Sentences with phrase «audiences feeling down»

There's no doubt that this movie is bleak and will probably leave audiences feeling down, but it won't leave many people thinking about the big ideas it tries to address.

Not exact matches

Whereas the MVP only asked about your audience in rough terms, the customer empathy map helps drill down specific, categorical insights into the thoughts and feelings of your ideal customer.

I love the feeling of looking out into an audience to whom I am speaking to see a man with tears streaming down his face, nodding in recognition.

«There is nothing more painful to me at this stage in my life,» Jesse Jackson once told an audience, «than to walk down the street and hear footsteps and start thinking about robbery — then look around and see somebody white and feel relieved.»

While it could feel daunting at first, an easy daytime look could be the perfect remedy for the ladies in the audience who feel blah about sitting down at the vanity and putting something together.

Sure, they have to force their AMD Opteron processors to conjure up all that flashy «ooh» and «aah» stuff, like, say swishy - whizzy magic - spell effects, or the impressive orange glow of dragonflame, but if you can't make the texture of Fiona's shimmery dress capture the light properly, if the audience don't truly feel they can reach out and caress that silky fabric, then the animators might as well all shut down their DL145 ProLiant servers, pack up their HP nx6125 notebooks («based,» it says in the film's fascinating production notes, «on AMD Turion 64x dual - core mobile technology to streamline a variety of production activities») and go home.

This game is by no means perfect but If you are looking for a game that doesn't make you feel like it has been dumbed down for a 6 - 14 yo target audience by marketing boys, look no further.

While some debate as to whether Sunset Blvd. or Baby J incited Grande Dame Guignol cinema (or, more fondly known as hag horror), audiences should enjoy seeing glamorous actresses of yesteryear get down - and - dirty with Mean Girls - level spiteful digs that feel uncomfortably horrific and humorous.

Though it may sound like a typical period drama, 120 Beats Per Minute is proudly queer and it never feels like Campillo is toning anything down for a wider audience.

When the crowd runs for cover, the cameraman runs, the camera jerks up and down, and it feels like the audience is running along in panic with the crowd.

It's a troubling film to watch in that anytime you see a man bringing himself down it's not easy, and he never really lifts himself up again, but the writer does a decent job of representing an introspective feel without boring the audience which is a very challenging thing to do.

It feels like the filmmakers throw the kitchen sink at the audience, much of the stories could have been cut completely or chopped down in the editing room.

The script is intelligent and never feels dumbed down in an attempt to appeal to the masses of children that are its target audience.

Modern audiences have forgotten the feeling of a real adrenaline rush thanks to the watered down efforts of the «Fast and the Furious» franchise, as an... Continue reading →

Whether this was a conscious decision by the director to tone down the darkness and realism in the film for the younger audience is worth mention but ultimately it cheapens the feel of the movie.

The Exorcist constantly wears down any sense of hope that both the audience and the characters might have, making you feel as if there's no way that this priest, not particularly strong in his own faith, is going to be able to save the possessed little girl.

It does open the movie up to a broader audience, but I feel that horror movies rated PG - 13 sometimes feel a little watered down and safe.

Cooper's last three features Black Mass, Out of the Furnace or Crazy Heart weren't exactly easy sells to a general audience, but no matter how one ended up feeling about them breaking each one down into an easily digestible synopsis isn't particularly difficult.

It often feels as if Schrader is talking down to the audience.

This theatrical bent to the dialogue (to the point that it feels like Bailey, for example, frequently pauses to allow the laughter of an imagined audience to die down) is merciless, and so clearly en - un-ci-at-ed that it's a little like being trapped in an ongoing elocution lesson.

This may be the film's intent to leave audiences down the same clueless path as Agent Mercer, but I feel it leaves audiences with an unfulfilled story.

The uneven pacing of WHAS guarantees a small audience — big laughs come in clusters, and the plot speeds up and slows down depending on what you like — but I have a feeling that it's the type of movie that will find its niche in repeat viewings.

The movie is very science - oriented, so there are a number of «people explaining things they would not have to explain in the real world» expository scenes to help audiences keep up with it, but The Martian doesn't feel dumbed down.

Whilst that I can acknowledge that it did take the film in a slightly different direction, and tried to do something a little different than the original (for example letting Murphy retain his memory whereas in the original Murphy was wiped or delving more into the family life of Murphy both as a human and as RoboCop), but for me it missed out on having the main villain, it cashed in on using the original them tune (which to be honest I did kinda like), the shoe - horning in of some of the original one liners that really felt out of place, there was tonnes of CGI which unfortunately is to be expected these days and I felt it was considerably toned down to appeal more to the younger audience, losing the over gratuitous violence and blood that the original had which in my opinion gave it some of the charm that it still has today.

While boxing movies are very formulaic, and this one is no different, Southpaw beats the audience up with darkness, bringing you down to the depths felt by its hero.

We follow the pretties through the paces of their suffering as Kidman's outtakes from Margot at the Wedding allow the uglies in the audience to feel self - righteous catharsis at her taking down a couple of churchies at a support group and her sister's entire birthday party.

If the Common Core's architects are done explaining its virtues — if they think that eighteen months of explaining its merits to a moderately attentive audience of self - selected elites amidst tumultuous debates over health care reform and the stimulus is sufficient — and that everyone needs to just sit down and get with the program, then I feel comfortable predicting that this whole exercise will end real poorly.

My family own some of his albums and a nice collectors book of his tv episodes.Let's look at adults who feel compelled to buy junky souvenirs at football games and swill down junk food and beers in front of the eyes of the younger audiences at these events.Come on... let» lay blame on the right parties.

Don't feel constrained by my break down of content forms — your blog is for you to connect with readers, so if you know your audience likes something unique, pursue that angle!

I'm very selective about the quality of products, reviews, and sponsorships I am willing to place on my site and will turn down any requests that I do not feel are right for my audience.

While these comments are obviously going to be welcomed by fans, there is always a risk that hardcode players may feel the game is dumbed down for a less skilled audience.

The combat is modified from Xcom1 / 2's award winning formula that is pretty deep, but its also slimmed down so younger audiences can enjoy which makes it feel a tad shallower but nothing I would want to complain about..

If this is a game for kids, Knack almost feels as though it is talking down to its audience - a far cry from the pitch - perfect Lego games, which have the depth and the accessibility to appeal to an enormously wide cross-section of the gaming community.

Heading out into the world of Horizon Zero Dawn to take down these massive machines is an exhilarating feeling, which combines well with a story that gradually unfurls and engages its audience.

However, even if the Vita lineup were mammoth, Ubisoft is doing with Liberation what every other developer should be doing for the Vita — creating a current generation console quality game that is entirely its own and not merely a port; making use of the system's unique controls; and giving the game enough content and polish that the audience won't feel cheated with a watered - down product.

There are lots of incredible QTEs that help the audience stay connected to the game, but lately we've been feeling a little let down.

The works include reenactments of Vito Acconci's Seedbed (1972), in which the artist occupied the space under a false floor, masturbating and speaking through a microphone to visitors above; Valie Export's Action Pants: Genital Panic (1969) in which Export walked through a movie theater in crotchless pants, challenging the audience to turn from the images of women on the screen to a real female body; and Abramovic's own Lips of Thomas (1975), in which she ate a kilogram of honey and drank a liter of red wine before breaking her glass with her hand, incising a star in her stomach with a razor blade, whipping herself until she «no longer felt pain,» then lying down on an ice cross while a space heater suspended above her caused her to bleed even more profusely.

You never, ever got the sense he was talking down to his audience, or that he felt some things were just too difficult to discuss.

Many people feel stressed out when they sit down to write: They freeze up like they're about to speak in front of an audience — and when they write, they «sound» tense and stilted.