Sentences with phrase «audiences for art in»

ECVAN is part of the national Contemporary Visual Arts Network (CVAN) and delivers collaborative projects that explore new ways of working together to support artists, develop arts infrastructure and reach new audiences for art in new ways.

Grad students at the opening reception for a student - curated exhibition, «Expanding the Audience for Art in the Nineteenth Century,» held at the Arthur Ross Gallery, University of Pennsylvania.

Not exact matches

Wilkins reminded her audience that there's an art to monetary policy: since it takes so long for a change in policy to actually affect economic conditions, central bankers must anticipate.

As news of his exploits spread, his audience grew to thousands, some of whom donated $ 50 to $ 100 or more in some cases to watch him do an art project, colour his hair or allow him to use the bathroom for a much - needed pee break.

«Whenever... preachers, instead of a lesson in religion, put [their congregation] off with a discourse on the Copernican system, on chemical affinities, on the construction of government, or the characters or conduct of those administering it, it is a breach of contract, depriving their audience of the kind of service for which they are salaried, and giving them, instead of it, what they did not want, or, if wanted, would rather seek from better sources in that particular art of science.»

The idea of broadcasting as a force in the public interest, a display case for the best of America «s creative arts, a forum of public debate — advancing the democratic conversation and enhancing the public imagination — has receded before the inexorable force of audience maximization.11.

Cameron came up with a term for this special lack of depth: He calls his updated gimmick «immersive 3 - D,» as if putting audiences in the midst of his alien worlds and catastrophic battle scenes carried greater believability than any before in Western art.

And yet the blame for the absence of Catholicism — or Judaism or Protestantism — from the larger conversation must, in part, rest with people of faith — and in particular with the critics, intellectuals, and theologians who help to mediate what is going on in the arts to a broader audience.

The State's Commissioner for Information and Strategy, Mr. Steve Ayorinde, his fellow in Tourism, Arts and Culture, Mr. Folorunsho Folarin - Coker, while addressing newsmen the Artistic Director Toronto Film Festival, Mr. Cameron Bailey, at the Bagauda Kaltho Press Centre in Alausa, said the evolution would help project tourism potential of Lagos to the team audience at the festival.

Teachers College, Columbia University (that's the way they write their name, apparently), Young Audiences New York and One Percent for Culture hosted a mayoral candidate forum on July 30th focused on The Future of Education, Arts and Culture in New York City.

I am a PhD student in sustainability, which is a field that really believes there is a need for more trans - disciplinary work (in this case perhaps science and art) as well as a need for scientists to engage and connect with people outside their field, especially general audiences and decision - makers.

Language arts: Effectively organizes, synthesizes, and professionally communicates ideas, findings, and discoveries, orally and in writing; adjusts their use of spoken, written, and visual language to communicate effectively and respectfully with a variety of audiences and for different purposes; utilizes a wide range of strategies to comprehend, interpret, evaluate, and appreciate all forms of text.

We endeavour to tell engaging stories, provide unadulterated entertainment and food for thought, nurture a passion for the art, develop excellence in the craft and take the joy of theatre to ever widening audiences.

This was something like a miracle: Haneke's gracious affability aside, his has always been, openly and decisively (he's quite literally said as much) an oppositional cinema — often abrasive (his one noble failure, 1997's Funny Games, and its shot - for - shot English - language remake from 2008, being the prime specimens), always painstakingly conscientious and morally committed to disturb (all of his films from The Seventh Continent through The White Ribbon) art films that mean to engage and provoke the audience, not please or reassure in a way that could ever be mistaken for award - grubbing.

For an audience that takes pleasure in the all - too - rare art of faithful adaptations that vivify rather than embalming their sources -LSB-...] Asquith's conservative handling is just what the confirmed and secret Bunburyist ordered.

Although the film didn't connect as strongly with mass audiences (although it's considered a «sleeper hit,» you have to wonder what it could have done if it had been released after Whedon's little art house film «The Avengers «-RRB- and more than a few critics found it befuddling and arch (it's neither), «The Cabin in the Woods» is the kind of movie that will ultimately live on as a deserved cult classic, perfect for drunken film studies students and bored kids at slumber parties alike.

The Whistler Film Festival Society (WFFS) is a cultural charitable organization dedicated to furthering the art of film by providing programs that focus on the discovery, development and promotion of new talent culminating with a must attend festival for artists, the industry and audiences in Whistler.

The mood's mostly pretty dour, which leaves the audience particularly grateful for those who provide comic relief: Dave Bautista's growly Drax, who in one scene is practicing the underappreciated art of standing really, really still; Tom Holland's chipper Peter / Spidey, taking it all in with wide eyes; Robert Downey Jr.'s ever - grumpy Tony Stark / Iron Man, who's pretty sick of Peter's pop - culture references (particularly «a really old movie called «Alien»»).

Lady Bird has been resonating with audiences everywhere who have fallen in love with the ambitious teenager who is ready to leave her hometown nest of Sacramento for New York, where she can find more culture, art, and opportunity.

For both the characters and the audience, the background violence is a constant reminder of the treacherous times they live in and how art can strongly impact people's lives.

Donnie Yen, the international martial - arts superstar who was introduced to an even wider audience with his role as blind monk Chirrut Imwe in Rogue One: A Star Wars Story, has taken another high - profile role for Disney.

He places the audience, for the most part, in the thick of it with Gustave and Zero as they try not only to solve the murder of Madame D. (one of Gustave's elderly blonde lovers - played by Tilda Swinton in glorious prosthetics, as pictured above right), but as they break out of prison, steal some art and as they go on a perilous adventure.

How exactly he's going to fit into the MCU puzzle is still a closely guarded secret, but one thing will be certain: Audiences will be in for a mind - bending experience as the good doctor (played by Benedict Cumberbatch) is the master of the mystical arts.

As previously announced, the inaugural LFF Connects will feature British filmmaker Christopher Nolan, internationally acclaimed for some of the most original, compelling and successful films in contemporary cinema (Interstellar, Inception, The Dark Knight, Memento), and Tacita Dean, lauded for her art work in film (and whose grand - scale Tate Modern exhibition FILM transfixed audiences).

Shot in Vancouver and in Berlin during the 8th Berlin Biennale for Contemporary Art, this provocative documentary takes audiences behind the scenes, and inside the ideas that are already shaping the art of tomorrArt, this provocative documentary takes audiences behind the scenes, and inside the ideas that are already shaping the art of tomorrart of tomorrow.

«Caught In The Web» Inter (net) views, QuickTime: «Not Just The Hype» on «Animals» (2.7 mb) «Telling a Story» on «Animals» (1.9 mb) «For the Art» on «Animals» (1.9 mb) «Finding an Audience» on «Animals» (1.5 mb) «A Love Story» on «Animals» (1.9 mb) «Computer Novice» on «Animals» (1.0 mb) «Hello Israel» on «Animals» (1.1 mb)

However like Hitchcock the Academy did honour his work with one of their separate «honorary» awards just before his death in 2006 for a «career that has repeatedly reinvented the art form and inspired filmmakers and audiences alike».

Despite our best efforts (and despite the hunger of audiences online for only the hottest, most incisive takes), we don't always understand the true value, whether topical or formal, of the art that's right in front of us.

Every step of the way, he was keying into ways in which filmmakers could access contemporary resources to make great art — and find an audience for it.

Just in time for Christmas comes the latest and possibly final act of audience antagonism from the reigning scold of European art cinema, Michael Haneke.

Inundated with notable celebrities, it's too abstruse for a legion of starfuckers to fathom, much less righteously embrace its rather obvious critique of how completely commodifying an art form eventually results in the dehumanization of not only artists but audiences as well.

Riggan's attempt to destroy this critic's approach to art is not far off from Sam's tearing Riggan apart for feigning artistic altruism in staging a Raymond Carver play that will be seen only by «white, old, rich audiences.»

«Idiocracy» isn't high art — in fact, that's the point — but its slow - building success gives me faith in audiences and their increasing thirst for films that aren't sequels, remakes, or adaptations of books and TV shows.

But Punch - Drunk Love won Anderson acclaim and Best Director honors at this year's Cannes Film Festival, and so with its Stateside bow we're about to find out whether audiences like chocolate in their peanut butter, if you will — whether they're willing to accept seemingly disparate, at - odds sensibilities for the sake of new, skewed pop art.

Considering how audiences have become more savvy about the art of animation, it's easy to take for granted the technological advances Walt Disney employed for the film, namely the use of a multiplane camera to create an illusion of depth; while addressed in the main documentary, the technique is further explored in a «Tricks of the Trade» excerpt from the old Disneyland television series as well as the 1937 nature - themed short The Old Mill, in which Disney and his crew not only tried out the new multiplane camera but also honed their skills at drawing and animating animals.

Sir Ridley praised teachers at his arts school in his youth for leading the way, and he provoked a cheer from the audience when he said: «Teaching is the most important of all professions - you sort that you, and social problems will get sorted out.»

FACES PLACES, her collaboration with photographer / artist J.R. (he's known only by his initials), chronicles the pair's friendship and partnership while introducing audiences to a wide range of French people, who share their communities and fascinating stories with Varda and J.R. in exchange for powerful, personalized public art installations.

In the front lines of transforming your physical appearance for the sake of the art, critics and audiences respond with gasps and eye - bulging at the shocking «de-glamorization» of our beloved Hollywood figures.

Taken from two February 2012 shows at NYU's Skirball Center for the Performing Arts, Mandroid puts Hardwick in front of just 800 non-paying audience members.

These sequences are straight out of any rote thriller, but they're meant to be profound — critical of the conventions of the genre — because Paul (Arno Frisch) breaks the fourth wall a number of times; this is Scream for art - house aficionados, with Haneke at one point curbing the audience's euphoria by rewinding the film immediately after Anna shoots Peter in the chest.

At times, a film will come in boasting (or relying on) a major weapon to entertain audiences: For Avatar, it was the state - of - the - art 3D; most recently, The Help leaned on the brilliant performances by the ensemble cast.

From the opening shot of a distant train making its slow journey toward the camera across flat plains ringed by Montana's mountains, the audience knows they're in for one of those subtle, low - key American art films.

Blake is trapped in an underground garage together with a young and comely British engineer, Ben (Hugo Johnstone - Burt) who showed up for a job interview with his precocious kid brother Ollie (Art Parkinson), who was cast to allow 11 - year - olds in the movie audience to relate to someone.

Yet these are the stories wanting to be told, where there is room for the audience to stand before a work of art in contemplation of how we should live and why — that which truly brings us together.

Positive comments from some recent users of this book include: Most schools are full of documents and data... Dr Slater is among the first to show how they can be used to compare what is said on paper and in interviews... The results will shock you... Dr Slater is a successful high school teacher and an award winning author... and here's why... Fantastic little book, punches well above its weight... Makes it seem so simple... the art of the genius... As an advocate of the What Works agenda, I think this book really is a wake - up call... A fantastic insight into the potential for using documents in research... Nails twenty years of research in twenty minutes... Worth every dime... Every student in my class (6th form) has been told to buy this book... and it's easy to see why... Shines a great big light on the power of documents in research... Surely this is the best book in its field... First class... I kept referring to this book in my presentation last week and the audience was ecstatic... Education research, usually has little effect on me... Until now... This book is formidable... Crushes the concept that education research is rubbish... fantastic insight... Blows you away with its power and simplicity... Huge reality check, senior school managers at good schools tell the truth, other's don't, won't or can't, and their students suffer.

The rest of the time is for the audience to browse the different outcomes of the inquiry: properly cited research, an English text of each student's choice — an explanatory or informational text, a short story, or a collection of poems, for example — an infographic of mathematical data and statistics, written work in the students» native languages, a related art piece, and more.

For 35 years, the office published, printed, and mailed to every elementary and middle school in the United States a teacher magazine, first called Art to Zoo, and later Smithsonian in Your Classroom to share the resources of the Institution with a broader audience.

Wallace currently has initiatives in six areas: afterschool, arts education, building audiences for the arts, expanded learning, school leadership and summer learning.

American Educational Research Association Americans for the Arts Arts Education Collaborative Association of Art Museum Directors Big Thought The College Board Council of Chief State School Officers Dance / USA The Education Policy and Leadership Center Educational Theatre Association John F. Kennedy Center for the Performing Arts League of American Orchestras Lesley University's Creative Arts in Learning Programs Local Learning: The National Network for Folk Arts in Education National Art Education Association National Assembly of State Arts Agencies National Association for Music Education National Association of Elementary School Principals National Dance Education Organization National Endowment for the Arts National Guild for Community Arts Education OPERA America Perpich Center for Arts Education U.S. Department of Education State Education Agencies Directors of Arts Education The William and Flora Hewlett Foundation Wolf Trap Foundation for the Performing Arts Young Audiences, Inc..

This last project includes a paid - for music and performing arts lead, an ambassador programme with composer Alexander L'Estrange and a partnership with the English Pocket Opera Company in which pupils perform to international audiences, including a tour to New York last year.