Sentences with phrase «audience figures given»

The average audience figures given by Nielsen therefore may be lower than the total number of people who see a particular syndicated religious program during the time of its broadcast.

It may have been this realization among the paid - time broadcasters which caused them to exaggerate the audience figures given to supporters and the news media.

Not exact matches

As experts, it's easy to overwhelm an audience with facts and figures thinking that if they just give people more information they'll understand better.

Public figures come with a built - in audience, giving marketers a head start in reaching out to audiences.

Figuring out who your target audience is can give you a sense of how viable your business idea really is.

The figure of 15 million was the estimate given by Ben Armstrong in private correspondence with the author for the total audience of paid - time religious programs.

After giving audiences an in - depth look at the life and death of Formula One driver Ayrton Senna, director Asif Kapadia turned his focus to another talented figure who was gone too soon: Amy Winehouse.

Her portrayal is sympathetic, giving the audience a fly - on - the - wall experience of the personal devastation she suffered as the young wife and mother to such a major figure.

Dropped into the middle of the action, there's very little information given as to what's come before and I liked this... too many films waste precious moments spoon - feeding audiences everything they think we need to know when actually, if the script and performances are strong enough, we can usually figure out enough to get by.

Based on the incredible life story of the Godfather of Soul, the film will give a fearless look inside the music, moves and moods of Brown, taking audiences on the journey from his impoverished childhood to his evolution into one of the most influential figures of the 20th century.

The dialogue gives her ideas so the audience knows what she's figuring out, but not all of them.

What's more, it's already been divined by the dullest member of the audience — said dull member the only one who gives enough of a shit to try to figure it out in the first place and stick it out through to the end.

Intertwining the lives of several generations of Yelnats with the Old West figures of Kissin» Kate Barlow (Patricia Arquette) and Sam, the onion man (Dule Hill), the author gives audiences an engaging story best suited for the 12 and up crowd.

And this is my challenge this summer: figure out how to give my students opportunities to find problems that they are inspired to solve, as Adam Braun did when he was traveling in India; as Dan Pallotta did when he was grieving the tragedies of AIDS; as Emily Pilloton's students did when they built structures that impacted their communities; as Kevin Brookhouser's students did when they were given an entire year to pursue a personal interest and produce a genuine product for an authentic audience.

Figure out a way to narrow down your audience as much as possible and give it your best effort from there to interact with that audience in the most impactful way possible.

Whether we batter them down by sheer numbers, or the trads figure out that we're here to stay and offer us more than the crumbs they give their captive audience now really makes no difference to me.

It's listed at Amazon at $ 9.99, which strikes me as a figure that likely would be perceived as expensive for the book's intended audience, given what I wrote above.

So translation rights, I mean, the thing about selling translation rights today, and I'm sure you know this, is that you often deal with the foreign publisher, they translate the book, they give you $ 500, and you never hear from them again; you never get any sales figures, you never build an audience in that country.

Junkyard Battle has a nice visual style going for it with a purple sunset in the background and an almost cell - shaded look to its objects, and I have to give it credit for trying something different, but I'm having a little difficulty in figuring out who the target audience is here.

Cerith Wyn Evans creates these scenarios with gestures that are the acts of precisely thoughtout arbitrariness: of a decision to put particular objects, texts, or images in relation to particular historical figures, events, and put discourses on a stage in a given place for a particular time to see how they react to one another when an audience is introduced.

Curated by Juan Camilo Sierra, the fifty - plus - work show gives Colombian audiences the opportunity to confront firsthand the work of paradigmatic figures like Mikhail Larionov, Vladimir Tatlin, Alexander Rodchenko, and Liuvov Popova, as it explores the influence of Russian Constructivism as manifested in a host of Latin American movements, including Mexican mural painting.