Some works convey a sense of place using no more than a simple graphic line, as demonstrated by Roy Lichtenstein and Saul Steinberg; others inject
atmospheric effects as seen in examples by Richard Artschwager, Jennifer Bartlett, and Alexis Rockman.
Yet this doesn't detract from their ability to evoke
atmospheric effect as they bathe the gallery spaces in soft - coloured neon light, deviating from the harshness often associated with minimalism.
They clearly say they are ignoring
any atmospheric effect as well as admitting that the atmosphere, if they included it, would have an effect on the calculation.
Not exact matches
Random fluctuations and three physical reasons come into question to explain this: The model calculations are based on different amounts of radiant energy from the sun that impinge on Earth's surface and are stored
as a result of the greenhouse
effect, e.g. due to
atmospheric carbon dioxide.
The indirect
effects of rising
atmospheric carbon dioxide (CO2) levels, such
as changes in soil moisture and plant structure, can have a bigger impact on ecosystems than previously thought.
Freshwater such
as lakes, though, receive various sources of carbon dioxide from decomposing organic and inorganic matter swept into them, which makes it hard for scientists to distinguish between the direct
effects of rising
atmospheric CO2 and these other elements.
The setting gave scientists the rare opportunity to look at the impact of pollution on
atmospheric processes in a largely pre-industrial environment and pinpoint the
effects of the particles apart from other factors such
as temperature and humidity.
«
As the Clean Air Act and amendments have taken
effect there has been a reduction in sulfur emissions from coal combustion, so that the amount of
atmospheric sulfur deposited each year is only 25 percent of what it used to be.
In addition, the unmanned drones provide a new and relatively cheap method for measuring such
atmospheric effects, such
as powerful storms or the absorption of sunlight in regular clouds.
Lozier (p. 1507) discusses how recent studies have challenged our view of large - scale ocean circulation
as a simple conveyor belt, by revealing a more complex and nuanced system that reflects the
effects of ocean eddies and surface
atmospheric winds on the structure and variability of the ocean's overturning.
Our understanding of how certain
atmospheric gases trap heat dates back almost 200 years to 1824 when Joseph Fourier described what we know
as the greenhouse
effect.
But it is a complicated picture: the
effect that extra
atmospheric CO2 has in these kind of experimental setups might not reflect its
effects in the real world, where other factors — such
as elevated heat, or changes in precipitation — come into play.
The researchers are interested in studying the
effects of haze particles on the
atmospheric energy balance of other planetary bodies, such
as Neptune's moon Triton and Saturn's moon Titan.
But a 2001 study led by
atmospheric scientist Mark Jacobson of Stanford University in California suggested that if soot is coated with other pollutants, such
as sulfuric acid, its
effect could be drastically greater.
Many urban areas face
atmospheric problems such
as pollution and the heat island
effect.
As atmospheric physicist Veerabhadran Ramanathan of the Scripps Institution of Oceanography at the University of California, San Diego, said of such efforts to reduce
atmospheric soot a few years ago: «If the world pays attention and puts resources to it, we will see an
effect immediately.
There are strong competing
effects such
as changes in the large - scale
atmospheric circulation, sea surface temperature changes like El Niño and La Niña and the dynamics of westerly storm tracks that all interact at the mid-latitudes,» said Stanford co-author Matthew Winnick who contributed to the study with fellow doctoral student Daniel Ibarra.
His contributions also include the first explanation of dawn and twilight
as effects of
atmospheric refraction.
«We show that uptake of
atmospheric NH3 (ammonia) onto surfaces containing TiO2 (titanium dioxide) is not a permanent removal process,
as previously thought, but rather a photochemical route for generating reactive oxides of nitrogen that play a role in air pollution and are associated with significant health
effects,» the authors write.
Figuring out just how long the continent has been a barren, cold desert of ice can give clues
as to how Antarctica responded to the
effects of past climates and can perhaps also indicate what to expect there in the future
as Earth's
atmospheric concentration of carbon dioxide grows.
The
effects of increased temperatures and
atmospheric CO2 concentration have been documented concerning shifts in flowering time and pollen initiation from allergenic plants, elevated production of plant - based allergens, and health
effects of increased pollen concentrations and longer pollen seasons.15, 16,17,18,19,20,21,22,23,24,25,26 Additional studies have shown extreme rainfall and higher temperatures can lead to increased indoor air quality issues such
as fungi and mold health concerns.27, 28,29,30
The red region shows the habitable zone
as extended inward for dry planets, with minimal surface water, a low water - vapor
atmospheric abundance, and low
atmospheric relative humidity and hence a smaller greenhouse
effect.
The
atmospheric greenhouse
effect, an idea that authors trace back to the traditional works of Fourier 1824, Tyndall 1861, and Arrhenius 1896, and which is still supported in global climatology, essentially describes a fictitious mechanism, in which a planetary atmosphere acts
as a heat pump driven by an environment that is radiatively interacting with but radiatively equilibrated to the
atmospheric system.
The
effects on
atmospheric carbon levels from landuse changes are highly uncertain,
as I'm sure Ruddiman knows.
The continual drop in oceanographic pH (increase in acidity) is arguably one of the most worrying
effects of
atmospheric carbon,
as up to 40 % of the CO2 released will eventually be dissolved into the world's oceans, lakes, and rivers.
Following this approach, known
as chemical data assimilation, the health and environmental
effects of
atmospheric pollution can be assessed with increased accuracy.
At a recent conference, scientists explained how a major
atmospheric circulation known
as the North Atlantic Oscillation (NAO) was in a negative phase at the onset of the LIA, which amplified the cooling
effect of a reduction in solar irradiance and volcanic activity.
For my post-doctoral project, I decided to focus on the question, «to what extent can
atmospheric pollutants, such
as CO2 and ozone, exert a selective
effect on woody plant species, and how are the resulting changes in the genetic composition of the plant community likely to affect the animals that feed on them?»
The radiative
effect of clouds on the shortwave fluxes is computed
as a seasonally varying (but fixed from one year to the next) and spatially varying
atmospheric albedo.
The CDR potential and possible environmental side
effects are estimated for various COA deployment scenarios, assuming olivine
as the alkalinity source in ice ‐ free coastal waters (about 8.6 % of the global ocean's surface area), with dissolution rates being a function of grain size, ambient seawater temperature, and pH. Our results indicate that for a large ‐ enough olivine deployment of small ‐ enough grain sizes (10 µm),
atmospheric CO2 could be reduced by more than 800 GtC by the year 2100.
Scientifically, the meteorologists, climatologists, and
atmospheric physicists, who were responsible for «discovering» the human contribution to the terrestrial greenhouse
effect, have been the most consistent champions of its importance, while the solar physics community, and especially those interested in solar - terrestrial relations, have increasingly stressed the possible importance of the long - term variations of the solar constant
as the chief cause of climate change.
Raised CO2 in aquatic systems can also lead to physiological stress, difficulty in building calcareous shells etc. (
as will happen if
atmospheric CO2 continues to build up beyond around 700ppm - the so called ocean acidification
effect).
Such efforts must remove
atmospheric CO2, if they are to address direct CO2
effects such
as ocean acidification
as well
as climate change.
In his role at the Heartland Institute, Fred Palmer promises to espouse «the positive
effects of enhanced
atmospheric CO2 content on the biosphere»
as well
as emphasize «importance of fossil fuel energy to our quality of life.»
As a young scientist in the 1920s, Otto Heinrich Warburg described an elevated rate of glycolysis occurring in cancer cells, even in the presence of
atmospheric oxygen (the Warburg
effect) that earned him a Nobel...
As we become more aware of our inner life, we notice how events, interactions, and even the
atmospheric pressure
effect us.
Powered by an enriched Half - Life engine, CS: CZ introduces new game technologies including highly - detailed models,
atmospheric enhancements such
as snow and rain, and many more dynamic special
effects.
Family films don't often do a lot with sound to engulf you in a world the way an action movie might, but The Santa Clause takes several efforts to make you feel
as if you are in Scott Calvin's world with
atmospheric effects that are well conceived and realized.
But when you add in
atmospheric effects like rain, ash, and debris,
as well
as various powers and heads up displays that stand out from the rest of the picture, this film's conversion is all the more impressive.
Graphics are also said to be featuring new VFX, such
as atmospheric effects in Londo Ruins and Darkroot Garden that massively improve upon the original's visuals on PC, PS4 and Xbox One.
The sound
effects include Major Fletcher walking, sprinting or dashing, gunfire from your weapons, a range of attacks from machines and their respective weaponry, explosions from environmental hazards such
as explosive barrels and electric devices when shot at and ambient sound
effects such
as heavy rain that breathes more life into the surrounding environments, alongside
atmospheric music, while the DualShock 4 speaker sporadically produces a voice - over detailing your latest objective.
The music from the game is
atmospheric and fitting, but doesn't have the same lasting
effect as the music from Metroid, Halo or other space shooters.
The audio consists of sound
effects, speech and music which collectively makes for quite an
atmospheric tone to the game
as the sound
effects consist of ambient sounds related to which environment Baby is exploring, such
as rain and thunder, a spinning windmill or fire, while there are nearby creatures such
as bats and flies, amongst others with footstep and balloon related sounds.
So we're working a lot with very dynamic environments,
atmospheric effects, weather
effects,
as well
as using an underlying disaster theme throughout the entire game, both in single - player and multiplayer.»
Though we didn't get to play
as much of the game
as we'd like, we greatly enjoyed the soothing low - pressure approach to solving puzzles
as well
as the beautiful music and
atmospheric environmental sound
effects.
FEATURES * Gorgeous 3D graphics * Beautiful and
atmospheric levels with countless missions to complete * Amazing lighting and explosion
effects * Battle heavily armed bosses * Upgrade your shields, guns, missiles, lasers... * Many player spaceships to unlock * Activate bullet time for tactical maneuvers * Accessible to casual gamers,
as well
as die - hard shooter addicts.
You can bolster the
atmospheric effects when painting the sky,
as Richard McKinley did, in this overcast landscape, Malheur Rain (en plein air pastel, 11 × 14).
In her recent show with the Beijing satellite gallery of New York's Chambers Fine Art, she has concentrated on what she calls landscape paintings, which don't present landscapes so much
as a kind of floating abstract world reminiscent of the work of the Chilean modernist, Roberto Matta, in their
atmospheric effect.
Registering the
effect of sunlight hitting the blossoms, the paintings are a sort of tachistic patchwork of quietly lyrical,
atmospheric hues, sometimes amorphously spreading, sometimes striking and concentrated, like the red patches that suddenly appear
as spontaneous accents in «Untitled,» 1999.
His
atmospheric abstractions with series titles such
as White Shift, White Drift, and Passage, respond to continuously shifting light conditions and the perceptual
effects of seasonal cycles and changes in the landscape.