There's still a tiny mention of the original Bayonetta in this ad as well, but it's clear Nintendo and Platinum want to play up the port of Bayonetta 2, which can only be found on Wii U. Let's hope the sequel finds an even bigger
audience this time around.
It will already hit a larger
audience this time around with the upcoming PS4 release.
Not exact matches
For many, it pays off to do things the old fashioned way — get out there and physically spend your free
time around your target
audience.
Throughout the years, Volkswagen has proved that designing a company
around thoughtful values, effectively communicating them to a target
audience and maintaining them over
time can drive long - term brand loyalty and growth.
Along the way, it helped create new ways for advertisers and corporations to reach
audiences, from a «promoted tweets» model now replicated by Facebook and other Internet platforms, to its «second screen» approach to encouraging real -
time debate
around television programs.
In spite of the amount of public attention focused on them
around the
time of the election, the figures for November 1980 show no marked difference in the
audience of their programs.
Their displacement of network programs on affiliate stations began to be felt
around 1976 - 77 as can be seen in NBC religious specials (see Table 8.5), Before this decline, many of these network programs were regularly attracting a larger
audience than most of the paid -
time religious programs.
Central to an understanding of what will be the future of religious television in America is the fact noted in the research on
audience sizes: that the
audiences for paid -
time religious programs as a whole reached a plateau
around the year 1977.
For the first
time the game's governing body had a blueprint for growth that would enable the sport to be truly global and reach out to new
audiences and participants
around the world while maintaining the values that bind the sport together.
Like, don't go
around saying «oh, my child will NEVER watch more than 10 minutes of TV a day» because I guarantee you, the first
time you actually want to do something normal like blow dry your hair, paint your nails or use the bathroom without an
audience, the TV becomes your best friend.
At the
time, it was an exotic practice, and most people in the
audience seemed to be wrapping their heads
around it.
Each speaker was held to a five - minute
time limit, and microphones were passed
around the
audience for questions.
The Senate again on the 26th of April 2018 wrote the Inspector - General of Police re-inviting him to appear before the Senate in person on the 2nd of May, 2018 but this
time around the IGP was on official assignment to Birnin - Gwari Area of Kaduna State in company of the General Officer Commanding, One Division, Nigerian Army Kaduna, Major General Mohammed Mohammed to attend to some very serious security matters of National Importance, but he promptly delegated the Deputy Inspector - General of Police, Research and Planning, Assistant Inspectors General of Police and Commissioners of Police to represent him and brief the Senate on the same subject matter, the Senate again refused to accord them
audience insisting that the Inspector - General of Police must appear in person.
The advantage is that the second
time around it will be easier to sell because you already have an established
audience, reputation, and credibility that you built over
time.
«While education on television attracts an
audience of under 500 000, prime
time drama reaches
around 11 million viewers, a third of our population.»
At a
time when most hospital shows revolve
around the life - or - death procedures and diagnoses, Red Band Society is about the patients and provides much - needed emotional catharsis to its
audience.
If you go to a stage hypnotist, sure, he'll have you hopping
around like a rabbit; it's his job to give the
audience a good
time.
And 99 % of the
time, it's us parents doing the talking, and our captive
audience is somewhere
around 16 years old.
Critical and
audience praise was so high, I hoped I would see it a different way the second
time around.
And here, as in last year's I Now Pronounce You Chuck and Larry, Sandler interestingly attempts to blend genuine social commentary with copious gross - out humor in much the same way that Mel Brooks did in Blazing Saddles (a movie that, beyond the beans -
around - the - campfire gags, wore its heart so firmly on its sleeve in favor of racial brotherhood that it stopped just short of singing «Kumbaya» to its
audience); Sandler, who's admirably never been shy about proudly proclaiming his Jewishness, takes on xenophobia, suggests that Israelis and Palestinians CAN get along and — most controversially of all, perhaps — makes a case that disco music CAN be enjoyable in the right
time and place.
All this places Butler very much apart from his
audience on this go
around, who at a
time once connected to the sing - along choruses of tracks like Rebellion (Lies) and Wake Up with almost spiritual reverence.
This
time around, the whole
audience certainly was having a good
time.
This is an album, aimed at an
audience with more developed tastes, and not for those expecting «
Around the World» # 2 or «One more
time» one more
time.
Around the
time you see one of the main character's thumb get shot off, you'll know that the Farrelly's have lost the ability to distinguish wincing from laughter in
audiences.
McKay and star / co-writer Will Ferrell certainly know their
audience, and their buffoon of a lead character has just as many bizarre rants and nonsensical catchphrases as he did the first
time around.
Darkest Hour spends so much
time as an actor's showcase for Oldman that it oftentimes forgets to remind the
audience of the ongoing war
around him.
Time after time, the audience is bounced around with the camera and never sure of what is being suggested as thri
Time after
time, the audience is bounced around with the camera and never sure of what is being suggested as thri
time, the
audience is bounced
around with the camera and never sure of what is being suggested as thrills.
Paramount Pictures Chairman & CEO Brad Grey had a lot to grin about, as he summed up his studio's success most eloquently in a press release from Paramount: «We produce pictures that aspire to entertain
audiences around the world, while at the same
time we have sought to find innovative ways to reach movie - goers in this changing entertainment environment,» he stated.
One of the most renowned card magicians of all
time, Richard Turner astounds
audiences around the world with his legendary sleight of hand.
MacFarlane had himself spoke many
times about his (and
audiences) trepidations in doing a sequel, particularly for a comedy, so in a move more akin to Bond or Batman, the writers disregarded some aspects of the original (noticably Mila Kunis's Lori) and sensibly shifted the focus more to Ted as a «person» rather than even more rambunctious frat - boy shenanigans with his Thunder Buddy John (Wahlberg), and what his existence means for those
around him.
It looks like the whole crew of the USS Enterprise will get to experience a bit more development this
time around since Star Trek served to reintroduce the characters to the
audience.
While it is definitely a remake, enough has been changed this
time around to entertain
audiences of today, regardless of whether or not they have viewed the original film.
Though the biker drama's penultimate season has plenty of things worth celebrating (including a larger role for Mark Boone Junior and excellent guest stars like CCH Pounder, Donal Logue and Walton Goggins), a lot of the conflict this
time around seems to be less about driving the narrative than shocking the
audience, none more so than the death of Maggie Siff's Tara.
Alas, it comes so late in the game (after the characters learn all the details the
audience has known since the first
time around) that it's used once before a generic, climactic showdown involving a guy with a gun who wants to kill someone.
Out Joss - Whedoning Joss Whedon (right down to The Avengers director's signature circular pan
around the team as they gather as a unit for the first
time), the writer - director finally gives
audiences what they wanted all along - for the Guardians of the Galaxy to move forward and not just try to recapture what came before.
Though U.S.
audiences likely weren't able to appreciate the movie on the same level as native Chinese speakers because of the way that the film plays
around with the language, it's still an amusing and wildly madcap spaghetti western that's anchored by a trio of fantastic performances by director / star Wen, Chow Yun - Fat and Ge You, who have such great comedic
timing between them that the subtitles often move too quickly to read.
For this sequel,
audiences are fully expecting the gratuitous semen jokes and cartoonish raunch, thus whatever novelty the crassness had the first
time around is severely diminished.
The clear impression is that he is speaking boldly and fluidly and with some degree of joy, though Haneke offers no subtitles this
time around, and no surrogate
audience materializes on screen before it goes black and the credits roll — a clear acknowledgment that this
time around, it's Code Unknown's
audience that's watching and struggling to make sense of unfamiliar signs.
Specifically, Lustig's films are read with profit as love letters to The Deuce of pre-Giuliani
Times Square — the Harem and the Empire and the Liberty and theatres like them the petri dish, their
audiences the agar from which fascinating cultures sprouted up
around The Texas Chain Saw Massacre and Tom Savini, Pam Grier and Fred Williamson, triple - X and splatter.
Now, just six months later, a re-edited version is making its way to theaters via Tayrona Entertainment, in an attempt to bring the picture to a wider
audience who may have missed it the first
time around.
«As
audiences stay with us and
audiences keep telling us, as they certainly did all
around the world with «Black Panther,» that they're embracing new ideas and new visions and new places and new ways of telling stories, we will just continue to grow and build on that,» Feige said at the
time.
And it's still the most energetic sex filmmaking, qua filmmaking,
around: 2,800 setups, Meyer told an SFS preview
audience, and they do go blazing past, so frenetically, and some of them downright dynamically, that anybody with camera - and cutting - sense is going to have a hard — make that a difficult —
time keeping his mind on the ostensible subject.
List compiled by Eddie on 8/07/2016 In but a few weeks
time audiences around the world will be lining up to witness a group of superhero's and misfits being dubbed -LSB-...]
It may have been cute the first
time around, but there's simply no way these guys could be this dumb and still expect the
audience to root for them.
True, there are some gasps from
time to
time, but truth be told, those scenes were predicated on the
audience's not knowing that something might happen when a camera pans slowly
around a room or focuses tightly on our heroine's face.
Striding
around the boards (mostly on her toes, although at
times on all fours) wound up and wounded, Miller projected an emotional intensity that reverberated through the
audience long after the curtain came down.
There are plenty of laughs throughout (some you won't catch the first
time around, and others you'll never catch as a Yank), but as the story transitions from a comedy into a murder mystery, the
audience is forced to sit patiently through some dreadfully bare moments.
It's no small coincidence that ePub was established as a broad -
audience file format and the digital publishing revolution took off (admittedly, this came along
around the same
time Amazon launched its Kindle e-reader and built an increasingly stocked catalog of titles).
We decided to keep our show
around 30 - 40 minutes in length, an average commute
time, as our target
audience is someone who may still have to work outside the home but dreams of being a full -
time author.
That is clearly the model you're using, but when you get some
time, you might want to try a tour that focuses on some of the nonfiction nuggets in your book, zeroing in on specific topic
audiences rather than blogs that are built
around a genre.