Not exact matches
«It will be particularly interesting to see what the companies have to say
about the size of their
audiences after the fact, and whether they use comparable metrics, or whether they'll look to make such comparisons
difficult.»
You might be finding it
difficult to come up with the right idea at given point of time, but there might be an idea sitting in the heads of a person who isn't a marketer, but still has immense knowledge
about the business, its target
audience and the operational niche.
It is a
difficult enterprise to maintain in a time when taboos lie strewn across the cultural battlefield, but Ms. Brown, being British, knows that there is still a giggle to be milked from an
audience that only vaguely remembers what was supposed to be sacred
about the institutions and ideas now so casually mocked.
When things appear hopeful, it's
difficult to find a receptive
audience, whereas when things invariably go south the response is usually so vile that entering the fray seems overkill and certainly not conducive to having a rational discussion
about the real underlying issues.
I've held off on using it as a tool for my nonprofit organization, yet (that's
about to change) because: a) most of my
audience isn't on Twitter and doesn't get it; b) due to limited staffing, I've found it
difficult to keep up with on a regular basis; and c) I haven't had a real goal in mind — something I wanted to accomplish by using it.
He also pulls off an incredibly
difficult feat, by enabling the
audience to care
about a markedly unpleasant central figure.
It's
difficult to imagine that even an ideal
audience — i.e., people who harbor fantasies of being best friends with a president who's willing to kick some ass, and also believe that today's action movies don't feature enough knife fighting — would find much to get excited
about in London Has Fallen.
While it's too
difficult to go into detail
about all that has transpired in the previous 18 movies to get to this point, the
audience just needs to know that the unifying thread is the rise of a powerful and evil being named Thanos (Josh Brolin, Only the Brave, 2017).
Cooper's last three features Black Mass, Out of the Furnace or Crazy Heart weren't exactly easy sells to a general
audience, but no matter how one ended up feeling
about them breaking each one down into an easily digestible synopsis isn't particularly
difficult.
Like many films that focus on drug addiction, it's often
difficult for a general
audience to care
about a character who exhibits zero redeeming moral value and spins farther into decline with every running minute.
It is
about here that the plot starts falling apart and
audiences will probably have a
difficult time understanding - or caring
about for that matter - what exactly is going on.
Boone and writers Scott Neustadter and Michael H. Weber know what a
difficult task they have in adapting John Green's best - selling novel,
about a tentative romance between two cancer - stricken teenagers, into a durable screen product that will appeal to younger target
audience without quickly becoming a punchline for everyone else.
The most
difficult conceptual step is thinking
about not only who you have designed the media for, but also how it might be received by viewers outside the target
audience.
There is more information available
about both stocks and bonds, and this information is propagated with higher speed to a much broader investment
audience, which makes markets more efficient and the job of an active manager more
difficult.
It's been a
difficult road finishing the game, but we hope the rest of the PlayStation
audience is as enthusiastic
about the game as you are.
I spoke to studio co-founder and lead game designer Jeremy Spillmann
about what motivates him and his team to bring
difficult issues from the real world into what is usually seen as a purely escapist medium — and how Hatch might offer more opportunities to let smaller studios like Blindflug find a mass
audience.
«Public discussion
about the fluidity of identity has become so commonplace that it might be
difficult for a younger
audience to appreciate how original and startling Cindy Sherman's work was,» says Marco Livingstone, co-curator of «Post Pop: East Meets West» at London's Saatchi Gallery, which closed in March and featured Sherman's work.
However, it is simply impossible to reconcile such a statement with the actions by Brown and his allies to close San Onofre and Diablo Canyon, making it
difficult to avoid the conclusion that Brown was deliberately trying to deceive
audiences about what was really happening behind the scenes.
Personal attacks, accusations of dishonesty, alleged use of flawed arguments for failing to mention this or that detail in a presentation for a non-technical
audience...
difficult to believe that it's all just
about atmospheric physics, isn't it?