Sentences with phrase «audience at my screening»

When a crucial and surprising bit of information about Jack is disclosed, the audience at my screening erupted in sustained laughter that drowned out the dialogue onscreen for almost a full minute.

And to add injury to insult, the audience at the screening I attended were laughing through the majority of the film — and rightfully so.

The audience at my screening was the same way as they were very vocal with their applause and laughing.

By the time the big photo shoot ends with a floating eyeball in the swimming pool, the audience at the screening I attended had collapsed in such a fit of hysterical laughter that I'm not sure they even noticed.

The audience at the screening I attended couldn't stop laughing out loud as she kept belting - out out - of - tune notes.

The audience at the screening I attended was loudly appreciative.

Not exact matches

Tailoring your email to the right audience is often about the little things, about the decisions that you might not even think about until you're sitting there staring at a blank browser window or phone screen.

The audience at the first screening of the film in New York City, at the Cinema Village in Manhattan's Greenwich Village, remained silent during a scene showing the death of Kim Jong Un in the downing of his helicopter.

When it comes to slide presentations, if you use a slide with text on it, the audience can either read what's on the screen or listen to you speak, but not both at the same time.

«If you've got too much text on the screen, you can't compel an audience in any emotional way at all,» says Altman, author of the just released Why Most PowerPoint Presentations Still Suck & How You Can Make Them Even Better.

Sundance bestows status to independent films; simply by being screened at the legendary venue which recognized iconic sex, lies and videotape, American Splendor, and the like; being picked up by a movie studio is a sure path to mass audiences and used to be every filmmaker's Holy Grail.

Marriage's dark nights are rarely depicted on the big screen in quite this way, with Hollywood instead giving audiences what they most want — the swoon of love at first sight, falling in moonstruck love, the big wedding, the honeymoon phase, and happily ever after.

The film, hosted and narrated by Ben Stein, has been screened to invitation - only audiences at churches and for various Christian groups.

For rookie parents who are desperate to go to the movies, rest assured small babies will be no problem at these showings as any of their complaining will not be heard over the exclamations of three - year olds in the audience who have no problem talking back to the screen (and their parents).

At the recent screening of King Corn I attended, three of the people involved with the documentary (the editor, director, and one of the two creators) held a question and answer session with the audience.

Bo Dietl addressed an audience at a Republican candidate screening last week on the Upper East Side, but appeared to have hurt his chances with county Republican leaders.

The work - in - progress is now going to be screened at the Tribeca Film Festival on April 24, when New York audiences will be able to see him, bathed in Gibney's shadowy lighting, talking about many of his innermost secrets — including his list of top enemies: Ken Langone, Joe Bruno, Roger Stone (all of whom appear in the video — as does Spitzer's «go - to» call girl «Angelina»).

The audience agrees: Last year's extravaganza garnered hundreds of submissions from scientists and non-scientists alike, and drew 5,000 spectators to screenings at area bars, universities, museums, and cinemas.

I've always wanted the audience to look at the screen and go, «Whoa!»

Mel Blanc, known as The Man of Thousand Voices is regarded as the most prolific actor to ever work in Hollywood with over a thousand screen credits... As the host of Cheap Eats on Cooking Channel, Ali Khan is right at home taking audiences on a budget - friendly culinary tour of America, highlighting spots

The 3D conversion for DH2 is superb — even though there are few instances of stuff coming out of the screen at the audience, it adds depth and solidity to the proceedings, and puts us squarely in the middle of things during the movie's first action sequence of note, a ride through Gringotts vaults.

I should also mention that the preview audience applauded the film once the end credits rolled - and I haven't seen that happen at an advance screening for quite a while.

The aspiring actor honed his craft at the University of Western Australia before making an impression on television audiences with a role in the popular small - screen drama Sons and Daughters in the mid -»80s.

Lara Croft Tomb Raider: The Cradle of Life viewed at a semipublic screening with an audience of critics and ordinary moviegoers rated PG - 13 for action violence and some sensuality official site IMDB

Back in 1968 it must have blown its audience away (I was actually a member of that audience, but I was only five so I don't recall being blown in any direction at all — I just remember liking the monkeys) with its realistic shots of space stations gliding across the screen with a stark, cold beauty as Strauss's Blue Danube blared through the speakers.

Spy Kids 3 - D: Game Over viewed at a semipublic screening with an audience of critics and ordinary moviegoers rated PG for action sequences and peril official site IMDB

Most critics found the film funny and entertaining when it screened at Toronto last fall, and audiences will finally get to see it on June 7 (and in even more theaters on June 21).

For over a decade, sold out audiences have enjoyed Rocky Horror - like participation consisting of hilarious traditions such as screen - shouting, football playing, throwing spoons at the screen, rooting on the shockingly long establishing pans of San Francisco, and generally laughing hysterically at the film's clunky pseudo-Tennessee Williams dialogue, confused performances, and bizarre plot twists, like the mother - in - law character whose breast cancer ought to play like it matters a great deal, but really comes off as a non-sequitur.

Screen Talk, episode 198: Recorded before a live audience in Cannes, this week's Screen Talk digs through a busy year at Cannes to look at the highlights.

Catching a midnight screening at New York's Sunshine Cinema five years ago, I felt simultaneously punished and pleasured — the audience howled at every abrupt edit, every ludicrous twist, every what - the - what set design choice (so many pictures of spoons, so few reasons as to why).

They're mostly women — as was the vast majority of the audience at the preview screening — and it's all about the fantasy of love, the joy and the accompanying pain.

OMG, The audience laughed at the screen after this POS this afternoon.

Horror movie characters aren't generally known for their brains, but these ones make enough bad choices that audiences won't be able to help yelling at the screen (at least ours couldn't).

Audiences who have gotten stupider in the last twenty years — otherwise they would have hurled tomatoes at the screen, this derivative dreck's idiotic narrative horrifying them.

The audience I saw it with in a theater in NYC last night roundly stood up and «Booed» when Jan's name graced the screen at the end.

Again, I happened to see this film in a public screening, and the long and sustained applause at the end by the very young audience made it clear that the message had hit home.

At an MPAA screening at the National Archives on Thursday, Schrader answered questions from the audience afterward that included a mix of topics, from filmmaking technique to the influence of «Taxi Driver» to one viewer, who asked him bluntly, «Are you in despair?&raquAt an MPAA screening at the National Archives on Thursday, Schrader answered questions from the audience afterward that included a mix of topics, from filmmaking technique to the influence of «Taxi Driver» to one viewer, who asked him bluntly, «Are you in despair?&raquat the National Archives on Thursday, Schrader answered questions from the audience afterward that included a mix of topics, from filmmaking technique to the influence of «Taxi Driver» to one viewer, who asked him bluntly, «Are you in despair?»

«This Thing Called Love» (1940): TCM host Illeana Douglas admitted that her favorite festival moment was sitting in the audience and listening to fans laugh at Melvin Douglas,» her grandfather and the co-star of this rarely screened comedic gem (which received an encore showing on Sunday).

Best filmmaker turnout (at screenings I attended): Venice Best fest venue: Sundance Cinemas (Wisconsin) Worst fest venue: Pala Biennale (a tent with port - a-potties)(Venice) Best program notes: Bologna Best fest promo reels: Bologna, TCM, Todos Santos Most charming festival director: Sylvia Perel (Todos Santos) Most beautiful surroundings: Venice, Savannah Most enthusiastic audiences: Todos Santos Best festival volunteers: Sundance, TCM Longest lines: Sundance

Regardless of his screen time, Gunter is just one example of the movie excelling at presenting likeable, compelling characters that audiences want to see succeed.

(This is not - so - subtly also aimed at Cannes» well - heeled audience — «I love thinking that people in a screening sitting silent in tuxedos are watching people on - screen sitting silent in tuxedos,» Ostlund said in an interview.)

After enjoying the screening of the film, the audience moved a short walk away to Santos Party House where guests were welcomed by staff members in Adam's «Dr. Faust» scrubs offering a spicy taste of blood at the door.

Over the years, Searchlight has mastered the art of the platform release, which involves slowly rolling out a title across screens and gradually building audience awareness, according to Paul Dergarabedian, senior media analyst at ComScore.

After the premiere screening at Sundance of his wonderful debut feature «Kings Of Summer,» director Jordan Vogt - Roberts — responsible for the short «Successful Alcoholics» and a veteran of «Funny Or Die Presents...» — told the audience his influences for his first feature included early Amblin films like «The Goonies» with «elements of [Terrence] Malick,» and most surprisingly, «Bad Boys II.»

When the Orion name once again came onto the screen, audiences at the Toronto Film Festival last year cheered.

The wannabe indie crowd - pleaser Patti Cake $, which was bought by Fox Searchlight for a hefty $ 9.5 million, averaged an underwhelming $ 4,714 per screen, once again proving that the primary audience for these Sundance items is probably at Sundance and that the distributor that paid $ 12 million for Me And Earl And The Dying Girl and $ 17.5 million for The Birth Of A Nation should maybe consider setting a spending cap for future Sundance - hype - echo - chamber bidding frenzies.

At the screening I attended, the packed audience applauded enthusiastically at the end of Mamma MiAt the screening I attended, the packed audience applauded enthusiastically at the end of Mamma Miat the end of Mamma Mia!

A relatively new face to stateside audiences at the time of her international debut in 2004's Van Helsing, Anaya was soon climbing the latter to international success with subsequent roles opposite such screen heavies as Gary Oldman (Dead Fish) and Viggo Mortensen (Alatriste).

The Room turned the real Wiseau into a cult icon, as he continues to show up at screenings for his movie as it still plays in theaters with a fair amount of audience participation.

«Breaking In» far too quickly devolves into unintentional laughs provided by the henchmen, complete with long stretches of near silence, affording the smart alecks in the audience the chance to half - shout, «She's gonna ELECTROCUTE him,» or «There's ONE IN THE CHAMBER» and «Shoot SHOOT» at the screen.