Always keep
your audience in mind as you write, thinking of ways your skills, accomplishments, and expertise will help each company meet its goals.
Keep
your audience in mind as your write and provides answers to the questions a human resources professional might want answered in your cover letter.
Square Enix has already suggested it is interested in bringing Final Fantasy 14 to the Nintendo Switch, and the drastic overhaul of a game that was already thriving in its genre suggests that Square Enix could be keeping a potential new
audience in mind as well.
Teachers often stress the importance of keeping
an audience in mind as students consider what they want to say and how, but without a real audience, the discussion is always abstract (Ede, 1984).
Debabrata Ghosh, a professor at the All India Institute of Medical Sciences in New Delhi, had a wider
audience in mind as well: «I attended the March in Delhi to keep alive the tradition of asking critical questions and to bridge the gap between scientists and nonscientists,» he says.
Not exact matches
(However, TIAA — which offered its first SRI product
in 1991 and described itself
as «a pioneer»
in the field — launched its TIAA Personal Portfolio account last June «with the Gen Y
audience in mind,» according to a company spokesperson.
Keep
in mind that the exact steps you take to generate leads should be informed by your target
audience and niche,
as different
audiences exhibit different behaviors.
Yet, unlike some speakers who rail against them, I don't
mind the use of slides —
as long
as they are used properly and
in service of the
audience.
As I analyze Wakanow's target
audience, I always keep the basic principle of our business model
in mind: easing travel to and from Africa.
Now that you have an
audience in mind, you can move on to creating a linkable asset such
as a long - form resource guide.
But
as important
as it is to keep the original culture and
audience of the epistles
in mind, these passages can still speak to us today
in powerful, life - changing ways.
Jesus was fond of calling the Pharisees a «brood of vipers,» plus his style
as a traveling preacher was to teach
in stories, or parables, that needed to stick
in the
minds of his
audience.
I generally write with an evangelical
audience in mind, but
as others have rightly noted, it's not just evangelical churches losing young adults, but also Catholic churches, Orthodox churches, and Mainline Protestant churches... sometimes at even higher rates.
In our
mind, a fair of this size with 10,000 or more wines needs to appeal to
audiences, to channels where there is the need for multiple wine styles from multiple origins, multiple grape varieties — and that is mainly the independent off - and on - trade markets
as well
as the growing number of specialists on - line.
I've held off on using it
as a tool for my nonprofit organization, yet (that's about to change) because: a) most of my
audience isn't on Twitter and doesn't get it; b) due to limited staffing, I've found it difficult to keep up with on a regular basis; and c) I haven't had a real goal
in mind — something I wanted to accomplish by using it.
Placing your ad
in Science ensures that you'll be top of
mind as our
audience makes their purchasing decisions.
Writing for a broad, nonspecialist
audience, the author argues against «all of the most famous and influential theories»
in the philosophy of
mind and for his interpretation of topics such
as the
mind - body problem, consciousness, and free will.
The
audience in Huffington's living room was a self - made yet largely liberal -
minded crowd, so it was not surprising that they might embrace a vision that unites,
as Huffington put it, «the instinct of competitiveness that we all have — the instinct to win — with the better angels of our nature, the instinct to make this a better world.»
Since 2008, Ed has served
as Co-Principal Investigator (with Anthony Leiserowitz and Connie Roser - Renouf) of the Yale / George Mason University Climate Change
in the American
Mind audience research project, which tracks public opinion about climate change, including the Global Warming's Six Americas
audience segments.
But
as a researcher, if you go this route, you should always keep
in mind that you have a duty to represent your work realistically and ethically to a public
audience.
Instead of being consumed by your thoughts, step back and simply witness them
as if you are sitting
in the
audience of your
mind.
Our mothers, grandmothers, great grandmothers (depending on the age of my
audience here) are always starting sentences with, «Back
in my day», to which we generally take
as our cue to tune out and start running scenes of Modern Family
in our
minds.
Showing few visible signs of the massive rewrites, reshoots and other post-production patchwork that delayed its release from December 2012, this sleekly crafted, often nail - biting tale of global zombiepocalypse clicks on both visceral and emotional levels, resulting
in an unusually serious -
minded summer entertainment whose ideal
audience might be described
as comicbook fanboys who also listen to «Democracy Now.»
No recent movie about The Troubles gives the
audience the emotions, the pure hatred between the two forces, with the impact of «' 71,» the credit going not only to Jack O'Connell, known to us mostly for his role
as the rebellious prisoners
in «Starred Up» (never
mind that the dialogue was largely indecipherable), but also to director Yann Demanage for setting up realistic seeming fight scenes, a series of breathless chases, and a sense of neighborhood that Demange found not
in present day Belfast but
in the English town of Sheffield.
As the landscape becomes weirder around them, the explorers begin to feel and reflect those changes in their own minds and bodies; so too does the audience as they are taken on a bizarre journey that examines the fine line between creation and destructio
As the landscape becomes weirder around them, the explorers begin to feel and reflect those changes
in their own
minds and bodies; so too does the
audience as they are taken on a bizarre journey that examines the fine line between creation and destructio
as they are taken on a bizarre journey that examines the fine line between creation and destruction.
It's one that has the power to make an
audience really understand and internalize why it is an act of bravery to simply live life
as herself, and perhaps even change some
minds in the process.
And even if Cuaron had wanted to, Columbus had installed himself
as a producer on «Azkaban» with a particular goal
in mind: «I wanted to make sure that the film didn't stray too far from the world the
audience and the fans have sort of fallen
in love with over the course of the first two movies,» he told The Times» John Horn last year.
The two handsome stars reflect one another like Bibi Andersson and Liv Ullmann
in Persona, almost merging
in the
audience's
mind,
as Gosling's central role transfers to Cooper.
«When we develop fighting games, we try to keep the core community
in mind as well
as the wider
audience that wants to play these games.
«It avoids the obvious and shows a deep understanding of the lives and
minds of ordinary young people
in a skirmish of the class war,» Roger wrote, before citing it
as an
audience favorite at Ebertfest 2008.
As an overall end product, Drinking Buddies does indeed reach the spot
in audience's hearts and
minds that recalls their own similar experience, and deftly dredges up all the bittersweet feelings that go along with it.
As with other Bruckheimer endeavors, a bunch of lame - ass 20 - something male actors fill up the supporting cast
in an effort for the female
audience members to argue over who's the cutest to keep their
minds occupied from the ridiculous plot and poor character development.
In an interesting twist, the show was actually filmed by a half dozen fans selected via an online contest, so the footage, as edited together, courses with a free - wheeling immediacy lacking in the staid, singer - drummer - audience - singer cuts of many similarly minded concert doc
In an interesting twist, the show was actually filmed by a half dozen fans selected via an online contest, so the footage,
as edited together, courses with a free - wheeling immediacy lacking
in the staid, singer - drummer - audience - singer cuts of many similarly minded concert doc
in the staid, singer - drummer -
audience - singer cuts of many similarly
minded concert docs.
Of all the things to pin the decline of professional film criticism
as a career choice on, from changing
audience - tastes to the globalization of the theatrical marketplace to the collapse of traditional media outlets overall, the Great Threat is actually... a college - age kid
in a funny hat cracking wise (
in between actual critical insights,
mind you) about Antonioni?
The Internship feels every bit like it's made by the same slackers that the two stars represent themselves
as being within the story itself, and like their occupation of guys who hock merchandise for a living, this entire film could be said to be a nearly two - hour commercial venture meant to sell Google and a few other companies (University of Phoenix and Match.com are mentioned prominently by name) on the
minds of nearly everyone
in the
audience.
Michael Shannon, who is among the very best of his peer group and doesn't
mind the hustle and isn't precious about the work and who can always be counted on to be A Presence on a red carpet will be sitting
in the same
audience as Casey Affleck, who looks like being praised for his work is akin to someone running over his cat.
This time, though the shots are chaotic, Nolan has learned what Paul Greengrass already knew: that
as long
as you establish certain physical elements, like space, time and weight, you can keep the action coherent
in the
audiences»
mind even if it's not precisely clear on the screen.
Writer / Director Jordan Peele does something simple yet profound with his first film: populating a conventional horror movie structure with a black man
as the hero and white people
as villains, pulling
audiences into a
mind - set that others have been striving to for eons: the black person
in America.
How exactly he's going to fit into the MCU puzzle is still a closely guarded secret, but one thing will be certain:
Audiences will be
in for a
mind - bending experience
as the good doctor (played by Benedict Cumberbatch) is the master of the mystical arts.
Killer Joe casts McConaughey
as a preening wolf let loose
in the henhouse, a corrupt authority figure whose pristine appearance —
in a realm where nobody seems to
mind looking like death personified — and strange moral code mask a core of pure sadism that comes out
in a gruesome, bleakly funny climax that will forever change the way
audiences view fried chicken.
In an essay for BuzzFeed, Allison Wilmore argues that the issue is that most «Oscar movies» aren't made with queer audiences in mind: They use «characters as symbols rather than as people unto themselves, and mediating stories through the more «relatable» perspectives of outsiders and allies.&raqu
In an essay for BuzzFeed, Allison Wilmore argues that the issue is that most «Oscar movies» aren't made with queer
audiences in mind: They use «characters as symbols rather than as people unto themselves, and mediating stories through the more «relatable» perspectives of outsiders and allies.&raqu
in mind: They use «characters
as symbols rather than
as people unto themselves, and mediating stories through the more «relatable» perspectives of outsiders and allies.»
An all - ages experience is an extremely rare thing if you think about it, but
as I said earlier, if you present an
audience, no matter how old, with that spark of awe; if you trust younger
minds with more challenging ideas
in their allegories, they will rise to the occasion.
Mark and Kameron's exchange
in our last round about the lack of explicit gay sex scenes
in Call Me by Your Name, and what that «omission» (or,
as Mark more precisely identifies it, deliberate aesthetic choice) has meant to different segments of the film's queer
audience, brought to
mind BPM, a brainy but also wrenchingly heartfelt film whose story
in part revolves around those very questions: how much to show, to whom, and for what purpose.
As musical director, Malowany went into the filmmaking process with a question in mind: «Why can't the audience collaborate as much as we are collaborating to the moment?&raqu
As musical director, Malowany went into the filmmaking process with a question
in mind: «Why can't the
audience collaborate
as much as we are collaborating to the moment?&raqu
as much
as we are collaborating to the moment?&raqu
as we are collaborating to the moment?»
In the Opening scene Chazelle enrols his
audience with a military drum
as we march toward Neiman's nook, slowly being ushered into a frame of
mind crammed with pulsating dread.
Oscar opened the Best Picture list to ten nominees last year, not out of guilt for leaving out so many worthy nominees,
mind you, but
as a way to make sure the big
audience - pleasing Hollywood movies that Middle America (
in other words, the Oscar telecast
audience) has actually seen would find a place
in the show.
It is certainly one of the most courageous and passionate portraits of the American underbelly ever put on film, a movie bathed
in blood
as much
as in light, and revisiting the film on its Blu - ray debut, mastered from the brand new digital restoration currently making the rounds on the festival and repertory cinema circuit, only confirms the power of the film to, after all these years, sink the
audience into the
mind and filthy, fetid world of Travis Bickle.
Perhaps a more beneficial release date would have positioned this
as the perfect antidote to the
mind numbing onslaught of super hero franchise tent poles, though the highly enjoyable title should eventually find z wider, deserving
audience in home entertainment venues.
«Never Again» swings between false sentiment and unfunny madcap comedy and, along the way, expects the
audience to invest
in the central relationship
as some kind of marriage of true
minds.
Fighting daily for freedom across the globe can keep the body
in shape but
as audiences find out
in the trailer for Marvel's Captain America: The Winter Soldier, it tires the
mind — especially when it doesn't agree with the rise of the industrial military complex.