Sentences with phrase «audience score for»

They're also aiming to hijack the audience score for Avengers: Infinity War, too.

After a few trolls attempted to take credit for the low Rotten Tomatoes audience score for «Star Wars: The Last Jedi» on Wednesday, an alt - right group is now claiming responsibility.

One group plans on altering the Rotten Tomatoes audience score for the film, while another has already started messing with the film's IMDb rating.

Michael Bay does this in his movies, which is why he gets 100 % test audience scores for fucking Transformers movies.

Not exact matches

However, movie audiences disagreed with critics, as Rotten Tomatoes» «Audience Score» (comprised of online ratings from users) for Bright is a healthy 87 %.

The company uses a metric it refers to as a BARE (for brand audience rate of engagement) score to track the activity of its Facebook audience.

Original content has proven a big draw for video - streaming platforms such as Netflix, Amazon, Hulu and HBO GO: HBO's Game of Thrones alone scored the network its largest audience ever, while Netflix's original series of Marvel's Daredevil grabbed nearly 4.4 million viewers in its first 11 days.

Sometimes films with extremely high scores on the critical aggregator often miss the mark for the majority of audiences.

Which means that somehow director Matt Reeves (Cloverfield, 10 Cloverfield Lane) keeps the audience gripped in suspense for nearly two and a half hours largely with facial expressions, minimal dialogue, a sparse but hard - hitting score, and stunningly beautiful cinematography.

For much of that time the Indians were on WWWE radio, a 50,000 - watt station that reached two thirds of the country, giving Score, if not the Indians, the audience he deserved.

«For instance, there might be a university that has no A [score] in internationalization» because it is serves primarily a local or national audience, Ziegele says.

Players build audiences for their fake news sites by publishing polarising falsehoods, deploying twitter bots, photo - shopping evidence, and inciting conspiracy theories in the wake of public tragedy — all while maintaining a «credibility score» to remain as persuasive as possible.

As compared to what Russian women find attractive in men, the importance of integrity was lower for the male audience: Loyalty and decency, along with honesty, scored 28 % in total (while for ladies the combined result was 60 %).

If the movie scores at the box office, it will be for reasons that are both disquieting and understandable: Gladiator is pitched to an audience that wants, more and more, to be spoon - fed (it's movies like this that help create that audience), but it accomplishes the task with pace, visual grit, and a roster of appealing actors.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

Steven Spielberg's mechanical thriller is guaranteed to make you scream on schedule (John Williams's score even has the audience reactions programmed into the melodies), particularly if your tolerance for weak motivation and other minor inconsistencies is high.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs composed by Alan Menken.

On top of the acting, the visual artistry in this movie and the beautiful, almost peaceful score truly create an escape for the audience in such a way that it is hard to imagine this movie without them.

Dealt Not Rated Rotten Tomatoes Score: 95 % Available on Disc and Streaming For decades, Richard Turner has been one of the premier up close magicians at the infamous Magic Castle in Hollywood, wowing audiences with his unbelievable sleight of hand.

The perfect critic score is only part of the story, though, as Lady Bird only holds 87 per cent for audience scores.

Brett Morgen's JANE won the Audience Choice Prize and also Outstanding Score for composer Philip Glass.

Based on Yousef's 2010 memoir Son Of Hamas, Nadav Schirman's film — an audience prizewinner at Sundance in January — briskly runs down a decade - plus of double - dealing on the front lines of the Israeli - Palestinian conflict, offsetting the interview footage with archival news reports, a crashing orchestral score by Max Richter, and staged aerial surveillance shots, tinted night - vision green for maximum atmosphere.

Captain Underpants: The Epic First Movie Rated PG for mild rude humor throughout Rotten Tomatoes Score: 87 % In spite of great reviews from both critics and audiences, as well as a large base of fans of their kids graphic novels, this animated superhero flick landed with a relative thud in theaters.

Jeff Grace An assistant to Howard Shore from 2001 - 2004, helping out with projects like Peter Jackson's «The Lord of the Rings» trilogy and Martin Scorsese's «Gangs of New York,» American composer Jeff Grace first caught our ear in 2010 with the moody and scorching score for «Meek's Cutoff» and it turns out we had heard him before, quietly helping to unnerve the audience on Ti West's «House Of The Devil.»

The Jane Goodall biopic went on to garner a PGA kudo, a slew of critics» honors including the National Board of Review award and two Cinema Eye trophies for audience choice and score.

This was the effect «War for the Planet of the Apes» was going for, though Cooper isn't asking audiences to acknowledge his good taste, but simply giving them room, both physical and emotional (and further encouraged by Max Richter's restrained tonal score), to project themselves onto the scene.

Green's «Joe» didn't quite get a fair shake in theaters this year — it seemed to split the difference between the mainstream audiences who don't care for Nicolas Cage in a non-going-big performance and indie audiences who didn't know what to do with him, but it's an underrated picture, and Wingo and McIlwain can place another feather in their cap for this moody and memorable score.

Whipp: Ron Howard's racing movie, «Rush,» didn't find the audience it deserved, but enough academy members might have seen it to score deserved nominations for Daniel Brühl in supporting actor and cinematographer Anthony Dod Mantle.

The film thrilled audiences from Berlin to Fantastic Fest and went on to score a nomination for the Best Foreign Language Oscar.

The movie currently boasts the highest Rotten Tomatoes critical score for a video game adaptation with 50 %, but US audiences haven't embraced it as widely as international markets.

Speaking to Deadline today, Walt Disney Studios President of Theatrical Distribution Dave Hollis stated that the studio is not concerned whatsoever with the low audience scores, and think that the conversations this film sparks will lead to good word - of - mouth for the holiday weekend next week:

Scored lightly by a series of Brian Eno compositions, The Jacket is an apocalyptic poem of love and loss that's unusually wise about its visual vocabulary — about ways of looking, the line between dreaming and reality, and how eyes on film can be a powerful and elastic metaphor for the audience engaged in a kind of liquid dreaming.

The film basically became a mano - a-mano excuse for comic high jinks that scored a solid bull's - eye with family audiences.

The adrenaline rises for everyone involved, not least of whom being the audience, as Creevy proves himself a very assured director of slick action sequences, matching that truly breathtaking cinematography by Ed Wild with a killer score by Harry Escott and giving his second feature a pop that instantly pulls you in.

When the games commence, the triumphs of this film adaptation scurry to the forefront, including the sound design, and the score by T - Bone Burnett and James Newton Howard, which nicely steps in for the bloodcurdling screams of dying teens perhaps too terrible for the target YA audience.

The Sundance winning documentary that wowed cinema audiences last November and December is also up for another IFTA as Crowded House musician Nick Seymour has been nominated in the Best Original Score category for his work on the film.

Bernard Herrmann is always thought of primarily as the composer of scores for deeply psychological movies, with one of his primary goals being to unsettle the audience.

Bad Santa is directed by Terry Zwigoff, who has scored two acclaimed cult comedies in a row, Crumb and Ghost World, and there's probably a cult audience for this film as well, although I suspect it's a much different audience for much different reasons.

For starters, there's no overbearing score, but Younger, Seiple and the sound department make the audience see and hear every punch Vinny takes.

But he really wished they hadn't done it in a year when his entry, the score for «Dunkirk,» was designed to make an audience feel edgy and claustrophobic, instead of, say, 1995, when he won an Oscar for his crowd - pleasing work on «The Lion King.»

Alexandre Desplat is expected to win for a score that helped del Toro's film sweep audiences away on ripples of ravishing romance.

Straight Outta Compton Rated R for language throughout, strong sexuality / nudity, violence, and drug use Rotten Tomatoes Score: 88 % Available on DVD and Blu - ray Biopics can be very hit and miss but this critically acclaimed story about the rap group NWA found a way to not only tell one of the pivotal stories of rap music, but managed to do so in a way that has the power to change the perspectives of its audience.

The horror and ultimate pathos audiences felt for Kong in the original 1933 production of King Kong still resonates in Max Steiner's ground - breaking score, and the composer gets some decent attention in the length making - of documentary on Warner Bros.» 2 - disc edition of King Kong, which arrived just in time for Christmas.

ARE WE NOT CATS scored its second win by also taking the Audience Award for Best Poster.

Schwartzman uses the musical numbers, score and songs to flow well with his camerawork, and displays a promising knack for tinkering with music to influence the audience's elicited emotional response to his advantage.

• «Beauty and The Beast» Sneak Peek — An exciting first look into the live - action re-telling of «Beauty and the Beast,» which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

The Shannara Chronicles «most recent second season has scored 100 % fresh reviews and 93 % audience score on Rotten Tomatoes, and the series also has been hailed for being racially and sexually diverse, with Emmy winner Lena Waithe calling it «groundbreaking.»

The film was scored by Michael Giacchino, who made audiences bawl with his majestic music for Up.

Now, they've created a Facebook event titled «Give Black Panther a Rotten Audience Score on Rotten Tomatoes» with the hopes of ruining the film's audience rating on RottenTomatoes, as well as purposely spoiling the film for MarvAudience Score on Rotten Tomatoes» with the hopes of ruining the film's audience rating on RottenTomatoes, as well as purposely spoiling the film for Marvaudience rating on RottenTomatoes, as well as purposely spoiling the film for Marvel fans.

Lean wisely saved score material for key scenes and visual motifs, and Jarre's music is given a great deal of space to tingle, surge and swell to full blossom, enveloping the audience in thrilling 5.1.