Sentences with phrase «audience in mind as»

Always keep your audience in mind as you write, thinking of ways your skills, accomplishments, and expertise will help each company meet its goals.
Keep your audience in mind as your write and provides answers to the questions a human resources professional might want answered in your cover letter.
Square Enix has already suggested it is interested in bringing Final Fantasy 14 to the Nintendo Switch, and the drastic overhaul of a game that was already thriving in its genre suggests that Square Enix could be keeping a potential new audience in mind as well.
Teachers often stress the importance of keeping an audience in mind as students consider what they want to say and how, but without a real audience, the discussion is always abstract (Ede, 1984).
Debabrata Ghosh, a professor at the All India Institute of Medical Sciences in New Delhi, had a wider audience in mind as well: «I attended the March in Delhi to keep alive the tradition of asking critical questions and to bridge the gap between scientists and nonscientists,» he says.

Not exact matches

(However, TIAA — which offered its first SRI product in 1991 and described itself as «a pioneer» in the field — launched its TIAA Personal Portfolio account last June «with the Gen Y audience in mind,» according to a company spokesperson.
Keep in mind that the exact steps you take to generate leads should be informed by your target audience and niche, as different audiences exhibit different behaviors.
Yet, unlike some speakers who rail against them, I don't mind the use of slides — as long as they are used properly and in service of the audience.
As I analyze Wakanow's target audience, I always keep the basic principle of our business model in mind: easing travel to and from Africa.
Now that you have an audience in mind, you can move on to creating a linkable asset such as a long - form resource guide.
But as important as it is to keep the original culture and audience of the epistles in mind, these passages can still speak to us today in powerful, life - changing ways.
Jesus was fond of calling the Pharisees a «brood of vipers,» plus his style as a traveling preacher was to teach in stories, or parables, that needed to stick in the minds of his audience.
I generally write with an evangelical audience in mind, but as others have rightly noted, it's not just evangelical churches losing young adults, but also Catholic churches, Orthodox churches, and Mainline Protestant churches... sometimes at even higher rates.
In our mind, a fair of this size with 10,000 or more wines needs to appeal to audiences, to channels where there is the need for multiple wine styles from multiple origins, multiple grape varieties — and that is mainly the independent off - and on - trade markets as well as the growing number of specialists on - line.
I've held off on using it as a tool for my nonprofit organization, yet (that's about to change) because: a) most of my audience isn't on Twitter and doesn't get it; b) due to limited staffing, I've found it difficult to keep up with on a regular basis; and c) I haven't had a real goal in mind — something I wanted to accomplish by using it.
Placing your ad in Science ensures that you'll be top of mind as our audience makes their purchasing decisions.
Writing for a broad, nonspecialist audience, the author argues against «all of the most famous and influential theories» in the philosophy of mind and for his interpretation of topics such as the mind - body problem, consciousness, and free will.
The audience in Huffington's living room was a self - made yet largely liberal - minded crowd, so it was not surprising that they might embrace a vision that unites, as Huffington put it, «the instinct of competitiveness that we all have — the instinct to win — with the better angels of our nature, the instinct to make this a better world.»
Since 2008, Ed has served as Co-Principal Investigator (with Anthony Leiserowitz and Connie Roser - Renouf) of the Yale / George Mason University Climate Change in the American Mind audience research project, which tracks public opinion about climate change, including the Global Warming's Six Americas audience segments.
But as a researcher, if you go this route, you should always keep in mind that you have a duty to represent your work realistically and ethically to a public audience.
Instead of being consumed by your thoughts, step back and simply witness them as if you are sitting in the audience of your mind.
Our mothers, grandmothers, great grandmothers (depending on the age of my audience here) are always starting sentences with, «Back in my day», to which we generally take as our cue to tune out and start running scenes of Modern Family in our minds.
Showing few visible signs of the massive rewrites, reshoots and other post-production patchwork that delayed its release from December 2012, this sleekly crafted, often nail - biting tale of global zombiepocalypse clicks on both visceral and emotional levels, resulting in an unusually serious - minded summer entertainment whose ideal audience might be described as comicbook fanboys who also listen to «Democracy Now.»
No recent movie about The Troubles gives the audience the emotions, the pure hatred between the two forces, with the impact of «' 71,» the credit going not only to Jack O'Connell, known to us mostly for his role as the rebellious prisoners in «Starred Up» (never mind that the dialogue was largely indecipherable), but also to director Yann Demanage for setting up realistic seeming fight scenes, a series of breathless chases, and a sense of neighborhood that Demange found not in present day Belfast but in the English town of Sheffield.
As the landscape becomes weirder around them, the explorers begin to feel and reflect those changes in their own minds and bodies; so too does the audience as they are taken on a bizarre journey that examines the fine line between creation and destructioAs the landscape becomes weirder around them, the explorers begin to feel and reflect those changes in their own minds and bodies; so too does the audience as they are taken on a bizarre journey that examines the fine line between creation and destructioas they are taken on a bizarre journey that examines the fine line between creation and destruction.
It's one that has the power to make an audience really understand and internalize why it is an act of bravery to simply live life as herself, and perhaps even change some minds in the process.
And even if Cuaron had wanted to, Columbus had installed himself as a producer on «Azkaban» with a particular goal in mind: «I wanted to make sure that the film didn't stray too far from the world the audience and the fans have sort of fallen in love with over the course of the first two movies,» he told The Times» John Horn last year.
The two handsome stars reflect one another like Bibi Andersson and Liv Ullmann in Persona, almost merging in the audience's mind, as Gosling's central role transfers to Cooper.
«When we develop fighting games, we try to keep the core community in mind as well as the wider audience that wants to play these games.
«It avoids the obvious and shows a deep understanding of the lives and minds of ordinary young people in a skirmish of the class war,» Roger wrote, before citing it as an audience favorite at Ebertfest 2008.
As an overall end product, Drinking Buddies does indeed reach the spot in audience's hearts and minds that recalls their own similar experience, and deftly dredges up all the bittersweet feelings that go along with it.
As with other Bruckheimer endeavors, a bunch of lame - ass 20 - something male actors fill up the supporting cast in an effort for the female audience members to argue over who's the cutest to keep their minds occupied from the ridiculous plot and poor character development.
In an interesting twist, the show was actually filmed by a half dozen fans selected via an online contest, so the footage, as edited together, courses with a free - wheeling immediacy lacking in the staid, singer - drummer - audience - singer cuts of many similarly minded concert docIn an interesting twist, the show was actually filmed by a half dozen fans selected via an online contest, so the footage, as edited together, courses with a free - wheeling immediacy lacking in the staid, singer - drummer - audience - singer cuts of many similarly minded concert docin the staid, singer - drummer - audience - singer cuts of many similarly minded concert docs.
Of all the things to pin the decline of professional film criticism as a career choice on, from changing audience - tastes to the globalization of the theatrical marketplace to the collapse of traditional media outlets overall, the Great Threat is actually... a college - age kid in a funny hat cracking wise (in between actual critical insights, mind you) about Antonioni?
The Internship feels every bit like it's made by the same slackers that the two stars represent themselves as being within the story itself, and like their occupation of guys who hock merchandise for a living, this entire film could be said to be a nearly two - hour commercial venture meant to sell Google and a few other companies (University of Phoenix and Match.com are mentioned prominently by name) on the minds of nearly everyone in the audience.
Michael Shannon, who is among the very best of his peer group and doesn't mind the hustle and isn't precious about the work and who can always be counted on to be A Presence on a red carpet will be sitting in the same audience as Casey Affleck, who looks like being praised for his work is akin to someone running over his cat.
This time, though the shots are chaotic, Nolan has learned what Paul Greengrass already knew: that as long as you establish certain physical elements, like space, time and weight, you can keep the action coherent in the audiences» mind even if it's not precisely clear on the screen.
Writer / Director Jordan Peele does something simple yet profound with his first film: populating a conventional horror movie structure with a black man as the hero and white people as villains, pulling audiences into a mind - set that others have been striving to for eons: the black person in America.
How exactly he's going to fit into the MCU puzzle is still a closely guarded secret, but one thing will be certain: Audiences will be in for a mind - bending experience as the good doctor (played by Benedict Cumberbatch) is the master of the mystical arts.
Killer Joe casts McConaughey as a preening wolf let loose in the henhouse, a corrupt authority figure whose pristine appearance — in a realm where nobody seems to mind looking like death personified — and strange moral code mask a core of pure sadism that comes out in a gruesome, bleakly funny climax that will forever change the way audiences view fried chicken.
In an essay for BuzzFeed, Allison Wilmore argues that the issue is that most «Oscar movies» aren't made with queer audiences in mind: They use «characters as symbols rather than as people unto themselves, and mediating stories through the more «relatable» perspectives of outsiders and allies.&raquIn an essay for BuzzFeed, Allison Wilmore argues that the issue is that most «Oscar movies» aren't made with queer audiences in mind: They use «characters as symbols rather than as people unto themselves, and mediating stories through the more «relatable» perspectives of outsiders and allies.&raquin mind: They use «characters as symbols rather than as people unto themselves, and mediating stories through the more «relatable» perspectives of outsiders and allies.»
An all - ages experience is an extremely rare thing if you think about it, but as I said earlier, if you present an audience, no matter how old, with that spark of awe; if you trust younger minds with more challenging ideas in their allegories, they will rise to the occasion.
Mark and Kameron's exchange in our last round about the lack of explicit gay sex scenes in Call Me by Your Name, and what that «omission» (or, as Mark more precisely identifies it, deliberate aesthetic choice) has meant to different segments of the film's queer audience, brought to mind BPM, a brainy but also wrenchingly heartfelt film whose story in part revolves around those very questions: how much to show, to whom, and for what purpose.
As musical director, Malowany went into the filmmaking process with a question in mind: «Why can't the audience collaborate as much as we are collaborating to the moment?&raquAs musical director, Malowany went into the filmmaking process with a question in mind: «Why can't the audience collaborate as much as we are collaborating to the moment?&raquas much as we are collaborating to the moment?&raquas we are collaborating to the moment?»
In the Opening scene Chazelle enrols his audience with a military drum as we march toward Neiman's nook, slowly being ushered into a frame of mind crammed with pulsating dread.
Oscar opened the Best Picture list to ten nominees last year, not out of guilt for leaving out so many worthy nominees, mind you, but as a way to make sure the big audience - pleasing Hollywood movies that Middle America (in other words, the Oscar telecast audience) has actually seen would find a place in the show.
It is certainly one of the most courageous and passionate portraits of the American underbelly ever put on film, a movie bathed in blood as much as in light, and revisiting the film on its Blu - ray debut, mastered from the brand new digital restoration currently making the rounds on the festival and repertory cinema circuit, only confirms the power of the film to, after all these years, sink the audience into the mind and filthy, fetid world of Travis Bickle.
Perhaps a more beneficial release date would have positioned this as the perfect antidote to the mind numbing onslaught of super hero franchise tent poles, though the highly enjoyable title should eventually find z wider, deserving audience in home entertainment venues.
«Never Again» swings between false sentiment and unfunny madcap comedy and, along the way, expects the audience to invest in the central relationship as some kind of marriage of true minds.
Fighting daily for freedom across the globe can keep the body in shape but as audiences find out in the trailer for Marvel's Captain America: The Winter Soldier, it tires the mind — especially when it doesn't agree with the rise of the industrial military complex.
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