Sentences with phrase «audience viewing the exhibition»

This brings the total audience viewing the exhibition or taking part in associated activities to 89,333.

Not exact matches

As well as fashion shows, exhibitions, hosted dinners and audiences with guests including Julien MacDonald, the celebrity auction house Julien's will be exhibiting highlights from the renowned Judy Garland Collection for passengers to view and purchase.
2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan
Audiences rarely flock to exhibitions about 18th century European art with the enthusiasm shown for Impressionism and ancient Egypt, but the Kimbell Art Museum is hoping Casanova: The Seduction of Europe, on view Aug. 27 through Dec. 31, will change that.
Join us for a family workshop offered in conjunction with the exhibition «My Barbarian: The Audience is Always Right», on view at the New Museum through January 8, 2017.
On view June 12, 2016 through Sept. 25, 2016, the exhibition presents a nuanced profile of women working on the East and West Coasts during the 1940s and»50s, providing scholars and audiences with a new perspective on this important chapter in art history.
In April, the Walker Art Center in Minneapolis will present his first museum exhibition, introducing him to a wider audience while giving those familiar with his ingenuity a chance to view his various art forms under one roof.
Sotheby's unveiled Amedeo Modigliani's stunning Nu couché (sur le côté gauche) to a packed audience of collectors and media, who are the first ever to view the masterpiece on exhibition in Asia.
«Process and Practice: 40 Years of Experimentation,» an anniversary exhibition on view through March 25, seems designed to introduce this unique and adventurous institution to a wider audience.
The Dissenters» Gallery exhibition presents the output from the event breaking the connection to the internet and allowing individuals and group audiences to view and discuss the work face - to - face.
The display of the exhibition — including the café, the viewing room, the reading room, and the time - based media rooms, all developed in collaboration with Bogota - based artist Gabriel Sierra — functions as an apparatus articulating the dynamics of each part of the exhibition and its relations to the audience.
Drawing from the Smart's permanent collection, this intimate exhibition explored how nineteenth - century artists and their audiences drew on views of the natural world, classical imagery, allegory and historical subjects to construct a meaningful understanding of the rapidly changing present.
A traveling exhibition organized by Buffalo's Albright - Knox Art Gallery, Shade opened in Buffalo on May 25 and will be on view to Denver audiences at DAM and CSM April 9 — July 16, 2017.
Using poetry as narrative for viewing the exhibition, the two poets will roam the space along with the audience.
The exhibition itself is a creative act that repeatedly provides the audience with new ways of viewing art.
at Denny Gallery Computer - whiz and appropriation artist Michael Mandiberg will be uploading his project «Print Wikipedia» to Lulu.com (a print - on - demand website) in the gallery, which will remain open around the clock through the first weekend of the exhibition so that audiences can view the process.
The irony of this exhibition lies in the fact that The Arts Club refuses to let visitors photograph Starling's work — the audience is unable to integrate themselves within the practice on view.
A lively question and answer session will follow the discourse and audience members are invited to stay afterwards to view «The «F» Word: Feminism in Art «the current exhibition on view at The Untitled Space which features the work of 20 female artists.
Beijing, Ullens Center for Contemporary Art 书中自有黄金屋 INSIDE A BOOK A HOUSE OF GOLD All works made by artists for Parkett since the journal's founding in Zurich in 1984, were presented for the first time to a Chinese audience in 2012 View all Parkett museum exhibitions
This exhibition, in both gallery spaces, offers Toronto audiences an opportunity to view an extensive selection of the artist» s new sculptures -LSB-...]
Currently, he was prominently represented in the highly regarded show «Surround Audience: New Museum Triennial 2015» in New York and the exhibition «STADT / BILD (Image of a City)-- Welcome to the Jungle» at the KW Institute for Contemporary Art in Berlin and is currently on view at «Ocean of Images: New Photography 2015» at the MoMA, New York.
From a curatorial point of view it initiated my mission of creating exhibitions that mediated between Jamaica and its international audiences.
Recent group exhibitions include: Milieu, Bern, CH (2017); Only the Lonely, inCube Arts, New York (2016); China 8: Views of China, NRW Forum, Düsseldorf (2015); Triennial: Surround Audience, New Museum, New York (2015); Unseen Existence: Dialogues with the Environment in Contemporary Arts, HK Arts Centre, HK (2014); Going, going, until I meet the tide, Busan Biennale (2014); The Part In The Story Where A Part Becomes A Part Of Something Else, Witte de With Centre for Contemporary Art, Rotterdam (2014); Apocalypse Postponed, Absolut at Art Basel Hong Kong (2014); and Where Narrative Stops, Wilkinson Gallery», London (2013).
By disrupting the unitary listening experience, Haptic aims to complicate the relationship between performer, audience, and work, while also directly engaging with the concerns of the two exhibitions on view.
The exhibition and its public programming strive to open this conversation to an international audience, and suggest a category through which to view creative production that uncovers identity shaped through land, both concrete and imagined.
This exhibition, in both gallery spaces, offers Toronto audiences an opportunity to view an extensive selection of the artist» s new sculptures in conjunction with a number of previous works.
New exhibitions introduced audiences to younger painters such as Josephine Halvorson and re-introduced masters like Willem de Kooning, whose retrospective at the Museum of Modern Art remains on view until January 9.
In her solo exhibition on view at the Atlanta Contemporary Art Center through December 16, Laurel Nakadate, a Yale - educated photographer, video artist and filmmaker, makes voyeurs of her audience.
The exhibition, on view in Cleveland from October 17, 2010, to January 17, 2011, will provide American audiences with an unparalleled opportunity to see about 100 extraordinary works of late antique, Byzantine, and Western medieval art, including precious metalwork objects, paintings, sculptures, and illuminated manuscripts, drawn from public and private collections as well as church treasuries across the United States and Europe.
The MCA's programmatic initiatives engage our audiences in dialogues with living artists and include innovative exhibitions of works by emerging artists, a reenergized permanent collection and rotating collection - based exhibitions, and live arts and artist commissions on view throughout the museum.
During the event, the audience is invited to explore the stimulating exhibitions on view while enjoying the music.
Here visitors will discover innovative exhibitions devoted to modern masterworks and important contemporary art, as well as public programs and educational activities that contextualize the art on view for diverse audiences.
Though McGee views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of galleries or museums, he makes fine use of traditional exhibition spaces, using them not only to communicate a subcultural point of view to gallery goers but also to point out ways in which space can be reclaimed.
This will be the artist's first solo exhibition in Toronto and will offer local audiences an opportunity to view an extensive body of her recent work.
Expanding the conversation around Nick Cave «s «Made by White for Whites» exhibition of found object mixed - media sculptures on view at the gallery, Phillip J. Merrill, African American memorabilia expert and founder of Nanny Jack & Co., takes the audience on an «artfactual journey.»
The exhibition offers a rare opportunity for European audiences to view O'Keeffe's work in such depth and what better moment to celebrate her influential career than 100 years after her debut andcoinciding with the opening of the new Tate Modern.»
Through an annual programme of interdisciplinary artistic and curatorial exhibitions and projects, publications and events, it engages local and international audiences in critical viewing and discussion of contemporary local, regional and international arts.
This exhibition is intended to provoke a dialogue and discussion with members of each host community while bringing the work of these young artists to the attention of audiences who would have few opportunities to view contemporary Japanese art.
Featuring Washko's latest iteration of her video game The Game: The Game, the exhibition invites audiences to engage with the world of pick - up artists from the point of view of a femme presenting person.
By providing the public with immediate access to view the portfolios and credentials of over 250 artists and designers via the internet; through meaningful partnerships with other cultural organizations; through community - based activities and exhibitions; and through an extensive online body of timely art information, InLiquid brings to light the richness of our region's art activity, broadens audiences, and heightens appreciation for all forms of visual culture.
Join us for a family workshop offered in conjunction with the upcoming exhibition 2015 Triennial: «Surround Audience,» on view from February 25 through May 24, 2015.
Together, in their radical openness to interventions of site, audience, and context, the works on view challenge perceived notions of what constitutes an exhibition space, a public, an artwork itself.
HONORS AWARDS An international audience of collectors, curators, art consultants and other advocates of fine art photography will view the chosen artist's work throughout the exhibition.
«The fragile, intricately — detailed, and colorful sea creatures on view — including anemones, octopi, sea stars, and even sea slugs — will illustrate the Blaschkas» still - unmatched expertise with glass as a medium, while also transporting audiences to a hidden world beneath the sea more than 100 years ago,» says Alexandra Ruggiero, the exhibition's co-curator and CMoG curatorial assistant.
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