Sentences with phrase «audience in suspense»

Ghost stories don't always have to consist of malicious jump scares to keep the audience in suspense.

Ghost stories don't always have to consist of malicious jump scares to keep the audience in suspense.

Wilson keeps the audience in suspense on the direction of the plot.

Well, since I'm not the kind of guy who keeps the audience in suspense until the end of his review, I'll tell you straight - out: This site is excellent!

«The twisted turns of the story, combined with Sofia's empathy for the characters being portrayed by these gifted actors, will keep audiences in suspense.

Not exact matches

Which means that somehow director Matt Reeves (Cloverfield, 10 Cloverfield Lane) keeps the audience gripped in suspense for nearly two and a half hours largely with facial expressions, minimal dialogue, a sparse but hard - hitting score, and stunningly beautiful cinematography.

She really knows how to build dramatic suspense in an audience.

Transsiberian is a model of audience manipulation, a slow - fuse thriller that builds its suspense gradually, in increments, until it has becomes close to unbearable.

An audience appreciates being in on the suspense and that requires clarity.

Director Colin Higgins plays foul with the audience, constructing some of the most dishonest suspense sequences ever filmed, and ends with a thriller that is obnoxious and manipulative in the extreme.

Another standout sequence in Public Enemies is more effective for comedy than suspense, and involves Dillinger's reaction in a movie theater to an on - screen announcement warning the audience to be on the lookout for him, America's «Public Enemy # 1.»

Exploring the concerned protagonist's attempts to cope with her own culpability in her offspring's activities, the film weaves a web of psychological suspense that leaves a nightmarish imprint on the watching audience.

As kidnap films go, All the Money in the World has some suspense to it, most of the audience won't know or remember the outcome.

So most audiences are going to come away from Prospect having seen what they bought tickets to see: spectacular, otherworldly visions that create almost unbearable suspense, culminating in an explosive finale.

By bringing the complex psychology of Brian Garfield's book up - to - the - moment and injecting new thrills and a stark, unflinching look at the American psyche in 2017, Eli Roth and Death Wish bring audiences to the height of unforgettable suspense.

The Glass House is a tired suspense thriller, one that loses steam quickly when the audience figures out all the character motivations before the characters in the film do.

Academy - award winning director William Friedkin discusses his early career — including making documentaries for David L. Wolper, working for Alfred Hitchcock and what he learned from studying his films, and directing his first movie Good Times (1967), starring Sonny and Cher; how his career path led to making The Exorcist, his initial reaction to reading the source material, the story's theme of Good versus Evil, and the role his own faith played in his approach to making the movie; the techniques he used to generate suspense and fear in the audience, his use of subliminal imagery, and his reasons for recently restoring deleted footage to the film.

Tarantino delights in playing with the truth, feeding his audience insider knowledge that turns surprise into suspense.

That heat takes a while to build up, but not in the tension - filled way that ace horror directors like to slow - burn their audience with drips of suspense before gunning everything into full - throttle when the final act comes.

Says MGM, «By bringing the complex psychology of Brian Garfield's book up - to - the - moment and injecting new thrills and a stark, unflinching look at the American psyche in 2017, Eli Roth and Death Wish brings audiences to the height of unforgettable suspense.»

From a bent nail posing as Chekov's Gun to damning and life - saving «rockets», Krasinski proves himself a maestro of suspense behind the camera, holding hostage audiences breathless and on knife's edge from damn near the very first frame, finding room for fine - tuned familial drama and smuggling in a touching coming - of - age subplot along the way.

While not necessarily «scary,» the film has a constant sense of intensity and suspense at its core, which in return puts fear into the audience.

Like «Ghosts of Mississippi» or «A Time to Kill», «Detroit» fuels rage in the audience which feeds the suspense.

Of course, the critical commercial question for «Empire» is whether audiences will be content to stew in the ensuing suspense.

This film is a perfect example of suspense, and Hitchcock's preference for telling the audience whodunit very early in the film and letting them squirm.

It's hard to generate suspense when the audience has no reason to believe a character is ever in danger.

A classic cocktail of mystery, suspense and paranoia, Guillaume Canet's Tell No One is a tense thriller with a knotty plot that harkens back to Hitch in its themes while satiating modern audiences with its brisk narrative momentum and elaborate action sequences.

In this wonderfully stylized mixture of sex, pornography, voyeurism, gore and overwhelming suspense, in which he makes the audience totally immersed in the bulletproof story and the occasionally overtly creepy atmosphere with the generous help of his main character, shaped into a helpless pawn we can so easily project ourselves onto, Brian De Palma offers us one of the most distinguishable pictures of the decadIn this wonderfully stylized mixture of sex, pornography, voyeurism, gore and overwhelming suspense, in which he makes the audience totally immersed in the bulletproof story and the occasionally overtly creepy atmosphere with the generous help of his main character, shaped into a helpless pawn we can so easily project ourselves onto, Brian De Palma offers us one of the most distinguishable pictures of the decadin which he makes the audience totally immersed in the bulletproof story and the occasionally overtly creepy atmosphere with the generous help of his main character, shaped into a helpless pawn we can so easily project ourselves onto, Brian De Palma offers us one of the most distinguishable pictures of the decadin the bulletproof story and the occasionally overtly creepy atmosphere with the generous help of his main character, shaped into a helpless pawn we can so easily project ourselves onto, Brian De Palma offers us one of the most distinguishable pictures of the decade.

«Eddie the Eagle» will be a huge hit in Britain, but the lack of information on Eddie Edwards in the States could provide American audiences with quite a compelling suspense story, despite the fictional elements to the movie.

Throughout the entire film the audience is left in suspense of whether these two will actually give in to their impulses.

The artist will also create another on - site painting in this gallery and will leave the audience one suspense of the theme.