One group plans on altering the Rotten Tomatoes
audience score for the film, while another has already started messing with the film's IMDb rating.
Not exact matches
Sometimes
films with extremely high
scores on the critical aggregator often miss the mark
for the majority of
audiences.
Based on Yousef's 2010 memoir Son Of Hamas, Nadav Schirman's
film — an
audience prizewinner at Sundance in January — briskly runs down a decade - plus of double - dealing on the front lines of the Israeli - Palestinian conflict, offsetting the interview footage with archival news reports, a crashing orchestral
score by Max Richter, and staged aerial surveillance shots, tinted night - vision green
for maximum atmosphere.
The
film thrilled
audiences from Berlin to Fantastic Fest and went on to
score a nomination
for the Best Foreign Language Oscar.
Speaking to Deadline today, Walt Disney Studios President of Theatrical Distribution Dave Hollis stated that the studio is not concerned whatsoever with the low
audience scores, and think that the conversations this
film sparks will lead to good word - of - mouth
for the holiday weekend next week:
Scored lightly by a series of Brian Eno compositions, The Jacket is an apocalyptic poem of love and loss that's unusually wise about its visual vocabulary — about ways of looking, the line between dreaming and reality, and how eyes on
film can be a powerful and elastic metaphor
for the
audience engaged in a kind of liquid dreaming.
The
film basically became a mano - a-mano excuse
for comic high jinks that
scored a solid bull's - eye with family
audiences.
When the games commence, the triumphs of this
film adaptation scurry to the forefront, including the sound design, and the
score by T - Bone Burnett and James Newton Howard, which nicely steps in
for the bloodcurdling screams of dying teens perhaps too terrible
for the target YA
audience.
The Sundance winning documentary that wowed cinema
audiences last November and December is also up
for another IFTA as Crowded House musician Nick Seymour has been nominated in the Best Original
Score category
for his work on the
film.
Bad Santa is directed by Terry Zwigoff, who has
scored two acclaimed cult comedies in a row, Crumb and Ghost World, and there's probably a cult
audience for this
film as well, although I suspect it's a much different
audience for much different reasons.
Alexandre Desplat is expected to win
for a
score that helped del Toro's
film sweep
audiences away on ripples of ravishing romance.
The
film was
scored by Michael Giacchino, who made
audiences bawl with his majestic music
for Up.
Now, they've created a Facebook event titled «Give Black Panther a Rotten
Audience Score on Rotten Tomatoes» with the hopes of ruining the film's audience rating on RottenTomatoes, as well as purposely spoiling the film for Marv
Audience Score on Rotten Tomatoes» with the hopes of ruining the
film's
audience rating on RottenTomatoes, as well as purposely spoiling the film for Marv
audience rating on RottenTomatoes, as well as purposely spoiling the
film for Marvel fans.