As of Sunday, the movie has an average critics» score of 86 on MetaCritic and a certified «fresh» 93 percent on Rotten Tomatoes, yet the film gets
audience scores of just 4.9 out of 10 and 56 percent (the lowest on any of the live - action theatrical releases) on those two sites, respectively.
In fact, it is the lowest rated
audience scored of all Star Wars movies.
Not exact matches
Suddenly, the freshness rating
of a film became more important than
audience interest in terms
of success — even though data scientists have found that the
score doesn't affect the box office.
However, movie
audiences disagreed with critics, as Rotten Tomatoes» «
Audience Score» (comprised
of online ratings from users) for Bright is a healthy 87 %.
There are plenty more examples such as Rihanna's Fenty Beauty, Pixar's Coco, and Warner Brother's Wonder Woman
scoring major paydays, awards, and millions
of raving fans as a result
of delivering products that reached underserved
audiences and celebrated our differences rather than ignoring them.
The company uses a metric it refers to as a BARE (for brand
audience rate
of engagement)
score to track the activity
of its Facebook
audience.
By contrast, the film's
audience score on the site sits at an impressive 86 % — a figure that Netflix CEO Reed Hastings recently cited to suggest that critics
of «Bright» were «pretty disconnected from the mass appeal.»
Original content has proven a big draw for video - streaming platforms such as Netflix, Amazon, Hulu and HBO GO: HBO's Game
of Thrones alone
scored the network its largest
audience ever, while Netflix's original series
of Marvel's Daredevil grabbed nearly 4.4 million viewers in its first 11 days.
It was lost to an
audience scattered by taste among
scores of niche channels and new services.
Balancing matching options, words versus phrases, and general versus niche keyword selections to accurately segment your
audience enables you to improve quality
scores (a measure
of relevance as perceived by the search engines,) find less competitive «niche» keywords, and expand impression exposures within your budget parameters (e.g. synch to Google's recommended daily budget.)
Sometimes films with extremely high
scores on the critical aggregator often miss the mark for the majority
of audiences.
Other exciting
audience - inducing aspects
of the show include giveaways, with lucky winners
scoring swag like a HTC cell phone and an all - inclusive trip to the Moon Palace Jamaica Grande Resort.
For much
of that time the Indians were on WWWE radio, a 50,000 - watt station that reached two thirds
of the country, giving
Score, if not the Indians, the
audience he deserved.
He announced himself to the wider footballing
audience in October thanks to his brilliant goal and subsequent passionate celebration in a 4 - 3 win over Sassuolo, and then gazumped himself by
scoring the winner against Juventus a couple
of weeks later.
Intriguingly, an analysis
of movie music
scores shows that film - makers use highly non-linear sounds to evoke a stronger emotional response in their
audience.
Altmetric Attention
Scores are a weighted count
of the volume
of attention a research article has received, intended to reflect the likely visibility and reach
of the publication amongst
audiences both within and beyond academia.
Players build
audiences for their fake news sites by publishing polarising falsehoods, deploying twitter bots, photo - shopping evidence, and inciting conspiracy theories in the wake
of public tragedy — all while maintaining a «credibility
score» to remain as persuasive as possible.
Alex Hay broadcasted his body's sounds, Robert Rauschenberg's Open
Score showed
audience members what images made via infrared cameras looked like, and Lucinda Child's piece Vehicle created the impression
of dancers moving about while suspended on air.
In a predominate palette
of black and silver with splashes
of white and red, the oil slick leather - like cocktail dress and the gorgeous floral embroidered sheath turned plenty
of heads, but it was the red carpet - worthy beaded fit - and - flare frock along with the peplum tulle ball gown that drew
scores of audible oohs and aahs from the
audience.
This is the kind
of show where the
audience attempts to outdress the models on the catwalk but even a Balenciaga spandex total look could not outdo guests, including, Snoop Dog's fashion designer son Cordell Broadus, who managed to
score a pair
of sneaker boots from Public School's sell out Air Jordan collaboration.
As compared to what Russian women find attractive in men, the importance
of integrity was lower for the male
audience: Loyalty and decency, along with honesty,
scored 28 % in total (while for ladies the combined result was 60 %).
If the movie
scores at the box office, it will be for reasons that are both disquieting and understandable: Gladiator is pitched to an
audience that wants, more and more, to be spoon - fed (it's movies like this that help create that
audience), but it accomplishes the task with pace, visual grit, and a roster
of appealing actors.
Director David Yates, who has helmed the last four films, isn't afraid to accommodate quiet — long stretches
of the film play sans
score (the better to hear the
audience sniffle?)
At the time
of this post the tomatometer critic
score was 30 % to the
audience's 80 %.
And I'm not even suggesting that the professional and
audience scores are wrong, but I just think that the film, in a lot
of respects, didn't really get a fair shot.
Disney's «Beauty and the Beast» is a live - action re-telling
of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary
audience, staying true to the original music while updating the
score with several new songs.
The fact that these two brothers get a kick out
of excessively lowbrow toilet humor — and the fact that their massive
audiences also enjoy this sort
of sub-sophomoric humor, in droves no less — is taken as a signifier that the country is on some sort
of massive mental downturn, with projected results
of deflated math
scores and wanton pie - throwing in the streets.
Disney's «Beauty and the Beast» is a live - action re-telling
of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary
audience, staying true to the original music while updating the
score with several new songs composed by Alan Menken.
On top
of the acting, the visual artistry in this movie and the beautiful, almost peaceful
score truly create an escape for the
audience in such a way that it is hard to imagine this movie without them.
This film is actually terrible — I mean, yeah — it is scary in the sense that its creepy, but I think, really, the film is just the byproduct
of global DVD residuals from the directors father — allowing Panatos to string together a series
of overproduced, overgrained interior sequences, cheap synth
score and a slasher movie ending, and trying to pass it off as a «cult movie», when really we, the
audience, need to know who, what or where the protagonist is coming from, what her dramatic need is, who she interacts with, and so on.
Dealt Not Rated Rotten Tomatoes
Score: 95 % Available on Disc and Streaming For decades, Richard Turner has been one
of the premier up close magicians at the infamous Magic Castle in Hollywood, wowing
audiences with his unbelievable sleight
of hand.
The perfect critic
score is only part
of the story, though, as Lady Bird only holds 87 per cent for
audience scores.
Atom soon
scores a couple
of upset victories against larger opponents in front
of audiences full
of what appear to be Mad Max extras.
Based on Yousef's 2010 memoir Son
Of Hamas, Nadav Schirman's film — an audience prizewinner at Sundance in January — briskly runs down a decade - plus of double - dealing on the front lines of the Israeli - Palestinian conflict, offsetting the interview footage with archival news reports, a crashing orchestral score by Max Richter, and staged aerial surveillance shots, tinted night - vision green for maximum atmospher
Of Hamas, Nadav Schirman's film — an
audience prizewinner at Sundance in January — briskly runs down a decade - plus
of double - dealing on the front lines of the Israeli - Palestinian conflict, offsetting the interview footage with archival news reports, a crashing orchestral score by Max Richter, and staged aerial surveillance shots, tinted night - vision green for maximum atmospher
of double - dealing on the front lines
of the Israeli - Palestinian conflict, offsetting the interview footage with archival news reports, a crashing orchestral score by Max Richter, and staged aerial surveillance shots, tinted night - vision green for maximum atmospher
of the Israeli - Palestinian conflict, offsetting the interview footage with archival news reports, a crashing orchestral
score by Max Richter, and staged aerial surveillance shots, tinted night - vision green for maximum atmosphere.
And as in Blade Runner, Villeneuve's movie builds its world as much sonically as visually, plunging the
audience into a cacophony
of electronic klaxons, polyglot crowd - chatter, and invasive talking advertisements, accompanied by Hans Zimmer and Benjamin Wallfisch's
score, which tastefully incorporates key phrases from Vangelis's masterful electro — prog rock soundtrack from 1982.
Captain Underpants: The Epic First Movie Rated PG for mild rude humor throughout Rotten Tomatoes
Score: 87 % In spite
of great reviews from both critics and
audiences, as well as a large base
of fans
of their kids graphic novels, this animated superhero flick landed with a relative thud in theaters.
However The Amazing Spider - Man 2's lukewarm 54 % critics
score and 75 %
audience score could speak volumes in terms
of the film's second weekend earnings decline.
Jeff Grace An assistant to Howard Shore from 2001 - 2004, helping out with projects like Peter Jackson's «The Lord
of the Rings» trilogy and Martin Scorsese's «Gangs of New York,» American composer Jeff Grace first caught our ear in 2010 with the moody and scorching score for «Meek's Cutoff» and it turns out we had heard him before, quietly helping to unnerve the audience on Ti West's «House Of The Devil.&raqu
of the Rings» trilogy and Martin Scorsese's «Gangs
of New York,» American composer Jeff Grace first caught our ear in 2010 with the moody and scorching score for «Meek's Cutoff» and it turns out we had heard him before, quietly helping to unnerve the audience on Ti West's «House Of The Devil.&raqu
of New York,» American composer Jeff Grace first caught our ear in 2010 with the moody and scorching
score for «Meek's Cutoff» and it turns out we had heard him before, quietly helping to unnerve the
audience on Ti West's «House
Of The Devil.&raqu
Of The Devil.»
The
Score is drawn from critics» reviews (and is not an average review score, instead based on a binary total of «good» and «bad» reviews), and it can often stand in strong contrast to the Audience Score, which is based on the opinions of average movieg
Score is drawn from critics» reviews (and is not an average review
score, instead based on a binary total of «good» and «bad» reviews), and it can often stand in strong contrast to the Audience Score, which is based on the opinions of average movieg
score, instead based on a binary total
of «good» and «bad» reviews), and it can often stand in strong contrast to the
Audience Score, which is based on the opinions of average movieg
Score, which is based on the opinions
of average moviegoers.
The Jane Goodall biopic went on to garner a PGA kudo, a slew
of critics» honors including the National Board
of Review award and two Cinema Eye trophies for
audience choice and
score.
Amazon's heart - wrenching and inspiring documentary about former National Football League player Steve Gleason, who is paralyzed from the neck down due to complications from ALS,
scored big with
audiences — including Best Supporting Actor nominee Michael Shannon — but failed to pick up an Oscar nomination in one
of the deepest documentary fields in years.
Emotional moments in the film fall flat due to lack
of on - screen chemistry and a
score that disrespects the
audience.
This was the effect «War for the Planet
of the Apes» was going for, though Cooper isn't asking
audiences to acknowledge his good taste, but simply giving them room, both physical and emotional (and further encouraged by Max Richter's restrained tonal
score), to project themselves onto the scene.
By largely removing
audiences under the age
of 18 (face it, few parents are going to want to take their children to a film that includes a song called «Holy S — balls» in its
score), that's effectively surrendering potential box office earnings from the young demographic most likely to identify with Deadpool's antics.
The nearly unrelenting moodiness
of Batman V Superman: Dawn Of Justice didn't just bum out audiences; it wore on Hans Zimmer, who was tasked with scoring the fil
of Batman V Superman: Dawn
Of Justice didn't just bum out audiences; it wore on Hans Zimmer, who was tasked with scoring the fil
Of Justice didn't just bum out
audiences; it wore on Hans Zimmer, who was tasked with
scoring the film.
This
score is likely to push him considerably further into prominence if the film manages to attract an
audience in the rest
of the world.
This a
score out of 100 that takes into account a movie's IMDb rating, Rotten Tomatoes Tomatometer and Audience Score, Gracenote rating, Metacritic Metascore and the inflation - adjusted U.S. box office g
score out
of 100 that takes into account a movie's IMDb rating, Rotten Tomatoes Tomatometer and
Audience Score, Gracenote rating, Metacritic Metascore and the inflation - adjusted U.S. box office g
Score, Gracenote rating, Metacritic Metascore and the inflation - adjusted U.S. box office gross.
Part
of this is because Anderson is so talented a director that he knows how to use the
score and camera movement to evoke feelings in the
audience, and he pulls the strings
of your emotions, and with cocky arrogance doesn't mind that we know full well we are being manipulated.
Born in China goes overboard here to reach a kiddie
audience — every animal gets a cute name, their antics are often
scored to jaunty music, and John Krasinski provides the sugary narration — «all she wants,» he says
of a mother panda, «is to smother this baby with love.»
The distributor said the film is one
of the company's «highest -
scoring with test
audiences.»