Would any museum even
attempt such an exhibition?
Not exact matches
His article did add some interesting extra touches,
such as an
attempt to show that the solar corona at eclipse during the period was strongly suppressed compared with its present
exhibition of major streamers.
That «brooding maternal wholeness» is what endures in Sobel's paintings and drives
exhibitions such as this in an
attempt to give that different voice a chance to be heard at last.
Beyond the focus on the pathological and therapeutic aspects of art, this
exhibition attempts to reflect the depth of her trajectory and also her contemporaneity, by showing recent installations,
such asI'm Here, but Nothing (2000), as well as others created specifically for the occasion,
such as Infinity Mirrored Room — Filled with the Brilliance of Life (2011).
The
exhibition is complemented by continuous screenings of Border (2000), a Kafkaesque, «fictional» documentary shot on the highly charged Israel / Lebanon border that muses on the ultimate validity of
such an arbitrary designation, while
attempting to locate and cross it; and The Making of Makom (2008), a video charting the construction of a sculptural project where the artist gathers and annotates, as in an archaeological dig, 60 tons of building stones from the remains of Palestinian and Israeli houses to build a deceptively simple structure.
Hiller's career to date has been marked by her pioneering use of up - to - the - minute technologies, a feature of her work that Ann Gallagher, Curator of the
exhibition at Tate Britain has
attempted to emphasise: «She has always been at the forefront in terms of new technological advances, combining media or using new innovations,
such as the internet, as forms of basic cultural material.»
The works in this
exhibition excavate two
such histories: Martin Kippenberger's
attempt to establish a modern art museum on a Greek island, and Daniel Buren's murals at a now - derelict resort hotel.
This
exhibition attempts to unravel
such categorizations.
The
exhibition will include signature early works;
such as Miles Coolidge's «Storefront, Hospital, Office Bldgs,» from his 1994 «Safetyville» series, Liam Gillick's «Discussion Island Research Screen,» 1999, and Annika von Hausswolff's «
Attempting to Deal with Time and Space,» 1997.
Aljira Emerge
attempts to address practical areas of concern to artists,
such as curatorial practice, legal and financial issues, gallery representation,
exhibition and public art opportunities, and marketing.
They vary from an
attempt at reconstruction (When Attitudes Become Form, Venice, 2013), which entails the impossible endeavor of providing the viewer with an authentic experience in the form of an archival documentation
exhibition with the aim of updating our (own) past (Recollections), to a much more multifaceted or «corrected» image of the original,
such as Jens Hoffman's Other Primary Structures, which also included sculptures by artists working in the 1960s in Asia, Latin America, the Middle East, Eastern Europe, and Africa, and which reexamined the
exhibition of 1966 from a global point of view.
Others seek to keep up a program born out of subjective endeavours and shared with a worldwide community:
such as LIFE SPORT in Athens, which sells «critical wearables» — the LIFE SPORT joggers — as an
attempt to generate alternative arts funding in a time and place where there is none; Opening Times, which is an online - only
exhibition platform; Peach, an
exhibition space and home in Rotterdam; and I: project space, which fills a gap in the Beijing art scene by presenting video art and supporting artist exchange via residencies.
Working her way across various media,
such as drawing and video projection, Mette Gitz - Johansen
attempts to decode the foreign and tacit in cultural traditions with her
exhibition Observing Pink.
To essay is to
attempt, and as
such this
exhibition considers a range of works where filmic images and objects reveal their own thinking.
Organized by Independent Curators International, «Beyond Preconceptions»
attempts a reconstruction of context as only grand - scale
exhibitions such as «Out of Actions» (2000) at Museum of Contemporary Art, Los Angeles, or the Queens Museum's «Global Conceptualism: Points of Origin, 1950s - 1980s» (1999) can achieve.
Like all
such core - sampling projects, including the Whitney Museum of American Art's closely watched Biennial
Exhibition, «Bay Area Now 4»
attempts the impossible, selecting artists to represent a moment in a landscape of creativity.
The group
exhibition Caza — a word that in Spanish means «searching» or «hunting,» and is a homophone of «casa» (home)-- is an
attempt to respond to
such questions, or an occasion to at least consider them.