Sentences with phrase «audience left the theater»

As the credits rolled, the audience left the theater with stomach pains from laughing too hard, and everyone seemed to love it, like myself.

Built around the notion that anything outrageous is funny, the makers of «American Wedding» bank on the idea that easy teen - and college - age audiences won't care about tediously underwritten characters, a general lameness of humor and flaccid attempts at emotional investment (Jim takes Michelle on a romantic walk on the beach) as long as those audiences leave the theater with one or two over-the-top howlers to talk about.

Not exact matches

To compete, other studios could also merge — giving us essentially a movie version of the NBA's super-team syndrome — or they could amp up efforts to infiltrate streaming, leaving their movie studios as an output for major blockbusters that audiences still want to watch in theaters.

Audience members cast ballots for films by depositing their ticket stubs as they leave the theater, or by entering their ticket numbers online.

This story and these characters will keep audiences talking long after they leave the theater.»

The movie, which will be released in theaters tomorrow, also gripping leaves audiences questioning who it strong - willed characters are, and how their circumstances connect with the hit monster horror film, «Cloverfield.»

While there were a handful of audience members who weren't quite sure what to make of «Demolition,» which defies easy categorization, most viewers seemed to leave the theater on a movie contact high.

The movie was screened before an «invited audience» in a Michigan Avenue theater, where two small groups of audience members laughed loudly at almost everything, and just about everybody else waited politely until it was over and they could leave.

Taika Waititi has said he hopes Marvel audiences leave Thor: Ragnarok with a «sense of joy» but he isn't leaving all the fun for the theater.

We know this before we even step into the theater, and The Stanford Prison Experiment succeeds because it brings our fears to life, and while Alvarez may have wanted to leave his audience with a breather, his film works far better when it's making us gasp at humanity's fragile morality.

It's jam - packed with violence and masterfully crafted choreographed fight scenes that are brutally creative and promise to leave audiences picking their jaws up off the sticky theater floor.

However, given the film's obnoxiously unfunny opening, Google doesn't come off like a place you might actually want to work out until more than an hour into the story (when all but the most masochistic members of the audience will have left the theater to demand their money back from director Shawn Levy.)

«We've brought together a group of our favorite developers to bring content inspired by «Ready Player One» to life in a way that resonates with audiences long after they have left the theater.»

«Swiss Army Man» could rightfully be called the unconventional buddy comedy of the decade, yet it's the score by Andy Hull and Robert McDowell that cues the audience that this story is meant to be serious within context, that the audience is indeed supposed to feel something, self - reflect, and leave the theater a better person.

«We expect the film to stay alive in theaters for a while because it's that rare documentary where audiences feel better leaving the theater than they do going in.»

The clowns in Sixteen Candles and Breakfast at Tiffany's are just jokes, but they leave lasting impressions that the audience takes with them when they exit the theater.

You could imagine that Will Smith's large and devoted audience will go to see the movie, but since football, America's favorite sport, has its feet put to the fire, many will leave the theater depressed, maybe angry.

Based on his previous work, and now this most recent effort, it's clear that this guy enjoys crafting crowd - pleasing entertainment that leaves audiences feeling all tingly inside as they exit the theater.

Rather than the passive lethargy that political cinema often inculcates in viewers by providing them with deceptively simple answers to often extremely nuanced questions, The Party forces its audience to continue grappling with these vital issues long after they've left the theater.

While most audience members won't worry about protecting their necklines when they leave the theater, this script may still expose more dangerous attitudes about young love than most parents will care to lay bare for their kids.

Chin: Black Panther was unique in that it was a Marvel movie that stood on its own, without forcefully shoving the MCU agenda into its story line, and it left its audience with compelling social commentary and a dialogue to consider upon leaving the theater.

If a wise audience member left the theater to go get popcorn, a soda, make a pot roast and give birth to triplets, they would return during the same racing sequence.

This book is a great sneak peek at the upcoming film for younger audiences and will be a way for them to relive the action long after you leave the theater.