Sentences with word «atemporality»

Yet, unlikely as this might be, the impulse is easy enough to fathom: Artists, art historians, curators, and critics alike wish to find historical trajectories in art today where none immediately announce themselves; a disorienting air of atemporality prevails instead.

Using William Gibson's writings on atemporality as a point of departure, Hoptman culled canvases registering traces of earlier styles and times — from Kazimir Malevich's utopian abstraction to Barnett Newman's heroic zips to the title of a Lucio Fontana painting — in sometimes overt, sometimes clandestine ways.

This is not a timelessness like the static atemporality associated with eternal objects, but rather timelessness of another sort.

Within the worn and windblown sets of this iconic film, a strange atemporality emerges.

Atemporality in his vision of web culture is a thing that allows us to reimagine history as we surf the Internet, simultaneously experiencing the past, present and future from unprecedented angles of diversity.

Featuring a mix of collaged drawings, carved cork sculptures, and mixed - media creations of clay, bones, and wire, the exhibition promises to be an update the much - ballyhooed trend towards atemporality by an artist who has the age (and critical chops) to actually pull it off.

What does all this abstract atemporality and gestural painting add up to?

Fifty - two paintings by fifty - two American artists offers a critical balance to the conditions of atemporality, affected responses, and the material turn shaping much of contemporary painting discourse.

In both cases, God was protected from contingency and change by being situated in the region of atemporality and ahistoricity.

For processists do — and, given the genius of their theory, must — reject the idea that the atemporalities and trans - temporalities of the realm of abstractive generality at issue with processes as such can not be exemplified in the world's experienced concreta which, so to speak «participate» in them, (to use Plato's term).

If anyone thinks there is a contradiction between these statements, then I suggest that he hasn't really grasped the traditional teaching about God's atemporality.

By asking the spaces that write our history to include narratives that have traditionally been left out of actual and historical records, namely the voices and works of female artists and artists who are unseen or under - represented because of race and class; these pioneering activists in guerrilla suits may have been practicing an early form of atemporality.

Its thesis hinges on the word atemporal, inspired by «atemporality,» which was coined by the science fiction writer William Gibson in 2003.

This phenomenon was first identified by the science fiction writer William Gibson, who used the term «atemporality» to describe a cultural product that paradoxically doesn't represent, through its style, its content or its medium, the time from which it comes.

Seventeen artists are examined in this catalogue for a MoMA exhibition, arguing, somewhat paradoxically, that atemporality or timelessness is the defining characateristic of our current world.

Atemporality, or timelessness, manifests itself in painting as an ahistorical free - for - all, where contemporaneity as an indicator of new form is nowhere to be found, and all eras co-exist.

Fifty paintings by fifty American artists offers a critical balance to the conditions of atemporality, affected responses, and the material turn shaping much of contemporary painting discourse.

Terminology is slippery, and using it as the premise for an exhibition can be slipperier still (witness the Museum of Modern Art's recent stumble with «atemporality» in The Forever Now: Contemporary Painting in an Atemporal World).

Such an atemporality is at play in this exhibition.

To gain purchase on the atemporality of the current moment, this exhibition of nearly fifty photographs, videos, installations, and sculptures from the past six years highlights eleven artists who reevaluate historical events and notions of progress.

More than once while viewing Rough Cut, I thought of the late Studio paintings of George Braque and the idea of a still life or landscape as a collection of multiple lived experiences — seeing what is in front of you as it's remembered or as a symbol of a collective humanity, a simultaneity akin to atemporality that is now regarded as intrinsic to our virtual / digital existences.

Curated by Laura Hoptman around an idea of «atemporality» in order to address a supposedly free condition in which painters could pull styles and motifs from traditions potentially across the span of civilization, the references felt stiltedly 20th century.

Such may be the project of «The Forever Now», an exhibition of recent painting curated by Laura Hoptman at The Museum of Modern Art, New York, which brackets these and other approaches under the broad banner of «atemporality».