Sentences with phrase «attitudes became»

This German artist participated in ground - breaking exhibitions such as «When Attitudes Became Form» (1969) and «Documenta V» (1972).

She's exhibited work and created site - specific installations throughout the United States and eight other countries; right now you can see one of her works, The fall without the fruit, at the CCA Wattis Institute's When Attitudes Became Form Become Attitudes exhibition, on view through December 1, 2012.

Generous support for When Attitudes Became Form Become Attitudes provided by C. Ross Sappenfield and Laura Brugger, Robin Wright and Ian Reeves, and Laura and Joe Sweeney.

September 13 - December 1, 2012 The CCA Wattis Institute for Contemporary Arts presents the exhibition When Attitudes Became Form Become Attitudes: A Restoration / A Remake / A Rejuvenation / A Rebellion Location: CCA Wattis Institute for Contemporary Arts, California College of the Arts, 1111 Eighth Street (at 16th and Wisconsin), San Francisco CA 94107 - 2247 Opening reception: Thursday, September 13, 2012, 7 - 9 p.m. Gallery hours: Tues. - Fri., noon - 8 p.m.; Sat., 10 a.m. - 6 p.m.; closed Sun.

Recent group presentations include The Invisible Hand: Curating as Gesture, 2nd CAFAM Biennale, CAFA Art Museum, Beijing (2014); Geestverwanten (Kindred Spirits), Rabo Art Collection, Utrecht, The Netherlands (2013 - 2014); Station to Station organized by Doug Aitken (2013), When Attitudes Became Form Become Attitudes: A Restoration / A Remake / A Rejuvenation / A Rebellion, CCA Wattis Institute for Contemporary Arts, San Francisco (2012), and Intense Proximity: La Triennale 2012, Palais de Tokyo, Paris, 2012 (group).

When Attitudes Became Form Become Attitudes: A Restoration / A Remake / A Rejuvenation / A Rebellion: Curator Jens Hoffmann riffs on an era - defining international exhibition of 1969 with help from a spate of artists, many of whom were born since 1969.

Solo exhibitions or duo shows include: When Attitudes Became Form Became Attitudes, CCA Wattis Institute for Contemporary Arts (San Francisco, USA), O - RA - LI - TÉ, Bugada & Cargnel (Paris, France), and Le Musée Décapité, Sies + Höke (Düsseldorf, Germany).

2012 Shanghai Biennial: Reactivation, Shanghai, China Material Information, Kunstindustrie Museum, Bergen, Norway When Attitudes Became Form Become Attitudes, CCA Wattis Institute of Contemporary Art, San Francisco, CA Moscow International Biennale for Young Art, Moscow, Russia Rendez - vous 12, South African National Gallery, Cape Town, South Africa Mission Afterviews, Victoria Theater, San Francisco, CA DocumentO, Krowswork, Oakland, CA

Group exhibitions include Conceptual Art, Arte Povera, Land Art, Galleria Civica d'Arte Moderna, Turin (1970); documenta 6, Kassel (1977); Biennale di Venezia (Venice), 2007; When Attitudes Became Form: Bern 1969 / Venice 2013, Fondazione Prada, Ca» Corner della Regina, Venice (2013).

Notable group exhibitions include Teen Paranormal Romance, traveling to Santa Barbara Museum of Art (2015); the Renaissance Society at The University of Chicago (2014); and Atlanta Contemporary Art Center (2014); The Los Angeles Project, Ullens Center for Contemporary Art, Beijing (2014); When Attitudes Became Form Become Attitudes, Museum of Contemporary Art Detroit (2013); Made in L.A. 2012, Hammer Museum, Los Angeles (2012); and First Among Equals, Institute of Contemporary Art, Philadelphia (2012).

Installation View, «When Attitudes Became Form Become Attitudes,» Wattis Institute for Contemporary Arts, 2012

When Attitudes Became Form Become Attitudes CCA Wattis, San Francisco (curated by Jens Hoffmann) 13.

When Attitudes Became Form Become Attitudes, 2012.

2013 When Attitudes Became Form Becomes Attitudes, Museum of Contemporary Art Detroit, Detroit Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles Proyecto Basurto, Steve Turner Contemporary, Mexico City

2013 Other People's Problems: Conflicts and Paradoxes, Herzliya Museum of Contemporary Art, Tel Aviv Art Baja Tijuana, Casa GS, Tijuana, Mexico Noise, Ex Magazzini di San Cassian, Venice, Italy Donde el Lenguaje es el Material, Casa del Lago, Mexico City When Attitudes Became Form Becomes Attitudes, Museum of Contemporary Art Detroit, Detroit Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles Proyecto Basurto, Steve Turner Contemporary, Mexico City

His work has also been included in numerous museum group exhibitions including When Attitudes Became Form Becomes Attitudes, curated by Jens Hoffman, CCA Wattis Institute for Contemporary Arts, San Francisco (2012) and Museum of Contemporary Art Detroit, Detroit (2013); Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles (2012); Los Irrespetuosos, Carrillo Gil Museum, Mexico City (2012); Donde el lenguaje es el material, Casa del Lago, Mexico City (2012) and Tiempo de Sospecha, Museum of Modern Art, Mexico (2012).

Rasgado's work has also been featured in important museum group exhibitions including Other People's Problems: Conflicts and Paradoxes, Herzliya Museum of Contemporary Art, Tel Aviv (2013); Noise, Ex Magazzini di San Cassian, Venice (2013); When Attitudes Became Form Becomes Attitudes, CCA Wattis Institute for Contemporary Arts, San Francisco (curated by Jens Hoffman, 2012); Los Irrespetuosos, Carrillo Gil, Mexico City (curated by Carlos Palacios, 2012); and Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art (2012).

Selected group exhibitions from recent years are Question the Wall Itself, Walker Art Center, Minneapolis US (2016); Anti-ageing, Performa 15, Swiss Institute, New York US; La Vie Moderne, Biennale de Lyon FR; Welcome to the Jungle, KW Institute for Contemporary Art, Berlin DE (all 2015); The Peacock, Grazer Kunstverein, Graz AT; The Brancusi Effect, Kunsthalle Wien, Vienna AT; The Reluctant Narrator, Berardo Museum, Lisbon PT; Nostalgia, Centre for Contemporary Art Glasgow UK (all 2014); Møller, Moscow Biennale of Contemporary Art, Moscow RU; Reading the Surface, David Zwirner, London UK; Decorum, Musée d'Art moderne de la Ville de Paris FR; L'Image dans la sculpture, Centre Pompidou, Paris FR; When Attitudes Became Form Become Attitudes, Museum of Contemporary Art Detroit US; A House of Leaves.

, Gwangju Bienniale, Gwangju, Korea (2016); Schnitt Schnitt (Cut Cut), Kunsthalle Darmstadt, Germany (2016); Metatextile: Ruptured Narratives, Exchanged Values, Edel Assanti, London, UK (2016); Paper Trail, Raffaella Cortese, Milan, Italy (2016); Surfaces & Solids, Green Art Gallery, Dubai, UAE (2015); DUST at the Centre for Contemporary Art Ujazdowsku Castle, Warsaw, Poland (2015); Investment Opportunities at the OFFICE Gallery, Cyprus (2015); Adventure of the Black Square: Abstract Art and Society 1915 - 2015, Whitechapel Gallery, London, UK (2015); Longing Persia, Exchange and reception of art in Persia and Europe in the 17th Century & Contemporary Art from Tehran, Museum Rietberg, Zurich, Switzerland (2013); Safar / Voyage, The Museum of Anthropology at the University of British Columbia, Vancouver (2013); When Attitudes Became Form Become Attitudes, Museum of Contemporary Art Detroit, Detroit, USA (2013); CCA Wattis Institute for Contemporary Arts, San Francisco, USA (2012); A Permanent Record For Future Investigation, Green Art Gallery, Dubai, UAE (2012); and Interior Renovations, Tehran, 2010, Green Cardamom, London, UK (2011).

2012 Les référents, Galerie Edouard - Manet, Genevilliers, FR Architektonika 2, Hamburger Bahnhof, Museum für Gegenwart, Berlin, DE When Attitudes Became Form Become Attitudes, CCA Wattis Institute for Contemporary Arts, San Francisco, USA Invisible, Hayward Gallery, London, UK DOCUMENTA (13), Documenta, Kassel, DE Invisible: Art about the Unseen, 1957 — 2012, Hayward Gallery, Southbank Centre, London, UK Foreigners everywhere, works from the Pomeranz Collection, Jewish Museum, Vienna, AT

Selected recent and upcoming group exhibitions include: When Attitudes Became Form Become Attitudes, Museum of Contemporary Art, Detroit (2013); Signs Taken in Wonder, MAK, Vienna (2013); Incremental Change, Galeri NON, Istanbul (2012); When Attitudes Became Form Become Attitudes, CCA Wattis Institute, San Francisco (2012); Show Off, Malmö Konsthall, Malmö (2012); An Incomplete History of Incomplete Works of Art, Francesca Minini, Milan (2012); Untitled (12th Istanbul Biennial), 2011 and Danföredanföredanföredan, Index — The Swedish Contemporary Art Foundation, Stockholm (2010).

When Attitudes Became Form Become Attitudes is a sequel to, and a reevaluation of, the legendary 1969 exhibitionLive In Your Head: When Attitudes Become Form (Works — Concepts — Processes — Situations — Information), which was curated by Harald Szeemann at Kunsthalle Bern in Switzerland.

When Attitudes Became Form Become Attitudes, (curated by Jens Hoffmann), CCA Wattis, San Fransico, USA

These shows typically take one of two approaches: faithfully reconstructing an exhibition from the past (such as New York gallery Zwirner & Wirth's 2008 redo of Dan Flavin's 1964 exhibition at Green Gallery), or conceiving of a new project that uses a past exhibition as a conceptual jumping - off point (for example, When Attitudes Became Form Become Attitudes at San Francisco's CCA Wattis Institute for Contemporary Arts in 2012, a contemporary riff on the famous Live in Your Head: When Attitudes Become Form at Kunsthalle Bern in 1969).

Selected exhibitions include: Solo Show at Green Art Gallery, Dubai (2014), Longing Persia, Exchange and Reception of Art in Persia and Europe in the 17th Century & Contemporary Art from Tehran, Museum Rietberg, Zurich (2013); Safar / Voyage at The Museum of Anthropology at the University of British Columbia, Vancouver (2013); When Attitudes Became Form Become Attitudes at the CCA Wattis Institute for Contemporary Arts and the Museum of Contemporary Art Detroit (2012, 2013); A Permanent Record For Future Investigation, Green Art Gallery, Dubai (2012) and Interior Renovations, Tehran, 2010, Green Cardamom, London (2011).

Earlier this year, her work could be seen at the Museum of Contemporary Art in Detroit as a part of CCA Wattis Institute's traveling exhibition, When Attitudes Became Form Become Attitudes, and will be included in a forthcoming publication.

«Invisible: Art about the Unseen 1957 — 2012 ′, Hayward Gallery, London, UK «An Incomplete History of Incomplete Works of Art», Francesca Minini, Milan, Italy «Reflecting on Reflection», Galeri Mana, Istanbul, Turkey «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «The Edge In Landscape», The Towner Art Gallery, Eastbourne, UK «Où donc, et quand?»

LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.

On all issues, attitudes became more accurate with self - affirmation, and remained just as inaccurate without.

Filtered through a public address system, these various attitudes become homogenized.

College is a crucible in which opinions are formed, challenged and reformed; beliefs are redefined or perhaps defined for the first time, and attitudes become more resolute.

Alexis had to leave the club, with his attitude becoming highly disruptive in the dressing room, and we all know fully well that he was going to leave for free this summer regardless, and the prospect of landing a top player in the process is a blessing.

Almost every parent has experienced a few cringe - worthy moments where a child's ungrateful attitude becomes evident.

If the answer is that continued nursing is definitely worth it, you may find that your attitude becomes more positive.

People lose job offers all the time when the wrong attitude becomes apparent, so I'll provide advice on cultivating the right attitude.

My attitude became one of believing that I had a great chance of meeting some cool guys, and that's what I had as my focus when I was online.

When he shoots a child caught stealing, the others frame him and he is sent to prison where his attitude becomes even worse than before.

But the deeper Chris and Miltie get into the crew, the scarier their racist attitudes become, especially when its revealed that repeated use of their drug will sterilize the entire population of L.A. outside of the Rollerboys» inner circle.

My attitude became extremely negative.

The students» attitude became noticeably more positive.

I know these people despise progress in all its forms, but when did that attitude become so literal as to resent another driver for wishing to travel on an open, clear road at the national speed limit, rather than 17mph below it (regular and unexpected jabs at the brake pedal permitting)?

You may discuss the author's attitude to the problem, event or phenomenon highlighted in it (as a rule, this attitude becomes clear from the fact in what way this essay subject is depicted).

They require extensive socialization from an early age to prevent this attitude becoming a problem and to teach them to discriminate accurately between friend and foe.

In 1969, his work was included in Harald Szeemann's famous exhibition When Attitudes Become Form at the Kunsthalle Bern.

The photo booth works were first shown in 1969 in Harold Szeeman's seminal exhibition, When Attitudes Become Form, at the Kunstalle Bern.

His work was included in some of the most historically important exhibitions of the 1960s, including Live in Your Head: When Attitudes Become Form (Kunsthalle Bern, 1969); Anti-Illusion: Procedures / Materials (Whitney Museum of American Art, 1969); Nine at Leo Castelli (Castelli Warehouse, 1969); Information (Museum of Modern Art, 1970) and the Whitney Museum Annual of 1971 and Biennial of 1973.

At the Prada Foundation, celebrated curator Germano Celant (best known for ushering Arte Povera to international renown) has organized a fascinating show together with artist Thomas Demand and architect Rem Koolhaas that lovers of art history can't miss: an artwork - by - artwork restaging of curator Harald Szeemann's legendary 1969 show «When Attitudes Become Form» at the Bern Kunsthalle, which redefined the possibilities of what curating can and should be.

When Attitudes Become Form» in 1969.

Attempting to recreate the show's installation with as much fidelity to the original as possible (akin to what the Barnes Foundation pulled off in Philadelphia), the new exhibition — titled «When Attitudes Become Form: Bern 1969 / Venice 2013» — promises an audacious engagment with the relatively recent past in a city in love with history.

«When Attitudes Become Form: Bern 1969 / Venice 2013» — promises an audacious engagment with the relatively recent past in a city in love with history.