Sentences with phrase «audience experience of the space»

Not exact matches

Have a safe space to try things out, especially since «there's no one - size - fits - all audience» for marketing, advised Magen Hanrahan, VP of Media and Marketing Services at Kraft Heinz Company, during her keynote at Modern Customer Experience.

Stanley Kubrick, creator of such memorable films as «Dr. Stangelove,»» 2001: A Space Odyssey,» and «Barry Lyndon,» understands how this happens: «I think an audience watching a film or a play is in a state very similar to dreaming, and that the dramatic experience becomes a kind of controlled dream....

But whereas most seeker churches work with the models of the shopping mall and the television audience in designing their space and worship service, Fabian likens worship at St. Gregory's to a rock concert, which he calls the modern secular experience that most closely resembles the divine liturgy.

In this first - ever IMAX 3D space film, audiences will travel 220 miles above Earth at 17,500 mph to experience the making of the International Space Station — the greatest engineering feat since landing a man on the space film, audiences will travel 220 miles above Earth at 17,500 mph to experience the making of the International Space Station — the greatest engineering feat since landing a man on the Space Station — the greatest engineering feat since landing a man on the Moon.

It's not only bringing the younger audiences and millions of new gamers that both Coddy and Bobby mentioned into the shooter genre, where we're already a leader in the space, but importantly, it's also highlighting the ability to successfully bring immersive gaming experiences like Battle Royale to mobile in both Western and Eastern audiences, or markets I guess.

Fo Wilson uses constructed space and furniture forms to create experiences that reposition historical objects and / or aesthetics in a contemporary context and offers audiences new ways of thinking about and interacting with history.

«We are excited to add to our permanent collection, activate new spaces, and create connections between the past and present, inviting visitors to consider the complexities inherent in the American spirit — all toward the goal of keeping the art experience engaging and accessible for our diverse audiences.»

Bell recreates an ethereal experience for his viewers; and while the viewer is reminded of his / her presence by the occasional reflection in the mirror, the audience is transcended as their physical space comes into question.

Pablo Bronstein's unique intervention at the ICA forms a point of reference and springboard from which a diverse range of programmed and spontaneous events challenge and engage audiences over the course of the exhibition, inviting artists and audiences to experience the ICA in deconstructed and reinterpreted spaces.

«By making their process visible to the public, we are providing audiences with the opportunity to see in real time how creative decisions are made and the myriad of factors, from the spaces of our iconic Hamilton building, to the artists» own experiences, that can influence the final realization of their work.»

As far as the physical constructs of the sites are concerned, she keeps an eye out for large exterior walls or other surfaces that would be visible from a distance (such as a main road), partly to maximize the potential for audiences and experience but also to keep the focus on outdoor spaces.

It is clear, though, that by now whatever marginalization to which Fernández was referring has ended - digital media are now not simply permitted, but demanded in contemporary arts spaces, having transformed the relationship between audiences and institutions so fully as to necessitate investment in and revamping of «digital experience» and «digital education» departments to handle the «digital content» and «digital immersion» in nearly all major museums.

Chihuly's artworks will bring forward an extraordinary experience in the newly opened space, inviting audiences into a wondrous kaleidoscopic world, where all can enjoy a miraculous feast of color, light and form.

For this reason, much of the work she has done has consisted in developing ideas and projects with artists to facilitate meetings points — whether these are in the form and space of exhibitions, events or printed matter — for audiences to experience art in unconventional ways.

ECHOES is a unique opportunity for the audience to experience the full breadth of Emes's artistic output, an invitation into the macrocosm of Emes, where figures in the space, perpetual motion and geometric environments intertwine freely and the unexpected is celebrated.

APRIL 18 through MAY 23, 2015 Opening Reception: Saturday, April 18, 7 - 10PM Bermudez Projects is proud to present Nanci Amaka Beast, the artist's first solo exhibit in which she explores the aftermath of trauma, identity, memory and the liminal spaces between experience and language with richly - layered mixed media paintings, drawings and audience - involved performances as a -LSB-...]

Performance Space 122 provides incomparable experiences for audiences by presenting and commissioning artists whose work challenges boundaries of live performance.

Audiences follow this narrative whilst experiencing the architecture of the art space.

Begun in 1974, the work is situated within an old extinct volcano that he has physically altered through the addition of tunnels and observation chambers, to allow the audience new ways of viewing, and ultimately experiencing, the sky, geology, and space.

He investigates sound, time and space on the basis of mathematical methods and transforms them in his concerts and installations into an intense experience for the audience.

Inspired by seating charts of famous opera houses and theatres around the world, Kuitca's theatre collages are mysterious abstractions, explosions of space and color that capture the vivid and dramatic experience of being in a theatre, either in the audience or on the stage.

Parent's radical intervention transformed the Wolfson Gallery with slanted floors and ramps, providing the audience with an exciting opportunity to experience the museum anew as a gathering space in which to view a variety of work from Tate's collection.

We are committed to creating this important space within Irish life and to welcoming audiences, from across Ireland and beyond, into a dynamic and evolving experience of contemporary art and contemporary life.

Classroom lectures, guest curator presentations, discussions, readings, and assignments include consideration of gallery and public space, public programming, and audience experience.

Its innovative learning programme has gone from strength to strength with the introduction of the groundbreaking new project, Breathing Space, the successful pilot All Aboard and further development of Spark, Ignite and Vivify, all of which have been vital in engaging new audiences and providing a unique art experience for hard to reach groups.

Assistant Curator Melissa Ho, coordinator of the project, said, «Kruger's command of architectural space and her ability to engage an audience amidst busy, lived experience make her the ideal artist to work with this site.