Sentences with phrase «audience this time around»

There's still a tiny mention of the original Bayonetta in this ad as well, but it's clear Nintendo and Platinum want to play up the port of Bayonetta 2, which can only be found on Wii U. Let's hope the sequel finds an even bigger audience this time around.
It will already hit a larger audience this time around with the upcoming PS4 release.

Not exact matches

For many, it pays off to do things the old fashioned way — get out there and physically spend your free time around your target audience.
Throughout the years, Volkswagen has proved that designing a company around thoughtful values, effectively communicating them to a target audience and maintaining them over time can drive long - term brand loyalty and growth.
Along the way, it helped create new ways for advertisers and corporations to reach audiences, from a «promoted tweets» model now replicated by Facebook and other Internet platforms, to its «second screen» approach to encouraging real - time debate around television programs.
In spite of the amount of public attention focused on them around the time of the election, the figures for November 1980 show no marked difference in the audience of their programs.
Their displacement of network programs on affiliate stations began to be felt around 1976 - 77 as can be seen in NBC religious specials (see Table 8.5), Before this decline, many of these network programs were regularly attracting a larger audience than most of the paid - time religious programs.
Central to an understanding of what will be the future of religious television in America is the fact noted in the research on audience sizes: that the audiences for paid - time religious programs as a whole reached a plateau around the year 1977.
For the first time the game's governing body had a blueprint for growth that would enable the sport to be truly global and reach out to new audiences and participants around the world while maintaining the values that bind the sport together.
Like, don't go around saying «oh, my child will NEVER watch more than 10 minutes of TV a day» because I guarantee you, the first time you actually want to do something normal like blow dry your hair, paint your nails or use the bathroom without an audience, the TV becomes your best friend.
At the time, it was an exotic practice, and most people in the audience seemed to be wrapping their heads around it.
Each speaker was held to a five - minute time limit, and microphones were passed around the audience for questions.
The Senate again on the 26th of April 2018 wrote the Inspector - General of Police re-inviting him to appear before the Senate in person on the 2nd of May, 2018 but this time around the IGP was on official assignment to Birnin - Gwari Area of Kaduna State in company of the General Officer Commanding, One Division, Nigerian Army Kaduna, Major General Mohammed Mohammed to attend to some very serious security matters of National Importance, but he promptly delegated the Deputy Inspector - General of Police, Research and Planning, Assistant Inspectors General of Police and Commissioners of Police to represent him and brief the Senate on the same subject matter, the Senate again refused to accord them audience insisting that the Inspector - General of Police must appear in person.
The advantage is that the second time around it will be easier to sell because you already have an established audience, reputation, and credibility that you built over time.
«While education on television attracts an audience of under 500 000, prime time drama reaches around 11 million viewers, a third of our population.»
At a time when most hospital shows revolve around the life - or - death procedures and diagnoses, Red Band Society is about the patients and provides much - needed emotional catharsis to its audience.
If you go to a stage hypnotist, sure, he'll have you hopping around like a rabbit; it's his job to give the audience a good time.
And 99 % of the time, it's us parents doing the talking, and our captive audience is somewhere around 16 years old.
Critical and audience praise was so high, I hoped I would see it a different way the second time around.
And here, as in last year's I Now Pronounce You Chuck and Larry, Sandler interestingly attempts to blend genuine social commentary with copious gross - out humor in much the same way that Mel Brooks did in Blazing Saddles (a movie that, beyond the beans - around - the - campfire gags, wore its heart so firmly on its sleeve in favor of racial brotherhood that it stopped just short of singing «Kumbaya» to its audience); Sandler, who's admirably never been shy about proudly proclaiming his Jewishness, takes on xenophobia, suggests that Israelis and Palestinians CAN get along and — most controversially of all, perhaps — makes a case that disco music CAN be enjoyable in the right time and place.
All this places Butler very much apart from his audience on this go around, who at a time once connected to the sing - along choruses of tracks like Rebellion (Lies) and Wake Up with almost spiritual reverence.
This time around, the whole audience certainly was having a good time.
This is an album, aimed at an audience with more developed tastes, and not for those expecting «Around the World» # 2 or «One more time» one more time.
Around the time you see one of the main character's thumb get shot off, you'll know that the Farrelly's have lost the ability to distinguish wincing from laughter in audiences.
McKay and star / co-writer Will Ferrell certainly know their audience, and their buffoon of a lead character has just as many bizarre rants and nonsensical catchphrases as he did the first time around.
Darkest Hour spends so much time as an actor's showcase for Oldman that it oftentimes forgets to remind the audience of the ongoing war around him.
Time after time, the audience is bounced around with the camera and never sure of what is being suggested as thriTime after time, the audience is bounced around with the camera and never sure of what is being suggested as thritime, the audience is bounced around with the camera and never sure of what is being suggested as thrills.
Paramount Pictures Chairman & CEO Brad Grey had a lot to grin about, as he summed up his studio's success most eloquently in a press release from Paramount: «We produce pictures that aspire to entertain audiences around the world, while at the same time we have sought to find innovative ways to reach movie - goers in this changing entertainment environment,» he stated.
One of the most renowned card magicians of all time, Richard Turner astounds audiences around the world with his legendary sleight of hand.
MacFarlane had himself spoke many times about his (and audiences) trepidations in doing a sequel, particularly for a comedy, so in a move more akin to Bond or Batman, the writers disregarded some aspects of the original (noticably Mila Kunis's Lori) and sensibly shifted the focus more to Ted as a «person» rather than even more rambunctious frat - boy shenanigans with his Thunder Buddy John (Wahlberg), and what his existence means for those around him.
It looks like the whole crew of the USS Enterprise will get to experience a bit more development this time around since Star Trek served to reintroduce the characters to the audience.
While it is definitely a remake, enough has been changed this time around to entertain audiences of today, regardless of whether or not they have viewed the original film.
Though the biker drama's penultimate season has plenty of things worth celebrating (including a larger role for Mark Boone Junior and excellent guest stars like CCH Pounder, Donal Logue and Walton Goggins), a lot of the conflict this time around seems to be less about driving the narrative than shocking the audience, none more so than the death of Maggie Siff's Tara.
Alas, it comes so late in the game (after the characters learn all the details the audience has known since the first time around) that it's used once before a generic, climactic showdown involving a guy with a gun who wants to kill someone.
Out Joss - Whedoning Joss Whedon (right down to The Avengers director's signature circular pan around the team as they gather as a unit for the first time), the writer - director finally gives audiences what they wanted all along - for the Guardians of the Galaxy to move forward and not just try to recapture what came before.
Though U.S. audiences likely weren't able to appreciate the movie on the same level as native Chinese speakers because of the way that the film plays around with the language, it's still an amusing and wildly madcap spaghetti western that's anchored by a trio of fantastic performances by director / star Wen, Chow Yun - Fat and Ge You, who have such great comedic timing between them that the subtitles often move too quickly to read.
For this sequel, audiences are fully expecting the gratuitous semen jokes and cartoonish raunch, thus whatever novelty the crassness had the first time around is severely diminished.
The clear impression is that he is speaking boldly and fluidly and with some degree of joy, though Haneke offers no subtitles this time around, and no surrogate audience materializes on screen before it goes black and the credits roll — a clear acknowledgment that this time around, it's Code Unknown's audience that's watching and struggling to make sense of unfamiliar signs.
Specifically, Lustig's films are read with profit as love letters to The Deuce of pre-Giuliani Times Square — the Harem and the Empire and the Liberty and theatres like them the petri dish, their audiences the agar from which fascinating cultures sprouted up around The Texas Chain Saw Massacre and Tom Savini, Pam Grier and Fred Williamson, triple - X and splatter.
Now, just six months later, a re-edited version is making its way to theaters via Tayrona Entertainment, in an attempt to bring the picture to a wider audience who may have missed it the first time around.
«As audiences stay with us and audiences keep telling us, as they certainly did all around the world with «Black Panther,» that they're embracing new ideas and new visions and new places and new ways of telling stories, we will just continue to grow and build on that,» Feige said at the time.
And it's still the most energetic sex filmmaking, qua filmmaking, around: 2,800 setups, Meyer told an SFS preview audience, and they do go blazing past, so frenetically, and some of them downright dynamically, that anybody with camera - and cutting - sense is going to have a hard — make that a difficult — time keeping his mind on the ostensible subject.
List compiled by Eddie on 8/07/2016 In but a few weeks time audiences around the world will be lining up to witness a group of superhero's and misfits being dubbed -LSB-...]
It may have been cute the first time around, but there's simply no way these guys could be this dumb and still expect the audience to root for them.
True, there are some gasps from time to time, but truth be told, those scenes were predicated on the audience's not knowing that something might happen when a camera pans slowly around a room or focuses tightly on our heroine's face.
Striding around the boards (mostly on her toes, although at times on all fours) wound up and wounded, Miller projected an emotional intensity that reverberated through the audience long after the curtain came down.
There are plenty of laughs throughout (some you won't catch the first time around, and others you'll never catch as a Yank), but as the story transitions from a comedy into a murder mystery, the audience is forced to sit patiently through some dreadfully bare moments.
It's no small coincidence that ePub was established as a broad - audience file format and the digital publishing revolution took off (admittedly, this came along around the same time Amazon launched its Kindle e-reader and built an increasingly stocked catalog of titles).
We decided to keep our show around 30 - 40 minutes in length, an average commute time, as our target audience is someone who may still have to work outside the home but dreams of being a full - time author.
That is clearly the model you're using, but when you get some time, you might want to try a tour that focuses on some of the nonfiction nuggets in your book, zeroing in on specific topic audiences rather than blogs that are built around a genre.
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