Sentences with phrase «audience development work»

Not exact matches

Zach Seward — Quartz: Formerly the Social Media Editor at the Wall Street Journal, Seward now is a VP at Quartz, where he works on product development and audience growth while still writing about a variety of topics.

We spent about six months working with various members of the FLM team — biz dev, product, audience development, etc. — to put together a strategy that would allow us to expand reported.ly internationally and begin generating revenue.

The agency can work with WPP clients and other brands and plans to offer services to clients such as positioning and messaging, content projects, video and photography, social - media management, audience development, and insights and analytics.

Feature your work on our monthly newsletter and inform a targeted audience about your latest developments (upon request).

As a research psychologist specialising in child development, Amanda's work spans corporate, government and charity sectors through which she promotes the value of play and positive parenting in child development to a variety of audiences.

«This is myopic, it's biased, it's selective listening,» Ms. Williams Willard, who works in real estate development and management as a senior project manager at the Hudson Companies, said as Ms. Godsil tried to quell the boos from the audience.

Dr. Doyle - Morris draws from her experiences coaching senior level working women on career development, and the work she does with audiences from a range of traditionally male - dominated sectors.

Although there is barely an explanation as to who all of these people how, how they got their powers, and how these powers can actually work, Bekmambetov keeps the action moving so briskly, and with such visual panache, that he never gives audiences the time to sit and contemplate the many egregious story short cuts in order to get to the next stunningly - rendered action sequence or tantalizing story development.

«I am immensely proud of All the Light in the Sky, which is the result of 3 years of collaboration and development between Jane Adams and I. Jane is one of the smartest, most talented actors working today and Factory 25 will guarantee that her great work in this film is appreciated by an equally smart and sophisticated audience.»

Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work.

A successful custom eLearning development project can only really be deemed as successful if it works for the audience, right?

In 2013 the market for authoring tools was completely aimed at eLearning experts or Instructional Designers; if you worked at a Learning and Development team you fitted our target audience, at least so we thought.

Qualifications: • Bachelor's degree, and five to seven years of experience in a related position • Standout samples of video and editing work • Demonstrated experience with a range of digital storytelling and tools, and strong engagement with digital trends • Strong people - management skills, and a knack for developing talent, both in - house and freelance • Experience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • Adaptability to change

The Instructional Designer, working among a team of IDs, will be key in the design and development of online academic courses across Extension's broad portfolio of disciplines and audiences

Her work involves the development of learning events and products, including forums, study tours, webinars, discussion groups, and publications, and the dissemination of policy and practice guidance to multiple audiences to frame issues, inform policy, and create conversations that improve education and the lives of vulnerable students and youth.

Audience development for the arts: Making the arts a part of many more people's lives by working with arts organizations to broaden, deepen and diversify audiences.

«I've worked with authors at the initial idea stage to help them hone the scope of the book and audience,» said Claire Ruston, a UK - based development professional.

She was head of audience development at HarperCollins for three and a half years, and previous to that worked at The Bookseller as head of events and marketing.

All Acting Vs. Writing Advertising Apps For Writers Art Author Collectives Banning Books Blogging Blog Tours Book Cover Design Book Marketing Booksellers Branding Character Development Character - Driven Fiction Christian Erotica Clichés In Writing Co-Authoring Construction Coping With Anxiety Coping With Rejection Letters Copyright Copyright Infringement Copywriting Creating A Business Plan Dealing With Fear Defining Success Depression Developing Setting Drug & / or Alcohol Abuse Editing Vs. Writing Editors Education Entrepreneurial Skills Ethical Issues In Fiction Evoking Emotion Expat Writers Fame Fantasy Finding Inspiration Finding Your Voice Follow Your Dreams For Aspiring Writers For Indie Authors Gender Issues Genre Getting Published Ghostwriting Grief Handling Critique Historical Fiction Horror Stories In Publishing Interdisciplinary Art Karma Lit Killing Off Characters Learning From Mistakes LGBT LGBT Literature Literary Adaptations Literary Journals Lyrics Mailing Lists Marketing Memoir Metaphysical Lit Multicultural Fiction Music Music Vs. Writing Nonfiction Nonfiction To Fiction Nurturing Creativity Packaging Advice Perfectionism Photography Playwriting Plotting Poetry Political Art Pornography Protagonist Development Public Speaking Publishing Religion Research Romance Novels Self - doubt Selfpublishing Setting Goals Social Effects Of Fiction Social Media Social Networking Spiritual Lit Staying Motivated Stereotypes Success Taking Care Of Yourself Taking Risks Target Audience Thrillers Time Management Time Travel Traditional Publishing Trilogy Trust Your Instincts Truth In Fiction Twitter For Writers Typesetting Websites Work / Life Balance Writer Quirks Writer's Block Writers» Conference Writer's Life Writing Advice Writing A Series Writing As Therapy Writing Book Reviews Writing Craft Writing Dialects Writing Erotica Writing For A Living Writing For Children Writing (General) Writing Groups Writing In A Foreign Language Writing Playlists Writing Sequels Writing Vs. Medicine Writing Workshops Writing Yourself Into Your Characters Youth Arts Youth Education

This person will work with the Publisher and Business Development Director to develop new business opportunities with international publishing companies, manage relationships with existing and new advertisers, manage key marketing activities and audience development, and sell advertising and other sponsored oppDevelopment Director to develop new business opportunities with international publishing companies, manage relationships with existing and new advertisers, manage key marketing activities and audience development, and sell advertising and other sponsored oppdevelopment, and sell advertising and other sponsored opportunities.

Graham was sadly unable to attend the ceremony but Cats Protection's Branch Development Manager Bob Orange was there to pick up the award from ADCH Chairman Claire Horton, Chief Executive of Battersea, on his behalf in front of a packed audience consisting of fellow peers and colleagues who all work for animal rescues across the country and beyond.

Korppoo warned the audience to anticipate difficulties within the development team — for example, not everyone within the team may have the same understanding of the game, and maybe some members may not be certain of gameplay features that are in the works.

Works with game designers, engineers and artists to help make the design vision come to life; helps balance and tune the game play mechanics to suit the target audience and age Maintains the vision and ideals of Retro's software products Maintains constant communication about development status with the Design Supervisor, Creative Director, and other Design Staff Remains current with competitor's products to ensure the best quality product from Retro's development team Develops concepts, writes treatments, flow charts and game scripts Participates in developing prototypes Performs game design revisions to achieve highest quality Helps bring the creative vision and technical specifications for assigned video games

Instead, we must pursue deeply collaborative work styles and seek out diverse teammates if indie game development is ever to reach new heights and thrive beyond its current audience.

«Wild Guns was an instant cult classic when it launched a little over 20 years ago, and fans have continued to love the franchise on Nintendo platforms over the years,» said Hiro Maekawa, President and CEO of Natsume Inc. «We're very excited to be working with Natsume Atari Inc. and the original development team to bring the game to the PlayStation 4 audience.»

While on the surface Microsoft have been working hard to ensure they take the lead when it comes to console development and achieve their goals of power, compatibility and craftsmanship, there has also been an underlying attempt to re-connect with the human aspect of the gaming industry, with a series of noticeable steps being taken to focus on audience awareness.

ISSUE Project Room's annual Artist - in - Residence program provides New York - based emerging artists with a year of support, offering artists access to facilities, equipment, documentation, pr / marketing, curatorial and technical expertise to develop and present significant new works, reach the next stage in their artistic development, and gain exposure to a broad public audience.

Established in 2006, ISSUE Project Room's annual Artist - in - Residence program provides 6 emerging artists each with a year - long residency in 2015, offering access to rehearsal space and facilities, equipment, documentation, pr / marketing, curatorial and technical expertise to create new works, reach the next stage in their artistic development, and gain exposure to a broad public audience.

With the development of Contemporary Art, the audience became an integral piece in the creation of the meaning and reflections of the created works.

We see the responsibility of the gallery as threefold: to work for the long - term development of each artist's career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible public space in which the exhibitions become an exemplary gesture of the power of subjectivity to the audience at large.

As part of our audience development strategy, and to integrate the gallery into the wider life of our city, we actively host the work of other local organisations in our 300 sq metre performance space.

Established in 2006, ISSUE Project Room's annual Artist - in - Residence program provides emerging artists a year - long residency including rehearsal space, production, curatorial, and pr / marketing support to create new works, reach the next stage in their artistic development, and gain exposure to a broad public audience.

Established in 2006, ISSUE Project Room's annual Artist - in - Residence program provides 5 emerging artists each with a year - long residency including rehearsal space, production, curatorial, and pr / marketing support to create new works, reach the next stage in their artistic development, and gain exposure to a broad public audience.

supports the development of emerging artists, theoreticians, curators, philosophers and others, aiming to provide a responsive context to their work and to make those critical practices accessible to a wider audience.

For over one hundred years, the charity has gifted over 8,000 works to museums and galleries across the country, championing the development of emerging artists and ensuring that some of the best of contemporary art is available to as wide an audience as possible.

The panel will include conversations by «Project 35» artists Beryl Korot and Wanda Raimundi - Ortiz and curator Raimundas Malasauskas around the use of video as a format for the increasingly international dissemination of artists» ideas; how expanded presentation possibilities for single channel works has created new audiences; and the impact that these developments have on art production.

The resulting artist platform investigates and supports artistic practice and the development of work by critically engaging audiences with innovative projects, events, screenings, facilities, workshops and seminars.

The exhibition consists of a variety of early photographs, created for various purposes, audiences and applications, creating dialogue between each artist's early work and an overall sense of their artistic practice and development.

«We are pleased to bring these pioneering film and video works to our audiences as a way to learn about the development of this media over the past 50 years and the impact it has had on modern culture.»

This doesn't have to be client work but can include side projects, past projects, thoughts on industry developments, and anything else that's likely to interest your audience.

Developed by ICI, the Curatorial Assembly in New Orleans will offer a small group of leading institutional curators, working in the American South, the opportunity to engage closely with their peers to explore pertinent issues relating to curating, programming, institutional building, audience engagement, and the development of regional and international networks.

They see the responsibility of the gallery as three fold; to work for the long term development of each artists career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible public space in which the exhibitions become an exemplary gesture of the power of subjectivity to the audience at large.

We can confidently call the biennial a flagship project of the National Centre for Contemporary Arts as part of ROSIZO, since development and comprehensive support of the regional artistic community, and engaging a wide audience in the cultural context are among priority areas of our work», — Sergey Perov, Director general of the ROSIZO State Museum and Exhibition Center.

Since there has been a remarkable development of this medium towards a greater audience, the gallery would like to provide an opportunity for its public to view these works in one place.

PEET's work will be included in the new Phaidon Press publication Vitamin C: New Perspectives in Contemporary Art, Clay and Ceramics, the latest in the series of «Vitamin» books, which introduce developments in contemporary art of a specific medium to a broad audience.

The Abrons supports the presentation of innovative, multi-disciplinary work; cultivates artists in all stages of their creative development through educational programs, commissions, and residencies; and serves as an intersection of cultural engagement for local, national, and international audiences and arts - workers.

Eli Sudbrack of Assume Vivid Astro Focus will discuss his most significant work in a self - described «Book Tour Lecture,» in which the artist walks the audience through key moments in the development of his immersive installations through the AVAF monograph.

The show elucidated the relationship between the titular mediums from the 1960s to the present, bringing together work by nearly fifty artists while highlighting recent developments that promise to pluralize art's audiences in the best possible way.

FABRIC — ATION is a unique opportunity for audiences to trace Shonibare's creative development over the past decade at a time when he is increasingly active in creating work for public space.

«Independent Curators International (ICI), New York, and Instituto Inhotim, Minas Gerais, Brazil, are now accepting applications from curators working internationally to participate in a short - course training program.Organized from April 22 — 29, 2012, the Curatorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience development.