Sentences with phrase «at your oil collection»

Look at your oil collection, think about what you need your cleaner for and then look at the list to help you make your own!

Not exact matches

Primal Kitchen ® introduced Vegan Ranch Dressing made with Avocado Oil to its collection of avocado oil dressings and marinades at the 2018 Natural Industry Products ExOil to its collection of avocado oil dressings and marinades at the 2018 Natural Industry Products Exoil dressings and marinades at the 2018 Natural Industry Products Expo.

One lucky reader will win a prize package provided by The Fashionable Housewife that includes some of our favorite products from Organix ®, The Renewing Moroccan Argan Oil collection, valued at over $ 30.00!

The judges considered the proposals» potential oil - collection rates, along with whether technologies would be rapidly deployable and suitable for use at the source of a spill far off shore.

The arrival of hurricane season on June 1 has forced BP to develop a more flexible oil collection system, Kent Wells, a BP senior vice president for exploration and production, said Monday at a press briefing.

Additional activities include unannounced spot inspections, data collection and sampling at strategic locations that service crude oil.

Members of this unit are tasked with conducting the scientific duties of normal EPA divers (such as data collection and research) while in potentially hazardous conditions, such as at the sites of oil spills.

Learn about Texas» oil and gas history and cowboy roots at this regional museum, where top exhibits include a collection of 500 - plus cowboy hats and Native American teepees and tools.

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

View a collection of art ranging across centuries and cultures from sculpture and oil paintings to charcoal drawings and photography at the... Read More

The work acquired by VMFA is an oil on canvas; the stamp features the same subject produced in gouache on paper from the collection of the Beinecke Library at Yale University.

Mr. Clark's oil portrait of the Chief Judge of the First Federal District Court was acquired for the permanent collection of the Moakley Federal Courthouse in Boston in June of 2015, and extensive coverage of his solo exhibition at the Loyola University Museum of Art in Chicago was included in both Fine Art Connoisseur and America magazines.

Sarah Howgate, Senior Curator, Contemporary Collections, National Portrait Gallery, and Curator of Lucian Freud Portraits, the last exhibition of his works exhibited at the gallery in 2012, says: «This compelling self - portrait is one of the most intriguing of Freud's unfinished oil studies.»

Tim Kent Of Numberless Pleasures, 2013, oil on canvas, 100 x 60 in, presented by Slag Gallery, NY at VOLTA, courtesy of private collection

Wilson's Water Mill Fog, 1966, oil on canvas, described by Strassfield as «an amazing painting,» is in Guild Hall's permanent collection and was exhibited at Sotheby's in New York as part of the March 2014 Academy of the Arts gala.

Featuring over eighty major watercolors, drawings, and oil paintings drawn from important private and public collections, this exhibition also weaves together myriad ephemeral objects including doodles, journals, scrapbooks, and letters from the Burchfield archive at the Burchfield Penney

Confirmed speakers include: Dr David Anfam (author, Mark Rothko: The Works on Canvas, Yale University Press, 1998); Lindsay Aveilhé (editor, Sol LeWitt: Wall Drawings Catalogue Raisonné); Dr Lee Beard (editor, Ben Nicholson: Catalogue Raisonné of Paintings & Carved Reliefs); Susan Cooke (Director of Programming, the US Catalogue Raisonné Scholars Association, and Associate Director of David Smith Sculptures: A Catalogue Raisonné); Dr Dietmar Elger (Director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, and editor of the Gerhard Richter Catalogue Raisonné); Dr Jo Melvin (Director Barry Flanagan Estate and Reader in Fine Art Theory, Archives and Special Collections at Chelsea College of Arts); James Rawlin (independent advisor and curator, formerly Head of Modern and Post-war British Art at Sotheby's); Karen Sanig (Head of Art Law, Mishcon de Reya); Mark Waugh (Head of Research and Innovation, DACS); Sarah Whitfield (editor, William Scott: Catalogue Raisonné of Oil Paintings, Thames & Hudson, 2013).

The oil paintings presented include Untitled (1988) by Joan Mitchell — an essential member of the American Abstract expressionist movement and Black (2007) by award winning artist Pat Steir whose work can be found in various public collections including those at MoMA, Tate and the Guggenheim Museum.

Downstairs at the Morgan Library as «Exploring France,» fourteen oil sketches from the Thaw collection, shared between the Morgan Library and the Met, fill out a view of landscape art just entering the nineteenth century — their diligent precision caught in time between Neoclassicism and the crisp light of Rome for Camille Corot.

Other highlights from the collection include Mark Rothko's iconic yellow, red and pink block work Untitled from 1969, Pierre Bonnard's oil painting of his pet dachshund at his house in the Bay of Cannes, and a cast of Rodin's career - defining sculpture The Kiss, which Perry Bass purchased for his wife in celebration of their 25th wedding anniversary.

(Tim Kent Of Numberless Pleasures, 2013, oil on canvas, 100 x 60 in, presented by Slag Gallery, NY at VOLTA, courtesy of private collection) Armory Week is a beast.

From 1950 to his death in 1953, Tomlin painted approximately 25 oil paintings in his mature style, of which at least 18 are in museum collections.

Turner and the Elements, the first major show of the painter's work at Turner Contemporary, brings together 88 works; 76 watercolours and 12 late oil paintings, many from the Tate collection.

Olana, the home and artist - designed landscape of nineteenth - century Hudson River School painter Frederic Edwin Church (1826 - 1900), loaned thirteen works from its collection for the exhibition Through American Eyes: Frederic Church and the Landscape Oil Sketch, which was on view at the National Gallery, London, from February 6 through April 28, 2013.

Fresh to the market, the artist's 1994 oil on canvas, Abstraktes Bild (809 - 4), is estimated at # 9 - 12 million ($ 14.1 - 18.8 million) and comes from the collection of Eric Clapton.

The 69 1/2 - by - 59 3/8 - inch oil on canvas work was formerly in the collection of Mr. and Mrs. Morton G. Newman and had been exhibited at the National Gallery of Art in Washington, D.C., from 1980 - 1.

His powerful and intriguing oil paintings, sculptures and installations managed to maintain Thelen's visual urban characteristics and, as a result of such a transition, Stefan's work has been included in various art collections and has been exhibited internationally at renowned galleries and art fairs such as Art Amsterdam and Fair21.

Other records set at the sale included $ 1.1 million for Brazilian artist Candido Portinari's oil on canvas titled Navio negreiro, 1950, against an estimate of $ 700,000 / 900,000 and $ 794,500 for Argentinian artist Emilio Pettoruti, for the oil painting Concierto, 1941, which was estimated at $ 300,000 / 500,000 and had been in the same private collection since it was acquired directly from the artist.

Scheduled to launch at Art Expo New York this April, the series allows viewers to «experience original oil paintings like never before,» Nicol says, as 3D glasses turn the collection into an interactive experience.

Proof of his growing appeal was demonstrated in the impressive sale of two untitled oil on canvases that attained results well above their auction estimates, each selling for upwards of $ 100,000 at our December 9th Capital Collections Estate sale.

Ackland Art Museum, USA Coming Up from the Beach, 1970 - 1972 (oil on wood) will be on view in Carolina Collects: 150 Years of Modern and Contemporary Art from Alumni Collections at the Ackland Art Museum, The University of North Carolina at Chapel Hill, USA from 9 September — 4 December 2011.

Your Paintings is a project to create a complete online catalogue of every oil painting in the national collection, whether on display or in store, at bbc.co.uk / yourpaintings

Her auction record of # 200,000 was set at Sotheby's auction house in London in November 2016 for her 1928 oil and coloured pencil on panel St Ives» Harbour, from David Bowie's collection - the pop star had bought the work at Christie's in 1994.

Cleveland, OH (December 17, 2017)-- Recent acquisitions by the Cleveland Museum of Art include a performance piece by Pierre Huyghe, a leader in the Relational Aesthetic genre and the first work of its kind to enter the museum's collection; an oil painting on copper by Johann König, one of the most significant masters of German painting at the beginning of the 17th century; a generous bequest of several works from Frances P. Taft, a beloved Trustee of the Cleveland Museum of Art; and two groups of photos, gifted to the museum by The George Gund Foundation.

Drawn from the finest and most comprehensive collection of his work, the Turner Bequest, held at Tate Britain in London, the exhibition features over 100 works of art including oil paintings and watercolours, some of which have never been previously exhibited.

♦ Fergus McCaffrey: racked up over 25 transactions since opening day at prices ranging from $ 25,000 to $ 2.5 million, including Jiro Takamatsu's impressive oil on wood and metal abstraction, an untitled shadow painting from 1966 that sold to a European collection for $ 475,000.

0 0 24th ANNUAL TEXAS PAINTING AND SCULPTURE EXHIBITION 1962 - 1963 Sponsored by the San Antonio Art League and Witte Memorial Museum Dallas Museum of Fine Arts Museum of Fine Arts, Houston EXHIBITION Witte Museum, San Antonio Corpus Christi Art Foundation, Centennial Museum Beaumont Art Museum Dallas Museum of Fine Arts JURY John Gordon, Curator, Whitney Museum of American Art, New York PURCHASE PRIZES $ 1200 San Antonio Art League Purchase Prize for the permanent collection of the Art League $ 1000 State Fair of Texas Purchase Prize for the permanent collection of the Dallas Museum $ 750 Sears, Roebuck and Company Purchase Prize for the permanent collection of the Dallas Museum $ 500 Museum of Fine Arts, Houston, Purchase Prize for the permanent collection of the Houston Museum CASH AWARDS $ 100 Beaumont Art Museum Award $ 100 Corpus Christi Art Foundation Award $ 100 Foley's of Houston Award $ 100 Museum of Fine Arts, Houston, Award * $ 100 Museum of Fine - Arts, Houston, Award * $ 100 Pollock Paper Corporation Award $ 100 Schlumberger Well Surveying Corporation Award additional awards may be announced later * donated by Humble Oil & Refining Company of Houston ELIGIBILITY The artist must be a permanent resident of Texas, having lived at least six months in the state during the year preceding the competition.

Jia Aili Untitled, installation view at Rivington Place 2010 oil on canvas, © the artist, Courtesy of DSL collection Photo: Thierry Bal

Also seen for the first time at the Serpentine is Seascapes, a collection of 15 traditional oil paintings in conventional frames shown as a group.

In a phone interview, she expressed pride at having organized several Hofmann exhibitions over her years in Berkeley, in addition to a broad gamut of collection - based shows, from oil sketches by Peter Paul Rubens (1577 - 1640) to American folk art.

His paintings in museum collections include Self - Portrait (1935), Sharecropper (1937), and On the Ranch (1941) at the Dallas Museum of Art; Where the Mountain Meets the Plains, at Southern Methodist University; and Oil Field Girls (1940), at the Archer M. Huntington Art Gallery, University of Texas at Austin.

The oil painting,» Lady Teacher,» is selected for inclusion in the China National Exhibition of Art and is acquired for the collection at the Guangzhou Academy of Fine Arts Museum.

During his stint as chief curator at the Hammer, Garrels» combination of scholarly acumen and an affinity for new art enlarged its reputation as more than a continuation of the legacy of the late oil executive Armand Hammer, who founded it in 1990 mostly as a repository for his own collection of Old Master, Impressionist and Post-Impressionist paintings and 19th century drawings.

The show surveys Hopper's significant and underappreciated achievements as a draftsman, and will pair many of his greatest oil paintings — including Office at Night (1940), an important piece from the Walker Art Center's collection — with their preparatory drawings and related works.

Théodore Rousseau, 1812 — 1867 Study for The Forest in Winter at Sunset ca. 1846 Oil over charcoal with white heightening on paper, mounted to canvas Private collection

Documents were obtained from the Imperial Oil collection at Calgary's Glenbow Museum and the Exxon Mobil Historical Collection at the University of Texas at Austin's Briscoe Center for American History.

From a recent article in the LA Times about Big Oil's calculations, Mobil oil's engineers were calculating for climate warming sea - level rises in Canadian drilling sites in 1996: One year earlier, though, engineers at Mobil Oil were concerned enough about climate change to design and build a collection of exploration and production facilities along the Nova Scotia coast that made structural allowances for rising temperatures and sea leveOil's calculations, Mobil oil's engineers were calculating for climate warming sea - level rises in Canadian drilling sites in 1996: One year earlier, though, engineers at Mobil Oil were concerned enough about climate change to design and build a collection of exploration and production facilities along the Nova Scotia coast that made structural allowances for rising temperatures and sea leveoil's engineers were calculating for climate warming sea - level rises in Canadian drilling sites in 1996: One year earlier, though, engineers at Mobil Oil were concerned enough about climate change to design and build a collection of exploration and production facilities along the Nova Scotia coast that made structural allowances for rising temperatures and sea leveOil were concerned enough about climate change to design and build a collection of exploration and production facilities along the Nova Scotia coast that made structural allowances for rising temperatures and sea levels.

The new documents revealed today were found by DeSmog researchers in an Imperial Oil (TSE: IMO) archival collection housed at the Glenbow Museum in Calgary, Alberta.

of these submarines could be deployed at oil spill sites to gather and then move oil to a collection area, guided by magnetic or electrical fields.