Sentences with phrase «audiences experienced back»

There's genuine public interest and hope that «Alien: Covenant» would add another rich layer of backstory to the close - quarters terror that audiences experienced back in 1979.

Not exact matches

If your audience or customers know that they can count on you, they will be more inclined to come back and to tell others about their positive experience.

For one night only, audiences will be able to experience DEADPOOL and DEADPOOL 2 back - to - back.

Watching Kung Fu Panda is a comfortable experience that allows the audience to just sit back and enjoy its indefinable alchemy of animation, voice and plot.

The Four Horsemen, as they call themselves, create a very unique experience that gives back to the audience.

While I love the experience of seeing something as powerful as «Spotlight» with a large audience, I often think back on the discoveries of years past.

When I think back to, say, Boogie Nights (1997), the details of why its de facto family of porn stars disperses halfway through the film seem less vivid and important than the falling - through - the - floor desperation that the characters — and audience — collectively experience in that devastating 1980s downfall montage.

The screening at Kino cinemas during MIFF became a shared experience for an audience that had to leave now and then for a toilet or meal break, but you rushed back.

Amid the clamor for «The Force Awakens,» two classic videos resurface, transporting us back to the first time audiences experienced «Star Wars» in 1977.

Whether it was the embittering production experiences or the hit their reputations took after the film was trashed by critics and shunned by audiences, both Beatty and May seemed to take a step back from filmmaking after Ishtar.

On the back of Luca Guadagnino's soon - to - be released remake of the film, an entirely new audience is no doubt sure to discover Argento's original movie for the first time, but for them the viewing experience will almost definitely be on Blu - ray or streaming video.

Whether you are planning a large new - hire conference for 400 of your latest and greatest recruits, or developing an e-learning course on ladder safety, creating an engaging and memorable experience is what helps your audience recall what they learned back on the job.

The «demonstration» part of the time will be an authentic experience of learning for members of the audience, drawing on the faculty member's chosen teaching approach and topic; the «reflection» part will be a dialogue in which the faculty member shares his or her pedagogical assumptions, intentions, and moves, and engages in a conversation with a discussant and the audience that «pulls back the curtain» on his or her teaching.

The back cover content should compel your audience to invest in the experience your book has to offer.

The biggest news, though, is that we're working with a number of major publishers (and important smaller ones) to provide a storefront that contains deluxe digital graphic novels aimed at the «real mainstream,» the audience for graphic novels that reads Maus or Fun Home or Dotter of Her Father's Eyes but would never think of going into a comic shop guarded by a dodgy life - size statue of She - Hulk... We think the immersive «lean back» experience that tablets provide, along with purchase ease - of - use and the ubiquitous availability that app stores provide, can, if handled right, create a sea change in the consumption of graphic novels — and, if we have our way, the whole thing will have absolutely * nothing * to do with superheroes.

Six years to the month since it was initially released, Skyrim is back in the forefront of gamer's minds again, with Bethesda's one - two punch of porting the revered RPG to both the Switch and PSVR proving that there's still an audience willing to experience the game in a fresh way despite the many, many re-releases over the last half decade.

The stripped back mechanics and simplified gameplay might not be for everyone, but few shooters manage to appeal to both a Western and Japanese audience while somehow delivering an experience that is as fun for the casual gamer as it is for the hardcore.

Roughly a year later, now that William H. Cooper no longer exists, the artists are looking back to their experiences there, making new versions of their works for the Hyde Park Art Center, a patently different context, while translating what unfolded at the factory for a new audience.

How do these artists extend their own experiences by shifting themselves back into the roles of an audience member?

This goes back to audience experience.

He showed up unannounced at «Soup and Tart,» the group show organized by French Fluxus artist Jean Dupuy at the Kitchen in November 1974, performed a magic trick, told the audience he'd be back in «a minute,» and split the scene, leaving them to experience the minute in his absence.