Not exact matches
Audiences most recently
saw Holliday Grainger in the pivotal role of Estella in the critically acclaimed feature adaptation of the Charles Dickens classic GREAT
EXPECTATIONS, opposite Helena Bonham Carter and Ralph Fiennes, directed by Mike Newel.
Both Gyllenhaal and Adams stand out quite a bit here also as they seem to be stretching
expectation: Gyllenhaal as a lovestruck but rejected writer and Adams as a woman who may be more guilty than it appears are not what
audiences would normally
see these two play.
That particular
audience expects to
see Independence Day meets Black Hawk Down and in this situation, their
expectation is largely met.
Although we've
seen many films of similar ilk in science fiction, from Sphere to Event Horizon, the writers are well aware of
audience expectations, putting enough fog and mirrors in the mix so that we are never exactly sure.
As I
saw it — and still do — movie theaters are modern day classrooms where
audiences — youngsters of all ages — learn how to behave in arenas ranging from the bedroom to the battlefield, and where they form their standards for and
expectations about life.
There's an element of «
seeing it to believe it» built into the presentation:
Expectations based on the history of a mostly direct - to - video franchise, an aging action - hero cast, and a patently absurd premise so conspicuously contradict the art - house sensibility of the film itself that you can hardly blame the first wave of
audiences for feeling wowed by the shock.
Several parents commented that they were very happy to
see audience expectations being addressed — and in a positive way.
The same goes for any genre: Take a look through the Amazon bestsellers for each genre and you'll
see a trend in covers that capture the
audience's
expectations of the genre.
We're committed to
seeing how we can address modern
audiences»
expectations, which run on a spectrum from a more individually contemplative experience to a more social and experiential one.