Sentences with phrase «audiences experiencing this film»

I am very much looking forward to audiences experiencing this film as they never have before.»

Not exact matches

One audience member was completely overcome after the screening and took to Twitter to note that it was «possibly the best film watching experience I've ever had.»

According to the film, it's apparently all about Seattle and you had to be there, but simultaneously we the audience are supposed to care about this experience which is only Seattle idiosyncrasy.

Stanley Kubrick, creator of such memorable films as «Dr. Stangelove,»» 2001: A Space Odyssey,» and «Barry Lyndon,» understands how this happens: «I think an audience watching a film or a play is in a state very similar to dreaming, and that the dramatic experience becomes a kind of controlled dream....

The message of the film places virtually no value on human life, and the movie itself does» t care at all for its audience, save for the pain it can cause in the viewing experience.

«My vision for the film was to capture the energy and excitement of these real experiences, creating a story which takes the audience on a journey into Absolut Nights.

In this first - ever IMAX 3D space film, audiences will travel 220 miles above Earth at 17,500 mph to experience the making of the International Space Station — the greatest engineering feat since landing a man on the Moon.

What further complicates the comparison is that audiences claim that the film version of Annihilation is an intellectual dream, a cerebral experience, that it's almost too much of a think - piece for the general public.

Director James Franco takes on the experience of a wayward creator in his latest film, «The Disaster Artist,» and reveals how even if something deeply personal is usually deeply flawed, it can still connect with audiences in ways no one could imagine.

On the one hand, his recent films deliver a compelling intellectual experience to a wider audience than most «intellectual» filmmakers could dream of, and that's an admirable agenda for an artist with the resources of all Hollywood at his beck and call.

Audio descriptive narration provides visually impaired audiences with the unique experience of being able to enjoy watching / listening to a film alongside their family and friends.

It's maybe not the movie for audiences who absolutely insist on a plot — The Guardian, in a 4/5 review, calls it «a film about nothing specific» — but if you're willing to just give yourself over to the experience, 20th Century Women looks like a warmhearted dramedy.

Being an almost an updated version of what has come before means that fans of the Linklater film will find themselves easily entertained, and audiences not familiar with these films also get to experience this slightly different skew on relationships.

His last decade of films «W.» (too soon), «World Trade Center» (way too soon), «Alexander» (a disaster) and the sequel to his 1987 «Wall Street» proved he is completely out of touch with what modern audiences want in a cinematic experience.

This featurette sees director Dean DeBlois talking about this sequel and how he feels the 3D format contributes to the audience experience and the overall success of his film.

Not much as changed with the idea that video game to film adaptations are never a good idea, «Silent Hill: Revelation 3D» ensures that trend, and while it's dazzling at times, it will leave an audience hungry for a better movie and experience.

Universal may have had a concern that Freed would experience a similar big drop, but so far it seems that the audience that stuck with the story for the second film are returning to watch the conclusion.

Coco, steeped in the resplendent color and conceptual profundity of Mexico's «Day of the Dead» festivities, offers audiences both a reliable Pixar package and a unique opportunity to experience culture as few animated films have before.

Audiences are encouraged to bring their family and friends of all ages and experience the film Variety calls «a game changer.»

When films were first shown on television, they were — arguably — poor imitations of what audiences experienced in the theater.

With Coco, Pixar Animation Studios» take on the traditional Mexican celebration Día de Muertos, audiences are given a film that will become the standard - bearer of a positive example of what the Latino experience can look like on the big screen for years to come.

By the time of VHS and Dolby Surround, home audiences were closer to experiencing the version of a film that filmmakers intended, but sound and picture were still augmented to accommodate the different platform.

Experience the film that critics and audiences are raving about when The Cabin In The Woods arrives on Blu - ray Disc (plus Digital Copy), DVD (plus Digital Copy) and On Demand and Pay - Per - View September 18 from Lionsgate.

Along with the trade show floor that featured the latest technological advances, concession goodies, comfort seating and more to enhance the theater audience movie going experience, each of the movie studios presented a sneak peak of their upcoming films slated for release in 2012 and beyond, many which were being seen for the very first time.

The festival will present two classic French films by master director Jean - Pierre Melville, Léon Morin, Priest and The Red Circle, as well as a number of school matinees with Educational Kits organised by the festival in partnership with the Irish Film Institute (IFI), which provide an ideal French cinematic experience to the young audience.

He also talked about the experience of being a part of the highly successful The Hangover franchise, whether he and Todd Phillips took the criticism of the second film into account when writing The Hangover Part III, making films for audiences to enjoy, and the animated feature Turkeys (featuring the voices of Amy Poehler, Owen Wilson and Woody Harrelson), which he's writing and producing.

«I'm excited to see all the films in front of Sundance audiences and for our filmmakers to have that experience, because it's a very special one,» says Filmmaker360 director Michele Turnure - Salleo.

Strong word of mouth has made «Gravity» a must - see film that audiences and critics all agree is best experienced in 3D.

When 95 % of the audience has no idea how the film is actually going to end, the writers have crafted a unique experience.

«A big part of this film is being inside our characters» heads — experiencing life through their eyes and ears — and Dolby Atmos is helping us take the audience on that journey.»

The discussion, led by Film Comment Digital Editor Violet Lucca, touches on modern audiences» emotional distance from older works, the enduring power of the film medium, and the particular experience of younger generations of cinephiles.

I can see why the film has polarised critics and audiences alike, however I found the whole experience to be completely mesmerising.

What marks a film festival as a truly unique cinematic experience is the audience.

The tight shots and onslaught of 3D shots is an attempt to place the audience in the film but it distracts more than adds to the experience.

One thread unspools in black and white illustrations, following movie - obsessed Rose (played in the film by Millicent Simmonds) as she ventures into Manhattan alone in 1927 — the same year that films gain sound and Rose is heartbroken to discover that she can no longer experience movies like other audience members.

So in the future it seems that emotion has been outlawed — a strange thing, for though the characters in the film appear to experience jealousy, anger, pride, and sadness, the audience is imbued with a majestic feeling of sleepy unconcern.

Hopefully it will find an audience on DVD and, appropriately, online, because Blackhat is a sublime merging of form and content, a film about the experience of living in our interconnected world on a psychological, political and philosophical level that conveys this experience beautifully through its narrative, stylistic and generic features.

«A stunt coordinator, usually an experienced stunt performer, is hired by a TV, film or theatre director or production company to arrange the casting (stunt players and stunt doubles) and performance of stunts for a film, television program or a live audience.»

This kind of tone used to depict the interconnectedness between sex and crime set by Cool Hair evokes Harmony Korine's polarizing 2012 feature film Spring Breakers starring Vanessa Hudgens and James Franco, but Mr. Orozco - Cubbon delivers this content much more naturally and with the poise and confidence of an experienced filmmaker who already has a well - defined style, knowingly and purposefully playing with the two intertwining dynamics that keep the audience on its toes.

It's rather interesting to note that Warner decided to market the film, much like Hitchcock would have probably done, by using a simple yet highly effective warning to all future audiences that the lights in the theaters would be toned down during the ending sequence, promising a fully immersive experience of pure horror.

Her films always resist the urge to turn subtext into text, trusting the audience to piece together the experience for themselves.

Even if the audience has never quite experienced the level of ordeals that these kids go through, the emotions are performed so well both through the actors and the film's dreamy style that it's hard not to empathize with these characters.

Later Wong Kar - wai went to Shanghai to attend an audience meeting, sharing the experience with viewers and clarified that the film had no 4 - hour version.

The film, which boasts and incredible cast, outstanding crew, and strong assortment of characters, has so far experienced almost universal critical and audience acclaim that will surely add - up when the domestic and international box office numbers arrive after the weekend.

Certainly, his latest film exhibits many of his most characteristic features: an early static shot of a concert audience once again emphasises spectatorship as a primary concern; we meet, as so often, a bourgeois family about to experience severe suffering; Emmanuelle Riva follows Isabelle Huppert, Juliette Binoche and Naomi Watts in giving an extraordinary performance in response to psychological terror; and violence, with its attendant guilt, comes as a shocking intrusion into this world.

The lead actor Tony Leung shared the experience with the audience and said that he particularly liked in the film's opening when his mentor tied Ip Man's belt for him.

We, as the audience, are then lead to build a list of rules on our own as we progress through the film which makes for a very thought provoking experience that you won't want to end.

The Tribe / Ukraine (Director and screenwriter: Myroslav Slaboshpytskiy)-- Set at a Ukrainian boarding school for the deaf, the film's narrative unfolds purely through sign language without the need for employing subtitles or voiceover, resulting in a unique, never - before - seen cinematic experience that engages the audience on a new level.

Broadcast live from the National Gallery on Monday 9 October, audiences in cinemas across the country are invited to experience the film premiere and the following Q&A with special guests.

Rosenbaum took the time to praise DVDs for giving modern audiences a first chance as it were to experience a wide variety of films, but Dave Kehr counter-argued in the comments on Kevin's blog, as well as at his own site.