Sentences with phrase «audience images of paintings»

Not exact matches

Some of the superheroes who will be introduced to the viewing audience include Peter Petrelli, an almost 30 - something male nurse who suspects he might be able to fly, Isaac Mendez, a 28 - year - old junkie who has the ability to paint images of the future when he is high, Niki Sanders, a 33 - year - old Las Vegas showgirl who begins seeing strange things in mirrors, Hiro Nakamura, a 24 - year - old Japanese comic - book geek who literally makes time stand still, D.L. Hawkins, a 31 - year - old inmate who can walk through walls, Matt Parkman, a beat cop who can hear other people's thoughts, and Claire Bennet, a 17 - year - old cheerleader who defies death at every turn.

Though technically not the first animated feature, the elaborately painted images and graceful execution of the Technicolor feature redefined the idea of what animation could do, pushed the possibility of color cinema into a new realm, convinced the audiences that animation could tell a story for adults and kids alike and launched the Disney legacy.

Through a moderated talk, audience members will gain a better understanding of what it takes to enter and graduate from American art universities and what it means to practice painting in today's art world inundated with moving images.

Aitken's work draws on many other artists — text and image paintings by Ed Ruscha; video ruminations on animal intelligence by Diana Thater (Aitken's fellow student at Art Center College in the late 1980s); Bruce Nauman's insistent demand to audiences to «Please Pay Attention,» repeated in an Aitken light - box; Bill Viola's technical video - theatrics; Jack Pierson's faded wall texts composed from scavenged commercial signage; the mirrored sculptures of Robert Smithson, avatar of entropy; Yayoi Kusama's infinity chambers, and more.

«Light Painting» is the artist's first solo exhibition in China and it solicits the audience to contemplate the hybrid role of the artist as creator, consumer and animator in today's image - based economy — as well as the networked and mediated nature of images within contemporary art's ecosystem.

Audiences are invited to celebrate images of intense sexual chemistry, interactive prints with mixed pheromones, sculptural installations made of growing crystals, very large microcosmic photographs, paintings depicting molecular structures and alchemical laboratories and a dedicated screening room featuring films about liquid forms, universe and drugs.

Presenting a cross-section of the most dynamic work being made across the capital today to a national and international audience, the exhibition features painting, sculpture, moving image, photography, drawing, performances -LSB-...]

Images and words may be nailed or glued or painted onto objects, which may be made «live» in front of an audience.

The mirrored extension from which the paintings slides, doubles as backdrop or curtain, reflecting a fractured image of the viewer and thus implicating the viewer's role as audience.

Presenting a cross-section of the most dynamic work being made across the capital today to a national and international audience, the exhibition features painting, sculpture, moving image, photography, drawing, performances and installations.