Sentences with phrase «audience cares for»

«Ends up a better than average atmospheric thriller with well developed characters that the director makes sure the audience cares for» — Gilbert Seah, Festival Reviews

Still though, it remains to be seen how much the general esports audience cares for official FIA certification.

Not exact matches

In fact, it's imperative for effective and timely customer care, crisis management and finding opportunities to engage with your audience in an intimate, one - on - one manner.

By doing so, it shows you care for your audiences.

A contest to put a fan in an episode would certainly be interesting, but it would never become a consistent talk trigger; only one person would win, and the prize is too large in scale for a wider audience to care for long.

This peer - to - peer recognition tool works wonders for boosting your internal audience engagement, and really shows your employees that you care.

I put the names in boldface not because they mean anything to me, but because they do for the intended audience: People who care about Paris fashion.

They'll know who your audience is and what they care about, which comes in handy when you're creating content for that audience.

Stressing the Church's care for, and work with, the poor throughout the world, the pope reminded his audience in the Vatican's Sala Regia that Francis of Assisi knew that there were various forms of poverty.

Beyond these perhaps - obvious vocations, there are vocations to serve those in need, to serve one's friends with the depth of love Christ showed to his own friends, to care for aging parents, perhaps even an artistic vocation to serve God and one's audience by presenting beauty and sublimity.

The message of the film places virtually no value on human life, and the movie itself does» t care at all for its audience, save for the pain it can cause in the viewing experience.

They, and the supporting research summaries, are intended for an international audience of health, education and social care professionals, policy makers, programme managers and designers, researchers and evaluators.

The audience buys in to this false fatalistic identity as a result of their own (mostly) unrealized fantasies: if Meg Ryan isn't a bad person for randomly ditching her fiance they're not bad people for doing (or thinking about doing) something similar... Nobody cares who gets hurt as long as Meg Ryan and Tom Hanks are happy when the credits roll.

The nation's largest professional organization for lactation professionals, the International Lactation Consultant Association, has become so alarmed by growing numbers of parents using Ezzo's «infant management program» with poor results that, at its recent international conference in July, the group offered a presentation to a standing - room - only audience on how to deal with «rigid approaches to care giving» in the clients that they see.

Bolstered by applause from the audience, Paul infamously responded to a scenario in which an uninsured but able - bodied young man suddenly requires six months of intensive care and is unable to pay for his medical treatment.

So, returning to the question of traffic, Politico.com may only CARE about a targeted audience of political professionals and political junkies, since they can earn more per ad impression for targeted advertising.

As he took the stage at the health care rally Wednesday, someone in the audience screamed «Cuomo for president!»

Congressman John Faso faced a skeptical, and at times hostile, audience on Monday, May 8 when he defended his vote for the American Health Care Act at a forum at the Kingston Library.

The health care workers union 1199, which financed a specially designed bus and provided audiences for a series of rallies promoting the $ 15 minimum wage, called the new law historic, and said it «means fewer hardworking home care workers, nurse assistants and other caregivers will have to rely on food stamps to feed their families.»

«Magnet designation is a well - deserved recognition of the extraordinary nursing care that occurs every day for the patients and families we serve,» Calarco told the audience.

Target Audience: Gentle Yoga for Care Partners (caregiver and loved one with MCI or dementia) is appropriate for all levels and anyone in need of some respite and restoration.

We can all stand to communicate a bit better, and for those that are public speakers or singers one must not only take care of their voice to prevent laryngitis, but also stay focused and tuned in to their lecture topic and audience.

Our target audience is the millions of caregivers out there loving caring for our senior population who will find it difficult to get this information from their doctors or medical professionals not trained in these areas.

[5:19]-- How Laura got into being a health care practitioner [9:59]-- NeanderThin (Book) by Ray Audette [10:18]-- Robb Wolf [13:58]-- The connection of parasitic infections, GI health, and rheumatoid arthritis [18:45]-- Biologic medications for rheumatoid arthritis — Enbrel [23:13]-- The effects of stress on health [27:03]-- Holly Guzman [28:11]-- Chris Kresser's Functional Medicine Training Program — www.kresserinstitute.com [29:39]-- MD HQ clinical management system [37:17]-- Keith Rhys Evergreen Audience Course

My goal is to offer original, quality content for your business needs by working closely with you to create beauty and skin care recipes for your online and print publications that cater to your target audience.

For your FEMALE audience, we don't care to see your gross naked bodies because we're NOT INTO WOMEN.

A sure way to lose your potential members (and revenue) is to stop caring about your site's visual relevance for new audience.

The Impetus Instruction technology coaches who care about their audiences are always looking for ways to spice up the mostly boring sit and get

Betraying my chosen profession for just another moment, I'm the audience member who doesn't care if this thing plods along and meanders down paths that would have been chopped in a leaner, more efficient adaptation.

These people are so intent on their actions and blinded by the futility of it all that it is hard for the audience to really care what happens to them.

Following the devastating final months experienced by a dying woman and more specifically the loving husband who has taken it upon himself to care for her, it is meant to appall and terrorize, to evoke unpleasant sensations, to leave its audience suspended in dread, and ultimately, as is the primal goal of horror, to elicit catharsis.

It is possible to make the audience care about an utterly loathsome character if we understand their motivations - for instance, Gene Hackman's character in Unforgiven.

Where those previous films felt compelled to lunge for edginess (read: sneering raunch) as chaos dutifully descended on characters they didn't like very much — and weren't particularly interested in getting audiences to like, either — Game Night takes care to locate our sympathies with Bateman, and McAdams, and its cast of charming ringers.

It should have been binned the second the (literal) smoke cleared, and while it's been clear for some time that Smith is either incapable of making a good movie or simply doesn't care to, Yoga Hosers may very well be the film that finally convinces audiences the emperor has no hockey jersey.

Maybe very young kids don't care about subtext in films like this, but I'm not writing for kids and this film is pitched at a broad audience.

For the rest, he hired a screenwriter to build a story around these bits of business, along with characters the audience would care about.

Fortunately for Loach, his non-professional cast have such a natural flair for comedy that the audience simply doesn't care, as we end up rooting for this rag - tag bunch to succeed in their audaciously daft mission.

I'm not the intended audience for Planes: Fire & Rescue, so take this review with a grain of salt, as there's a decent chance your young child will enjoy watching these colorful characters and not care how it has been critically perceived.

The audience award for best documentary went to Gen Silent (d. Stu Maddox), a film that brings to light homophobia rampant in elderly care services.

But there's a cultural / anthropological bent to the proceedings that can also hook an audience for whom fashion trends and charity soirees are of no particular care.

Instead of being a base for Will to mull about swirling dark forces, the API offices became, for the first time, a real, lived - in place about which audiences could care.

Certainly not for even the slightest modicum of character development or dimension, as a talented cast led by Jennifer Lawrence and Javier Bardem is criminally underserved by a script that treats their characters as props rather than actual people with inner lives who the audience are supposed to care for.

Both Patrick Wilson and Vera Farmiga build upon their efforts to humanize Ed and Lorraine for audiences who may have thought of them as frauds, and there are two particularly touching moments involving these two that stood out among the scares to continue to make us care about their marital and spiritual journeys.

Director Taika Waititi (What We Do in the Shadows, The Hunt for Wilderpeople) does his best to control the tonal shift although the multiplex audience couldn't care less for Asgard and only root for more smashes and blasts in Sakaar.

From the moment she appears on screen (accompanied by that amazing soundtrack) it's easy to care about her; as an audience, we know that somehow she is being mistreated or used for someone else's personal gain and that her presence in the treatment center is not justified.

Ana de Armas is given little with this paper - thin character, and audiences are left not caring for the obstacles and triumphs of Iz and Packouz's relationship.

Green's «Joe» didn't quite get a fair shake in theaters this year — it seemed to split the difference between the mainstream audiences who don't care for Nicolas Cage in a non-going-big performance and indie audiences who didn't know what to do with him, but it's an underrated picture, and Wingo and McIlwain can place another feather in their cap for this moody and memorable score.

Will the unfortunate adults in the audience for whom these allusions are no doubt intended even care?

If the audience is coming for the heroes, who cares about the villain or the plot?

It's a great performance that sometimes gets mistaken for a bad one because of just how little Dano cares about whether the audience will accept his particular charisma.