Sentences with phrase «audience than your genre»

Far from being horror - comedy, What We Do in the Shadows extends to a further audience than genre fans and could possibly become This is Spinal Tap for horror fans.

Increased interest in your book over a 48 hour period may be a sign that you've broken through to a larger audience than your genre warrants.

Not exact matches

I enjoyed it quite a bit more than Minority Report and Children of Men, and while I doubt it will usher in a new age of sci - fi movies (the audience reaction at my showing was fairly tepid), at the very least it's a minor milestone for the genre.

Then, as told partly in flashback as Arthur (Harrelson) is being interviewed by a court - appointed psychiatrist (the underrated Sandra Oh), the safe distance that gives the audience derails the pace and the film becomes more serious than it ought to, no matter the subject matter and this results in it becoming every «realistic» work that looks down on the idea of either a superhero or the genre.

Haunted Temple Studios, as Skulls developer 17 - Bit was calling itself at the time, had brought with it to Boston in 2011 a strategy game with gameplay that was accessible and enjoyable enough to potentially appeal to a larger audience than most of its genre brethren.

Even if Helgeland is sticking to the facts rather than the mythology, he needs to satisfy the gangster genre audience.

The real laugh is that the film's ostensible moral is to act your age while virtually every joke is stolen from a genre intended for stars and audiences ten - plus years younger than anyone involved, meaning all the sexual insecurity and juvenilia is infected with considerably more than the usual touch of the pathetic.

Yet Friedkin is less interested in the tenets of the genre than in the idea of pushing the audience to its limits.

When mainland directors started to tackle the genre, though, it was more in the direction of sumptuous historical fantasies designed for international audiences (such as Zhang Yimou's Ying xiong [Hero, 2002]-RRB- than in the redefinition of the essence of wuxia.

The only audience for this is the crowd that can't get enough killer monster movies and they would be probably do better with a cable subscription than renting or buying the many entries in the genre.

Everything about it promises negligibility, and the promise is kept: a less - than - super star (Coburn), a female lead whose potential has scarcely ever been fully realized (Lee Grant), some character actors who stopped getting — or making — good parts some time ago (Andrews, Hendry), a forgettable British sub-leading man who muffed his one big chance (Jayston — Nicholas of Nicholas and Alexandra), an anonymously pneumatic foreign blonde (Christiane Kruger), an English hack with conspicuously unimaginative pretensions to distinction (Hughes), and above all the tiresomely formulaic genre in which doublecrosses are so taken - for - granted by the audience that no degree of geometric complication can do more than increase the boredom.

What The Bourne Identity lacks is freshness within its genre, content to be a good example of how to make an old school spy yarn than in an updating for today's audience.

To a possibly greater extent than Drive, it's a genre pastiche that delays its thrills for as long as possible, preferring instead to linger on the dreamy spectacle of Jesse dancing against the L.A. skyline for an audience - surrogate shutterbug (Karl Glusman, our off - brand Rami Malek).

It may not have sounded like much on the surface (another reason why it probably didn't do very well with audiences or most critics) but legendary director Hill (the man behind such classics as «The Warriors,» «48 HRS» and «Streets of Fire») brought both his impeccable technical gifts and a genuine sense of personal style to the proceedings that elevated the material to something that came far closer to what one might refer to as «art» than one might rightly expect from a genre picture these days.

The cast too seems put together with an eye towards pleasing a larger audience than most genre fair.

More than half, 52 percent, of the film's audience this weekend were female — a significant number for a genre that has been dominated by men, CNN notes.

However, for anyone that has watched Kingsman, they will know that rather than letting the audience dip their toe into the spy genre early on in the year, Kingsman sets the bar stupidly high for the rest of the genre to hit.

Genre fiction books (fantasy, science fiction, erotica / romance, steampunk, paranormal) will need to be sold for less — less than 13 dollars — for the most part, as well as young adult books (younger audience, smaller wallets).

Plus, I LOVE your tidbit on branding: your genre and your name is your brand, so build your target audience rather than your brand.

Obviously, my target audience is substantially smaller than a genre author's, therefore, I am grateful for my small successes.

Animal, Vegetable, Miracle is to food as Bill Bryson's books are to travel - accessible and likely to appeal to a far wider audience than most of their genre.

Her audience is likely going to be a lot more forgiving than the readership of other genres.

But, it's far easier to market a book that's been written to fill a need, and know who your audience is, and what they want — and to do that you need to do market research (read what's bestselling in your genre) and make your book a lot like, and hopefully better than, those others.

That is clearly the model you're using, but when you get some time, you might want to try a tour that focuses on some of the nonfiction nuggets in your book, zeroing in on specific topic audiences rather than blogs that are built around a genre.

Some of my fellow board members have fewer than 10 books in print, whose firms target audiences that will zero in on any title published in their genre, be it sport - specific weight training (Rob Price of Price World Publishing) or caring for a loved one with Alzheimer's (Brenda Avadian of The Caregiver's Voice blog).

2) Certain genres / types of games appeal more to the male audience than other genres?

But while the game got good reviews, the genre was perhaps better suited for bigger screens and for a bigger audience than the still low market - share Windows Phone platform.

This description does appear strange, but to gamers like myself who are unfamiliar with this genre, its varied and enjoyable gameplay lends itself to a wider audience, rather than being «just» a dungeon crawler.

The variety of genres represented by these titles will help Nintendo reach broader audiences than we would be able to otherwise.

Some genres need larger audiences than others to function properly.

The explosion of smartphone titles such as Flick Kick Football and New Star Soccer have made football games more accessible than ever, opening the genre to audiences likely to balk at the convoluted menus and realistic gameplay of Fifa.

Dungeon Siege III has many of the primary strengths of the dungeon crawler genre, but is also more streamlined than others, as always this will be divisive: some are sure to bemoan the attempts at getting the genre noticed by a wider audience, whilst others will enjoy the accessibility, strong storytelling and increased focus on the action that Obsidian has brought to the table.

Presenting more than 80 performances each year including popular music, contemporary dance, alternative cabaret, documentaries, and avant - garde theater, MASS MoCA offers a robust roster of performing arts programming, introducing audiences to the full spectrum of artists, embracing diversity in genre and experience.