Let
your audience know it is coming and tell them a bit about it.
Not exact matches
If your
audience or customers
know that they can count on you, they will
be more inclined to
come back and to tell others about their positive experience.
Plugged - in millennials will
know what
's trending, the up - and -
coming social - media sites, and can help brainstorm ideas to connect the company narrative with a younger
audience.
When a couple
came on to talk about their 16 - year - old daughter, who had
been murdered by her boyfriend, they told the host that they wanted the
audience to
know their daughter's life
was bigger than her tragic death.
I
know my
audience understand (sic) that and that
is why they
come to my channel.
They'll
know who your
audience is and what they care about, which
comes in handy when you
're creating content for that
audience.
Discover what you need to
know in order to scale your ad spend, why you need to
be using interest - based targeting in addition to lookalike
audiences to scale (and how they compare), and how to
come up with a Lead Magnet to capture the attention of a new source of cold traffic.
Having
come a long way from its humble beginnings in 2011, Snapchat has transformed into a tool that
's no longer proprietary just to smartphone - savvy teens sending scandalous photos — it
's now a way for innovative and forward - thinking marketers who want a creative way to reach their
audience to do just that.
As you probably
know, there
's already a lot out there, and when it
comes to Twitter, it matters less where your content
comes from and more that its valuable to your
audience — provide this value to your
audience by filtering all of that content for them.
So perhaps it
's not altogether surprising that whoever
was on duty at Madison Square Garden during the Knicks game just typed the first thing that
came to their head to help
audiences know Chance the Rapper
's occupation.
And so here we
are,
no longer simply a magazine but a hydra - like creature in near - constant engagement with various
audiences via YouTube, social media, etc., participating in the 24 - hour news cycle when it
comes to a new Frappucino flavor or the acquisition of Whole Foods.
It
is true we get more television income, that
is down to the
audience and success but you
know as well that it
is down to the pressure of the market to pay for the players with a higher price and out expenses will
come up straight away to increase their wages.
Much to my husband's dismay, I
am encouraging and allowing an
audience when it
comes to using the toilet in an effort to let him soak in all there
is to
know about the toilet.
Whether it
's the fiction writer tying in a cliff hanger at the end of every chapter, derailing the reader
's plan to stop for the night five chapters ago, or the comedian on stage who
knows that he must surprise his
audience at least 180 times... keep the surprises
coming.
My Appearance
re: McDonald's «540 Meals» on The Doctors Talk Show Continued thanks to the TLT readership for supporting me through terrifying life experiences like this one: going head - to - head with a McDonald's rep on national TV, in front of a live studio
audience — and I didn't even
know anyone from McDonald's
was coming on the show until the night before the taping.
«If you work in a district like that,
no matter how effective you
are you
come out with a scarlet A on your head,» he said, to applause from the
audience, which included state legislators, Board of Regents members, school board leaders and teachers union officials.
I
was trying to argue against other ways to jazz up the format - eg, hearing
audience views on responses, etc, and
come to think of it, scrolling red button / text responses on screen, etc. * warelane... a great many parliamentary democracies have leadership debates: eg Germany, Spain, Portugal, Ireland, Austria, Australia, Greece, New Zealand and
no doubt many others.
«So, you've got practical intelligence, you've got a Ph.D. — but do you
know how to speak to your
audience and craft your message so that your
audience understands where you
're coming from?
If you blog about too many things, you
are not only creating more work for yourself but your readers won't even
know what to
come to you for and this creates an
audience that may not trust your opinion.
It
's cute and simple and aimed at a young
audience Still I found it incredibly funny when the animals
came into play, a crying squirrel, some amorous glow bugs, and the mouse
known as cheese
were all charming and hilarious.
The result
is not nearly as clever as director Tom McGrath (Madagascar) and a couple of inexperienced screenwriters (Alan Schoolcraft and Brent Simons) would have us believe, but I've got
no doubt that
audiences will nonetheless reward the minimal efforts
coming from these filmmakers.
Director Johannes Roberts begins the film with a synth - infused version of Kim Wilde
's «Kids in America» and retro title styling, letting the
audience know what decade of horror we
're in for, even if the characters
are blissfully unaware of what
's coming.
Greta Gerwig who wrote and directed «Lady Bird,» which won Best Motion Picture - Musical or Comedy, noted that «it
's been such an incredible year for women in film both as actors and also writers and directors and producers and people who
are really
coming to the forefront to tell their stories about the world as they
know it from where they
are standing, and I think that the response to these projects and the support that these projects have gotten and the way that
audiences are going to see them or watching them in their homes, I think all of this just makes it so much easier for the next crop of filmmakers who want to tell stories about women.»
Even if Disney's Bob Iger doesn't want anyone to view Rogue One as a political film, we all
know Star Wars
is very political, and that Rogue One
is coming out at an unusual time for American
audiences.
There
's some top - notch string work from composer Alan Silvestri, which adds some pleasing gravitas to proceedings, but the emotional integrity of the film ultimately
comes down to a groups of actors
audiences have
come to
know and love.
This film
is actually terrible — I mean, yeah — it
is scary in the sense that its creepy, but I think, really, the film
is just the byproduct of global DVD residuals from the directors father — allowing Panatos to string together a series of overproduced, overgrained interior sequences, cheap synth score and a slasher movie ending, and trying to pass it off as a «cult movie», when really we, the
audience, need to
know who, what or where the protagonist
is coming from, what her dramatic need
is, who she interacts with, and so on.
The end credits
come up and we
are treated to a news report, covering the annual Purge, letting the
audience know that for the most part, it
was a success.
The film, also starring Helen Mirren and Barkhad Abdi,
is one of the few movies — Fruitvale Station
comes to mind — that allows the
audience to
come to
know victims before tragedy strikes, giving high value to a single life; in this case, it
's a little girl selling bread who
's in danger of becoming «collateral damage.»
Nine Catalyst films premiered at the 2018 Sundance Film Festival: Akicita: The Battle of Standing Rock, Dark Money, The Devil We
Know, Inventing Tomorrow, Night
Comes On (NEXT Innovator Award), Sorry To Bother You, A Thousand Thoughts, This
Is Home (World Documentary
Audience Award), and Won't You
Be My Neighbor?
I think he will
be able to capture the same comedic timing as Rowan Atkinson and since he
is more well
known to American
audiences, this should work out nicely for Disney when it
comes time to promote the voice cast.
Dropped into the middle of the action, there
's very little information given as to what
's come before and I liked this... too many films waste precious moments spoon - feeding
audiences everything they think we need to
know when actually, if the script and performances
are strong enough, we can usually figure out enough to get by.
«But I love that the
audience never truly
knows her story... the
audience can
come to their own conclusions about who she
is.
Director Tobias Lindholm
knows how to pile on the tension too: Negotiation scenes
are filmed from Malling's end, making them unbearably tense when things go awry, and the film's biggest shocks
come from its casual way of letting the
audience see the passing of time.
Alas, it
comes so late in the game (after the characters learn all the details the
audience has
known since the first time around) that it
's used once before a generic, climactic showdown involving a guy with a gun who wants to kill someone.
Oh yeah, it
's so unpredictable because in a two - hour movie
audiences have a sense — we all
know when Act Three
comes, something
's going to happen that our hero will have to contend with.
Though Nick Park may
be better
known to movie
audiences as the co - director / creator of Chicken Run, his more devout fans will remember «Wallace & Gromit»
came first.
Since the visiting servants, those who've
come along with the weekend guests,
are identified in the downstairs quarters by the names of their employers — a ploy that makes it easier for everyone, including the
audience, to identify them — the ground rule both inverts and balances this routine eliding of identities, showing us how the servants
know considerably more about what
's happening than anyone else.
For whatever reason — perhaps banking on majority of the
audience knowing what
was coming — Yates went with both a swift death scene, with little time spent building the tension, and an overall quiet aftermath.
Jump scares
are a bit of a trope in horror films now and I find its usually better when you don't see it
coming, so It letting the
audience know a scare
is just around the corner slightly weakens it.
The trailer
was merely a teaser, but even with the teaser giving us a fair amount of the characters origin for
audiences and fans who
know little about him, it still leaves many questions unanswered and has us scratching our heads as to when Christopher Nolan decided to
come on and direct Inception 2 with Benedict Cumberbatch in a red cape.
A lot of the scares
are telegraphed as
coming, letting the
audience know through its music or silence in a tense scene.
What You Need To
Know: The last time French director Jean - Pierre Jeunet («Amelie «-RRB-
came to the U.S., it
was for «Alien: Resurrection,» and as such, that didn't work out well for him, the studio or the
audience.
Speaking to the press about the Disney / Fox deal (including WSJ
's Ben Fritz), Iger
was receptive to the possibility of more Deadpool sequels, saying «There may
be an opportunity for an
R - rated Marvel brand as long as we let
audiences know what
's coming.»
It
is no sin to baldly foreshadow, but it
is a bit of a sin to treat that foreshadowing with a sagely
knowing nod, a belief that this will blow its
audience's mind when just about anyone, including its dumbfounded lead character, should have seen
coming.
The film ends with an encounter that challenges the
audience to make of it what they will, but when it
comes to the charisma evidenced by its sterling cast, on that topic there can
be no doubt.
This
is the version of Tombstone
audiences came to
know until 2002, when six additional minutes
were added for the film's Vista Series DVD release.
«Torture porn» may
be the better description, a horror subgenre that
came into prominence after the sleeper hit
known as Saw, which emphasized (and exploited) both the emotional and physical agony of its characters to manipulate
audience reaction.
Of course, De Palma has made a number of films that
were not particularly well - received when they first
came out, only to grow in stature with critics and
audiences over the years — «Blow Out» (1981) and «Scarface» (1983)
being perhaps the best -
known examples of such reevaluations.
«Besides the fact that I just love genre to begin with, I
knew there
was an
audience there who wouldn't
be put off by something crazy
coming out of a woman's vagina,» says Janiak.
Without giving too much away, there
is a beat (you'll
know it when it
comes) that might sour things for some
audiences, but it
's not enough to destroy all the good that
's there.