Sentences with phrase «at your novel without»

Not exact matches

I plan on writing it down and working into a novel at some point — without Christine, of course.

Game curry and rice is # 6: surely the only way to eat game at conference without a «We're all in this together» headline floating over your head the following morning... Read the books ◆ The Curry Mile, Mancunian - Pakistani novelist Zahid Hussain's first novel.

«One example of our field work is in Ghana, where we've been working with Engineers Without Borders, the student chapter at Columbia University, to design and implement novel toilets that can separate out the urine stream and the fecal sludge stream from human waste.

Without optogenetic stimulation, rats would give longer looks at novel images than at familiar ones.

Scientists at the University of Bonn and the University of British Columbia (Vancouver, Canada) have developed a novel camera system which can see around the corner without using a mirror.

A research consortium being coordinated at Saarland University is developing a novel sensor system for monitoring airborne contaminants that will provide high - quality indoor air without the energy losses typically associated with ventilation.

The exceptions hover film greatness: Rebel Without a Cause, Fast Times at Ridgemont High, Dazed and Confused, The Breakfast Club, and Say Anything... Along comes young director James Ponsoldt and his adaptation of Tim Tharp's novel.

Even without having read Dan Brown's bestselling novel, it seems safe to assume based on both this film and Da Vinci that the author is more at ease with plot technicalities than character development.

Stardust is a comfortable film for Gaiman enthusiasts: this is what the guy's good at, relieved of the exposition the novel form demands; here're the author's stripped - down fairy tale archetypes decanted into pulp form, tapped out without embarrassment and full to bursting with joy.

The second adaptation of Robert Penn Warren's 1946 Pulitzer Prize - winning novel about a populist - leaning stump - thumper modeled after Huey Long, the film garnered attention first for its sterling cast and Tiffany pedigree, then for its sudden disappearance from last year's Oscar slate, only to appear now, without fanfare (save a gala screening at last week's TIFF), in the middle of what's traditionally a dumping ground for dead weight.

On television, anything can happen at any time — it's novelistic, without knowing how long the novel is.

Deservedly winner of the Best Director gong at this year's Cannes Film Festival, Nicholas Winding Refn makes Los Angeles look as beautiful as it's ever been without using any tourist traps, and the adaptation from the James Sallis novel by Hossein Amini (who also adapted the dark Jude and The Wings of a Dove) is beautifully done, even if some of the music (largely an effective ambient / electro score) is a little on - the - nose.

Despite the uptick in remakes, it's extremely difficult to identify a few dozen great ones — particularly when you exclude movies like The Thing, which represent the second attempt at adapting a novel — and yet we can't deny that some of the greatest films ever made wouldn't have been possible without slapping a new paint job on an old chassis.

Though it's possible to take the subtitle as ironic seeing as the titular main character is guilty in the first chapter (an incident related in the film as a flashback) of an act that is at the very least heinous, both novel and film are earnest in exploring the sticky gradations of morality without value judgment.

But unfortunately, the scripting is much less successful, bouncing from incident to incident without much momentum or purpose, and never really digging into its characters or its setting (it feels like the novel's been faithfully put on screen beat - for - beat, but at the expense of any depth).

That's at least partly because Goldman has excised the ludicrous third act of his novel (in which, among other things, the Angarano character is revealed to be the post-op transsexual daughter of a prominent televangelist couple) without creating a new one to take its place.

A journalist at the New York Times, Emily Eakin, proudly announced her classics - free education several years ago in an article entitled «More Ado (Yawn) about Great Books,» a shame - free confession that she «graduated without having read for credit «The Odyssey,» «Paradise Lost,» a single play by Shakespeare or a single novel by Jane Austen, George Eliot or Henry James.»

I said at the beginning that I wanted to write this novel without any outside input, so I wouldn't submit chapters to any critique group until they were all written, but it seems I'm critiquing it myself.

I'm hoping to complete my final rewrite of a science fiction novel within the next few months, and am seriously considering self - publishing it without querying literary agents at all.

Lastly, while it's not a speculative novel, and thus doesn't get a place in our list, we can't talk about next month's releases without at least mentioning The Casual Vacancy, J.K. Rowling's very first contemporary novel written for an adult audience.

Homes is brilliant at depicting the absurdity of modern life — and then turning it up 10 notches, without losing the emotional resonance that a good novel needs.

In fact, Balliett says she couldn't have written her new novel, Chasing Vermeer, without having taught for a decade at the University of Chicago's Laboratory...

In my experience this magic holds true for everything from lap breakers, like World Without End at 1024 pages, to slim young adult novels like Amanda Hocking's Hollowmen, a very fast 194 pages.

For those who want to create novel - like ebooks without any technical hassle at all and to publish it themselves, I suggest Vellum:

But if you discount your first or second or third novel down to 99 cents, without having a bunch of other novels at $ 5.99 or higher, you will lose customers.

In fact, Balliett says she couldn't have written her new novel, Chasing Vermeer, without having taught for a decade at the University of Chicago's Laboratory School.

Likable doesn't mean without flaws, nor does it erase differences in motivations and perspectives, so (as in life) likable characters can still be at odds with one another, to generate the tension in a novel.

The novel came to me this way — as if told by the various Wongs at a very long family therapy session, only without the therapist, and with license, it...

When Parker, the main character in Eric Lindstrom's debut novel Not If I See You First, begins to contemplate making the switch from running on her own in an empty field at the crack of dawn to joining the track team, she knows she'll need to find a guide - hopefully someone as fast as she is - who can help her make her way around the track without tripping or running into obstacles.

The theme of the novel is fairly straightforward: Ida, the girl with glass feet has lived vibrantly, and won't go down without a fight, while other characters such as Midas live as though they have glass feet and don't really live at all.

As Boyle told me during an interview at the Nashville Public Library, this is a historical novel entirely without comedy or irony.

I kept wanting to read it and figure out how this family would survive but I found myself irked at the Tagalog and Philippine words and sentences used heavily throughout the novel that were presented without explanation.

Christopher Moore ceases to fail at creating a novel that is both intriguing, smart, and without delay - hilarious.

And if you're after the best e-reader, so you can devour your favorite novels for hours at a time without straining your eyes, the new - for - 2017 Kindle Oasis is excellent, though its $ 249 price (including on - device ads you'll have to spend another $ 20 to remove) makes it closer to a niche device than more - affordable e-reader alternatives.

I would bet that the reason so many romance authors and readers find each other here at Smashwords is that they have found a place where they are not treated as second - class citizens, and authors can make a little money, sometimes a lot of money, and readers can find a great romance novel without paying an arm and leg for it.

For me it was late, so I had to try to write a thick, serious novel at once, without hesitating, diving into the deep.»

My recently published novel, The Woman at 72 Derry Lane has without doubt, some raw, visceral and heartbreaking moments.

And if anyone can develop a real plan to market a novel that works for ebooks, without throwing a lot of money at it, there could be a niche value there.

In 2001, I got a little novel called Dhampir through the slushpile (without an agent) and onto the desk of an editor at Ace / Roc.

At $ 750 without a contract, it's far too expensive for what you get — even though the 3D video capture provides novel entertainment.

The amazing team here at Smashwords: Our development team spends every day dreaming up and developing new tools to give our authors and publishers a competitive advantage; our service and vetting teams dedicate their days to supporting our authors, publishers and sales channels; our merchandising team works to promote our authors at major retailers and library platforms; our marketing team focuses almost 100 % of its effort empowering indie authors with best practices knowledge they can use anywhere, even if they don't publish with Smashwords; our finance team manages the inflow and outflow of money to ensure our authors and publishers are paid on time, every month; and my wife, advisor and confidant, Lesleyann, without whom I would have never co-written a novel about soap operas that started this grand adventure.

Book Marketing: The Future of Publishing Publicize Your Novel Get Publicity in Magazines Sell More Books to Libraries How to Publicize Children's Books Sell Your Book Without Bookstores Getting People To Your Website: How to Easily Do Top - Notch Search Engine Optimization Use an Email Newsletter to Promote Your Book How They'll Find Your Book Online (or) Winning at Search Engine Optimization Book Signings and Book Fairs: How to Sell More Books Be a Sought - After Speaker Create a National Association Tip Sheets Selling Books Outside the Bookstore Get More Customers!

Rewards can include verbal praise, a novel food treat that she doesn't get any other time (almond slivers work well if your bird likes nuts, because they are small and can be given a little at a time without overfeeding) or a scratch on the head (if your bird likes this kind of physical interaction, as many do).

Her US pavilion at the 2015 Venice Biennale, titled They Come To Us without a Word, took inspiration from the novels of Icelandic writer Halldór Laxness and other literary sources similarly concerned with the spiritual aspects of nature.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

In the artist's own words, the exhibition is «mostly about the chalk horse at Cherhill and its connections with my ancestor Farmer Angell, the only four magnolia seed fossils ever found in England, D.M. Black's poem Without Equipment and Bram Stoker's awful final novel The Lair of the White Worm».

, was published by Semiotext (e) in 2013; subsequently, he performed «marathon readings» of the entire novel, lasting eight hours without pause, at the ICA in London and the Whitney Museum of American Art in New York.

«This appeal presents the novel question whether the Worker Adjustment and Retraining Notification Act (WARN Act), which prohibits an employer from ordering a mass layoff without giving 60 days» notice, applies to a mass layoff of employees who worked for a private employer as airport security screeners until the United States government federalized airport security services and took over operations at their airport.»

I've always been told that you should never send a resume without a cover letter (not a cover novel, but at least a letter) and as a hiring manager I do tend to feel like people who take the time to write a cover letter with specific details of how they fit into the position stand out from the pack.

Whoops, didn't mean to write a novel there, I guess there's just a lot at play here, pretty complex subject as it is without paper bags and wood glue thrown into the mix.