Sentences with phrase «audiences for the arts while»

By partnering with Sculpture Space on this exhibition, EFA Project Space begins to fulfill its goal to provide a unique space for collaboration with other art and cultural organizations, thus expanding audiences for the arts while bridging gaps in the art community.

Not exact matches

The State's Commissioner for Information and Strategy, Mr. Steve Ayorinde, his fellow in Tourism, Arts and Culture, Mr. Folorunsho Folarin - Coker, while addressing newsmen the Artistic Director Toronto Film Festival, Mr. Cameron Bailey, at the Bagauda Kaltho Press Centre in Alausa, said the evolution would help project tourism potential of Lagos to the team audience at the festival.

Given the fascinatingly complex, ever - evolving central relationship it's no surprise that there's little room for substantial supporting characters, although Ben Whishaw pops up as an admirer of Lili's, while Matthias Schoenaerts plays Hans, an art - dealer and old school - friend of Einar's who provides Gerda with some much - needed masculine comfort — and the audience with the prospect of a conventional romantic resolution.

And while I'm not trying to claim that the original film was high art, I'm bothered by how the cartoon over-simplified Beetle Juice for a younger audience.

A studio tour is the theme for the box art, liner notes, and menu design, and while they are amusing and impressive to general audiences, they are even more so for those of us familiar with the Fox studio lot, on which the designs are based.

Considering how audiences have become more savvy about the art of animation, it's easy to take for granted the technological advances Walt Disney employed for the film, namely the use of a multiplane camera to create an illusion of depth; while addressed in the main documentary, the technique is further explored in a «Tricks of the Trade» excerpt from the old Disneyland television series as well as the 1937 nature - themed short The Old Mill, in which Disney and his crew not only tried out the new multiplane camera but also honed their skills at drawing and animating animals.

FACES PLACES, her collaboration with photographer / artist J.R. (he's known only by his initials), chronicles the pair's friendship and partnership while introducing audiences to a wide range of French people, who share their communities and fascinating stories with Varda and J.R. in exchange for powerful, personalized public art installations.

While I recognise that my taste is not necessarily reflective of all audiences, Autumn Sonata and Duck Town seem unlikely to satisfy either the art cinema audience or those looking for more conventional, mainstream fare.

While the personal interaction between the cast and crew is familiar territory, a good deal of their discussions revolve around the art of filmmaking, which involves artistic compromises for the greater good of getting a larger audience appeal.

While cinephiles and critics have plenty of promising art films to sample, the realities of a narrowing audience for specialty fare mean only a handful of the films on the Croisette will land a North American theatrical release.

Any or all of the following: a.) correcting spelling, grammar, punctuation, syntax, and word usage while preserving the meaning and voice of the original text b.) checking for or imposing a consistent style and format c.) preparing a style sheet to document style and format d.) reading for overall clarity and sense on behalf of the prospective audience e.) querying the appropriate party about apparent errors or inconsistencies f.) noting permissions needed to publish copyrighted material g.) preparing a manuscript for the next stage of the publication process h.) cross-checking references, art, figures, tables, equations, and other features for consistency with their mentions in the text.

Bringing the low - cost model to Turkey for the first time, Pegasus was able to offer affordable flights to a growing audience of passengers while keeping the quality of service high by investing in a new fleet and state - of - the - art technology.

- Aonuma thanks the audience for the award - Aonuma: The team did not want to simply adapt the old formula of Zelda games, and they carefully balanced old and new elements - Fujibayashi: The dev team had several challenges while developing; worked hard to satisfy gamers; is happy to see Germany loving it - Takizawa: Artstyle has changed often throughout the series» history; the art team's experience has been applied to the game, that's why the whole team is very happy about the award - Dohta: The team created lots of fun elements for the players, and the whole technical team is very happy to see Germany loving the game - Aonuma: «We are honored to accept the price in the name of over 300 developers who worked hard and passionately on the game for years - Everybody: «Vielen Dank!»

While interactive entertainment has captivated audiences for more than 40 years, we're only just beginning to see the vast potential of today's most immersive and dynamic art form.

While the aristocracy has always provided the lion's share of the patronage and the audience for art — as, indeed, the aristocracy of wealth does even in our more democratic days — it has contributed little beyond amateurish efforts to the creation of art itself, despite the fact that aristocrats (like many women) have had more than their share of educational advantages, plenty of leisure and, indeed, like women, were often encouraged to dabble in the arts and even develop into respectable amateurs, like Napoleon III's cousin, the Princess Mathilde, who exhibited at the official Salons, or Queen Victoria, who, with Prince Albert, studied art with no less a figure than Landseer himself.

But while queer art became a cause for museums and galleries — Mapplethorpe and Wojnarowicz were anointed figureheads in a battle between progressive and conservative values, which ultimately exposed their work to wider audiences — these women artists remained obscure.

«The Baltimore Museum of Art has been a pioneer in reinventing the museum experience for 21st - century audiences while remaining committed to its outstanding collections and contributions to the field through special exhibitions and research,» said Bedford.

The New Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

Under the leadership of Creative Time Executive Director Katie Hollander, Thompson and Dyangani Ose will collaborate on a full slate of dynamic, engaging public art and programming, with an eye toward cultivating a broader global audience; all while remaining committed to presenting important art for its times that transcend geographic, racial, and socioeconomic barriers.

And while the artist's actions for peace have been a persistent force since the death of her husband in 1980, Ono's influence was especially palpable this year, be it through denouncing gun violence via Twitter, organizing thousands of people to form a giant peace sign in Central Park, or inspiring audiences through her art, which saw a much - deserved spotlight at MoMA this year.

«Evans 360º supports the Virginia Museum of Fine Arts ongoing initiative to develop a visitor - centric experience that meets the needs and expectations of diverse and growing audience, while also placing the museum at the forefront of museum education in the 21st century,» said Michael Taylor, Chief Curator and Deputy Director for Art & Education at VMFA.

While the audience for arts up here may appear to be thin, it is just as compassionate and sophisticated.

The New Media Gallery is the first of its kind in WNC, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

While Location One seeks to nurture a critical awareness of the implications of technology for contemporary society in both our artists - in - residence and our audiences, and on a practical level, to introduce artists to the possibilities of new media in their art practice, the work we exhibit covers a full spectrum: painting, sculpture, video, digital, audio, installation and performance.

He added that while the public appetite for temporary exhibitions has grown, the audience for serious art has shrunk, and that the financially interested people like collectors and dealers are a very small group.

The variety of forms and techniques of the works on show highlights TDIC's holistic method of developing the Abu Dhabi arts scne, in both instigating aesthetic discourses, while building a platform for audience engagement.

«While the biennial format can be interpreted and manifested in many ways, one of its best features is the creation of programmatic and promotional platforms to help make contemporary art more visible to audiences generally,» says Virginia Rutledge, curator - at - large for TX?

Roughly a year later, now that William H. Cooper no longer exists, the artists are looking back to their experiences there, making new versions of their works for the Hyde Park Art Center, a patently different context, while translating what unfolded at the factory for a new audience.

They are keenly mining old masters for their iconic authority inviting new audiences to investigate the brilliance of the originals and their malleability while also positing a revisionist art history.

Wyeth's work was as rural as Warhol's was urban, his nudes as earthy as Warhol's girls (and boys) were dirty, but while the rural can easily look picturesque to the city dweller, and might appear to pander even unintentionally to wide appeal, urban art is by nature of its situation radical and intended for a strictly limited, edgier audience.

Transformer's mission is to provide a consistent, supportive, and professional platform for emerging artists to explore and present experimental artistic concepts, build audiences for their work and advance their careers, while increasing dialogue, understanding, and audiences for contemporary visual arts.

This month, the exhibition «Howdy Cowboy,» for example, travelled to Toi Pōneke Arts Centre in Wellington, New Zealand, while local artist Lêna Bùi's open studio and artist talk, scheduled to take place on January 29, was cancelled after the Cultural Police accused Sàn Art of not holding a license to have foreign people in the audience.

Eyal Weizman, the Israeli architect and director of the fifteen - strong group which contains investigative journalists, scientists and filmmakers, has said that while they are pleased that the nomination will widen the audience for their work, he has concerns about their research — which currently involves investigations into the Grenfell Tower fire and a torture prison in Syria — becoming part of the «art - industrial complex».

Projects in the Making introduces rising young US - based Iranian mixed - media and installation artist Sarah Rahbar to a broader international audience, while news and profiles editor HG Masters reviews several notable books from 2007, including User's Manual: Contemporary Art in Turkey 1986 - 2006, Makoto Aida: Monument for Nothing and Rirkrit Tiravanija: A Retrospective (tomorrow is another fine day).

The 1999 exhibition introduced Los Angeles audiences to the participatory art of Brazilian Neo-Concretists Lygia Clark and Hélio Oiticica, while the second built on the precedents of the first in establishing a Latin American foundation for the conceptual Light and Space movement that is generally associated with California artists like James Turrell and Robert Irwin.

In 1976, there was an exhibit at the Whitney entitled «Articulate Muscle The Body As Art,» which showcased bodybuilders live, flexing for the audience while rotating on a turntable.

While Thomas's vibrant works captivate mainstream audiences, their formal innovations and engagement with art history offer additional treats for trained aesthetic eyes and painting buffs.

Mobile and experimental, this online gallery allows for direct, personal encounters with art while connecting artists and audiences across the globe.

It has become a major annual fixture that every year swells the audience for modern art while simultaneously providing ammunition for sceptics to fulminate about its waste and absurdity.

(For Fried, the audience is implicated in theatre, while pure art rises above the audience to assert its own hermetic integrity.)

With the intention to help bridge the arts and sciences for Library patrons, such exhibitions will serve to introduce new audiences to local artists while providing a beautiful and thought provoking space for study and discovery.

IPCNY nurtures the growth of new audiences for the visual arts while serving the print community through exhibitions, publications, and educational programs.

A wide variety of on - and o - site programs brings art alive for audiences of all ages — from toddlers to seniors — while serving as a bridge between artists of African descent and a broad and diverse public.

While the Association of Art Museum Directors has denounced the Smithsonian's decision as «extremely regrettable,» members of the audience criticized another group, the American Association of Museums (and its leader, Ford Bell), for taking a weak stand on the subject.