Most people lived near where they worked; urban centres were mixed - communities at times plagued by crime and filth, and prone to overcrowding.

But these properties generally appreciate at a much slower rate than, say, a home in a major urban centre.

Vancouver About Blog Peter Ladner is a public speaker, author of The Urban Food Revolution and Fellow at the SFU Centre for Dialogue.

Golder said the mentality that cats are «disposable» pets (unwanted kittens are often abandoned or dumped at shelters) is to blame for the huge feline populations in urban centres.

drive) were Cologne, the economic centre of the region, with its gothic cathedral, classed a UNESCO heritage site and the Zollverein mining museum (also a world heritage site) in Essen, in the Rhur, the urban - industrial complex of more than five million habitants and the symbol of industry at the beginning of the 20th century.

With a stay at TeaHouse Asian Urban Hotel in Phnom Penh (Phnom Penh City Centre), you'll be minutes from Wat Lang Ka and Independence Monument.Featured amenities include a business center, express check - in, and express check - out.

The 273 - room urban resort's restaurants were overseen by celebrity chef Wolfgang Puck... The newest luxury hotel in Budapest is the Aria, which opened this month; located next to St. Stephen's Basilica, it offers free breakfast and free high - speed Internet... The new 306 - room Sunrise Kempinski Hotel Beijing, which boasts extensive meeting facilities and a unique circular design, is actually located at Yanqi Lake near the Yan Mountains, almost 30 miles from the city center... Raffles Hotels has cut the ribbon on the 173 - room Raffles Jakarta, linked to the new Ciputra Artpreneur Centre in the city's Golden Triangle... Effective October 1, 2015, Hilton will take over management of the Hotel Nikko Tokyo, located in the waterfront area of Odaiba, rebranding it as the Hilton Tokyo Odaiba... In Central America, InterContinental Hotels Group has opened a newly built Crowne Plaza less than a mile from Panama's Tocumen International Airport.

Continuing in the centre of the island, at the coast in the North - East from Arrecife we find another urban centre of Lanzarote called Costa Teguise.

Vancouver About Blog Peter Ladner is a public speaker, author of The Urban Food Revolution and Fellow at the SFU Centre for Dialogue.

KAYAK searches hundreds of travel sites to help you find and book the hotel deal at Urban City Centre Hostel that suits you best.

The Patio Hotel & Urban Resort is a sumptuous modern four - star property located behind Independence Monument in Phnom Penh, the capital of Cambodia.Guests staying here will enjoy the sleek, modern atmosphere at this resort, which is within walking proximity of Tonle River, Wat Langka Pagoda, the Royal Palace, National Museum, and the lively street 51, considered to be the shopping and diner centre of the city.There are seven styles of room available: Standard Single, Superior Double, Superior Twin, Superior Double Balcony, Deluxe Double Balcony, Deluxe Twin Balcony, and Patio Suite Balcony.

We discuss, among other topics, about photography in the Middle East with Peggy Sue Amison, artistic director at East Wing; net art and networked cultures with Josephine Bosma, Amsterdam - based journalist and critic; urban digital art and criticality in the media city with curator and researcher Tanya Toft; art and technology with curator Chris Romero; the politics of surveillance and international security with political scientist David Barnard - Wills; art and architecture with Maaike Lauwaert, visual arts curator at Stroom, an independent centre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerlcentre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina SauerlCentre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerländer.

Davis, who will assume his new post on June 16, arrives at the Menil from the Centre for the Creative Arts of Africa (CCAA) at the University of the Witwatersrand in Johannesburg, where, as the Andrew W. Mellon Postdoctoral Fellow, he has been researching urban identity formations and modernism.

He also curated Viva la Revolución: A Dialogue with the Urban Landscape (2010) at the Museum of Contemporary Art San Diego and Generations UsA (2007) at the Pinchuk Arte Centre in Kiev, Ukraine.

Recent exhibitions include Harlem: Found Ways, Cooper Gallery at Hutchins Center, Harvard University, Cambridge, MA (2017); Urban Planning: Contemporary Art and the City 1967 - 2017, Contemporary Art Museum St. Louis, MO (2017); Only When It's Dark Enough Can You See The Stars, The Contemporary, Baltimore (2016); Puddle, pothole, portal, SculptureCenter, Queens (2014); Outside the Lines, Contemporary Arts Museum Houston (2014); Fore (2012), The Studio Museum in Harlem, New York, NY (2012); Future Generation Art Prize, the Pinchuk Art Centre, Kiev, Ukraine (2012); and The Ungovernables, New Museum, New York, NY (2012), among others.

Many of Arden's earliest works from the middle of the 1980s, some of which appeared in his first solo exhibitions at artist run centres like Western Front in Vancouver in 1986 and YYZ Artist's Outlet in Toronto in 1987, consist of found, black and white archival photographs of urban scenes in Vancouver.

He is an associate research fellow at the Centre for Urban and Community Research, Goldsmiths College and Curator of Cross-Cultural Programmes at Tate Britain.

A previous Curator of Contemporary Art at Tate Britain, associate research fellow at the Centre for Urban and Community Research, Goldsmiths College.

(2004), which additionally brought youth together across urban and rural environments through Tauqsiijiit, an onsite residence and youth media lab located at the heart of the exhibition with participants from: Igloolik Isuma Productions, Qaggiq Theatre, Siqiniq Productions, Daybi, Tungasuvvingat Inuit Youth Drop In Centre (Ottawa), 7th Generation Image Makers (Native Child and Family Services of Toronto), Debajehmujig Theatre Group (Wikwemikong) and Qaggiq Theatre (Iqaluit).

With a longstanding interest in placing the audience at the centre of their work, their practice concerns itself with questions of identity, community, and how we connect with nature or urban experience.

Visionary Africa — Art at Work is an itinerant urban exhibition of contemporary African artistic practices organised jointly by the European Commission and the Palais des Beaux - Arts (Centre for Fine Arts) in Brussels, including artist residencies, showcases of local artists, and workshops on art and development in modern urban centers in Africa.

Previously she has held project management and curatorial roles at Urbis, Centre for Urban Culture in Manchester and International Design Festival, Berlin.

1985 Drawings 1975 — 1985, Barbara Toll Fine Arts, New York, USA Great American Prints, Dolan Maxwell Gallery, Philadelphia, USA Fabrications, Gallery 400, College of Architecture, Art and Urban Planning, University of Illinois at Chicago, USA A New Beginning: 1968 — 1978, Hudson River Museum, Yonkers, USA With an Eye to Nature, Jeffrey Hoffeld & Co, New York, USA New York Now: Correspondences, Laforet Museum, Tokyo, Japan, traveled to Tochigi Prefectural Museum of Fine Arts, Japan; Tasaki Hall, Espace Media, Kobe, Japan Eighth Anniversary Exhibition1977 — 1985, McIntosh / Drysdale Gallery, Washington, USA New Work on Paper 3, Museum of Modern Art, New York, USA Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, New York, USA Appropriations: Black and White, Vanguard Gallery, Philadelphia, USA Nine Printmakers and the Working Process, Whitney Museum of American Art, New York (Exhibition traveled to Munich, Germany, Process und Konstruktion) From Organism to Architecture, New York Studio School, USA Jonathan Borofsky, Douglas Huebler, William Leavitt, Pat Steir, William Wegman Drawings, Richard Kuhlenschmidt Gallery, Los Angeles, USA New Expressive Landscape, Sordoni Art Gallery, Wilkes College, Wilkes — Barre, USA Doppelganger, organized by Paul Groot, Aorta, Amsterdam, Netherlands Promenades, Centre d'art Contemporain, Geneva, Switzerland New Art Modernism, San Francisco, USA Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases, Brooklyn Museum, Brooklyn, New York, USA Harry de Jur Playhouse, Henry Street Settlement, New York, The Second Hurricane (Music by Aaron Copeland, Libretto by Edwin Denby, Back drop contributed by Pat Steir) Large Drawings, Bass Museum of Art, City of Miami Beach, USA, traveled to Madison Art Center, Madison, WI; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada; Norman MacKenzie Art Gallery, University of Regina, Regina, Saskatchewan, Canada; Anchorage Historical and Fine Arts Museum, Anchorage, Arkansas; Santa Barbara Museum of Art, Santa Barbara, USA (Exhibition organized and circulated by Independent Curators Incorporated, New York) The Success of Failure, Diane Brown Gallery, New York, USA

Other solo exhibitions have been presented at the Stedelijk van Abbemuseum, Eindhoven (1970); The Museum of Modern Art, New York (1970); The Kitchen, New York (1973); P.S. 1 Institute for Art and Urban Resources, New York (1978, 1983); Musée National d'Art Moderne, Centre Georges Pompidou, Paris (1979); Hara Museum of Contemporary Art, Tokyo (1984); Hirshhorn Museum and Sculpture Garden, Washington, D.C. (1989); The Drawing Center, New York (1994); Kunsthaus Bregenz (1999); Neue National Galerie, Berlin (2002); Lever House, New York (2003, 2008); Arts Club of Chicago (2005); Artclub 1563, Seoul (2010); Louisiana Art and Science Museum, Baton Rouge (2010); BMW Museum, Munich (2012); Paul and Lulu Hilliard University Art Museum, Lafayette, Louisiana (2014); Musee d'Art Moderne et d'Art Contemporain, Nice (2015); Hall Art Foundation, Reading, Vermont (2015); and Whitechapel Art Gallery, London (2016).

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Window: Patriciu Calimente The Provincial Lunatic Asylum was designed very much in the style of a grand estate at the edge of the urban centre.

Recent solo exhibitions of his work have been presented at Gallery Paule Anglim, San Francisco (2013); Corvi - Mora, London (2011); LA > The Air We Breathe, San Francisco Museum of Modern Art (2011), Aktualität eines mediums, nader ahriman bis chen zhen, Galerie Krinzinger, Vienna (2010); Urban Stories, The Contemporary Art Centre, Vilnius (2009); and Four Exhibitions, White Columns, New York (2008).