Sentences with phrase «audiences for written works»

Not exact matches

That doesn't always mean writing a large check, but it does require thinking through what the ideal outcome should be, the type of work involved and identifying the right audience for the artists who have a vested interest in making the project happen.

Figure out what technique works best for you, whether it's interviewing colleagues, writing about current events, emulating the top thought leaders in your field, or surveying your own audience to find out what they want to read.

Professional writers might not be able to get away with this one with all editors and for all audiences (and anyway, it's their job to find ways around the trouble), but for your average email or work memo, go ahead and write «Tell your friend they can call me,» when you don't know the gender of the friend.

Diane Ring and I were invited to write a guest post for the On Labor blog, to explain the potential effects of tax reform on work arrangements for a labor law audience.

I firmly believe that if I or anyone actually sits down and says, «What I am going to do now is write an utterly cynical exercise that I know is going to work for an audience,» failure will inevitably be the result.

In her opinion, the most important skills needed for this type of work are patience and diplomacy, the ability to communicate science to a diverse audience, the skill to write in a concise and refined manner without jargon, and the discipline to conduct thorough research.

I - RITE asks the participants to write for a lay audience between the ages of 16 and 18 because this forces them to explain or get rid of technical jargon and to think creatively about how to simplify complex work.

Writing for a popular audience, Kirshner presents a lively, personal, and often humorous account of the work that led him and his colleagues to conclude that under the influence of dark energy the universe is expanding at an accelerating rate.

At Berkeley he explored his interests in teaching and communicating science to a broad audience through his work with the Berkeley Compass Project and writing and editing for The Berkeley Science Review.

- Experience in research, scientific reports, publications; - Good verbal and written communication skills in English, to contribute to reports and peer - reviewed scientific publications, deliver presentations, and translate scientific concepts for diverse audiences; - Strong interpersonal skills to build and maintain strong relationships with academic, NGO and government partners and to work effectively as part of a highly collaborative research team; - Willingness to travel internationally, proved with international mobility and / or secondments or similar

There are outlets like The Conversation that may invite you to write editorial and news content, high - gloss multimedia content services and creative professionals for hire, and a range of magazines and other online venues that promise to translate your work for broader audiences.

Perhaps not since Dr. Ruth commandeered American airwaves in the 1980s has there been a public figure with so much of an audience for her work on human sexuality... Instead of offering more explicitness, she writes and talks about the aspects of sexuality that can't be captured on a screen, the hidden, psychological states that do or do not set the mechanics in motion.»

Some things that probably factor into the industry's disagreement: Peter Jackson adapted books fifty years old and respected as great literature, the Potter books were being written alongside the first movies; Lord of the Rings centered on adult characters and played to a wider audience with PG - 13 ratings, the first Potter movies were PG, skewed younger, and starred kids (though anyone can see the films matured and so did the fans, many already wrote the series off); finally, where Jackson provided one distinct vision and a cast of respected performers, Potter had a rotating director roster (all of them secondary to Rowling) and limited opportunities for its accomplished actors, giving the brunt of the work to the three kids and spectacle.

That's the only way reviews have ever worked for a mainstream audience, be it as part of the captive audience for weekly reviews as part of a newscast, as a column in a popular magazine or newspaper, on its own as in shows like Siskel & Ebert At The Movies, or even in print — Leonard Maltin, another beloved film critic and film historian, established his name writing a book of capsule reviews.

As Michael Atkinson has written for Criterion, «Without its iconic precedent, there would have been no Humphrey Bogart, no John Garfield, no Robert Mitchum, no Randolph Scott, no Jean - Paul Belmondo (or Breathless or Pierrot le fou), no Jean - Pierre Melville or Alain Delon, no Steve McQueen...» Soon after Pépé, Renoir's antiwar masterpiece Grand Illusion hit, and it was an even bigger smash, cementing Gabin's superstar status; in this and all of his most successful roles (La bête humaine, Le jour se lève), Gabin played some form of working - class social outcast, and he always provided audiences with a strong point of identification.

David Bordwell contends that Tarantino deliberately signals his sources to his audience, «in order to tease pop connoisseurs into a new level of engagement,» while Aaron C. Anderson writes that by using framing markers and calculatingly phony distancing devices (like, for example, the black - and - white process shots in Pulp Fiction), «Tarantino draws attention to his film's status as a film, as a constructed work of fiction, and as a «simulation.

«It is asking a lot of people to watch a story in which we root for a racist and abusive police officer in the name of his own redemption, but it is asking even more of the audience if Dixon himself does no actual work in the name of earning that redemption,» Hanif Abdurraqib wrote at Pacific Standard.

We are a keen to develop a film version next as there's so much in the writing and concept that can work for a modern audience.

Seeing their work published for a worldwide audience is a powerful incentive for students to write.

I sat in the audience of a fifty - two - year - old woman who had worked with a voice coach for two years to become a more fluent and compelling public speaker, watched the dress rehearsal of a play written by a sixty - three - year - old new playwright, and enjoyed the debut performance of a fifty - eight - year - old former schoolteacher at the conclusion of his first year of studying acting.

In curriculum discussions, the term Friday Night Lights has become a metaphor for events through which students make their work public — publishing writing and other products for an authentic audience to view.

Authentic assessments are opportunities for students to write for real audiences, share knowledge with a wide audience, and engage in the kind of work that occurs outside the classroom.

The rest of the time is for the audience to browse the different outcomes of the inquiry: properly cited research, an English text of each student's choice — an explanatory or informational text, a short story, or a collection of poems, for example — an infographic of mathematical data and statistics, written work in the students» native languages, a related art piece, and more.

According to teachers, students» exposure to a broader audience for their work and more feedback from peers encourages greater student investment in what they write and in the writing process as a whole.

Project - based instruction is also well - suited to literacy learning, in which research shows that students develop comprehension more quickly and write more effectively when they have real - world purposes and audiences for their work.

Brill gets very worked up about the fact that Diane Ravitch, a distinguished historian of education who wrote a book renouncing her previous embrace of charters and merit pay, may have subsequently received payment for speaking to teachers» union audiences.

Writing for a broad audience about topics of relevance to our work and of importance to the entire education community.

LP: I hold works in translation to the same standards as I do my other books: I look at the quality of the writing, the story, the new perspective, and the potential audience for it.

In the same way you have written your story for a specific audience, create your cover so that your target audience will immediately identify with the work.

The texts, created by writing school students, were displayed on the screen for the audience to read along as the editors worked their way through the copy, exposing their candid editorial responses and rationales for what they recommended doing to the content.

It's both inspirational and depressing to watch someone else sell more books than you are (I'm often in that position, with the crazy successful indie authors I hang out with)-- but that the most important thing is to keep writing, keep improving, keep putting out your best work, and keep finding ways for your audience to find you.

For Tracy, those benefits include the exposure of her writing and characters to a new audience, increased sales of her existing work and the ability to meet new authors who also write in the worlds.

Some reviewers feel that it is overly long and repetitious and a tad didactic, but that is perhaps to lose sight of the fact that it wasn't written in a Western language or, in the first instance, for a Western audience, but for a Kenyan audience still familiar with the oral tradition - in Kenya his works are often read aloud over a period of (many!)

When read from an English / Western perspective there is some justification for this viewpoint, but it should be remembered that the book was not written in a Western language or, in the first instance, for a Western audience, but for a Kenyan audience still familiar with the oral tradition - in Kenya, Wa Thiong «o's works are often read aloud over a period of (many) days.

Sometimes we need to find the right audience for our work - like a writing club that focuses on the genre we're writing in.

As more and more writers turn to the freedom of digital publishing to put their works in front of reading audiences, more authors may be lured into realizing their goals of writing a book, which is precisely where NaNoWriMo fits in for many debut authors.

«Unless you can write and constantly update — and by update I mean in some cases as much as three times a week, between 600 and 800 words — a blog that is specific to your writing and to your audience, you might not be ready for the work of being an author.

I like the idea of using the subscription model for older works, short stories / novellas and promotional bits — same as a lot of indie writers current write an introductory novella to a series they're working on and offer it on the Kindle Store for free or 99 cents to draw in an audience to their universe.

For example, a children's book written to help kids manage anger would have a primary audience of children, and a secondary audience of parents, educators, therapists, or others working with children.

One of the aspects of the series that makes it unique is that the books are written by various middle grade and young adult authors, writers whose works are already popular bestseller titles for their audience.

I founded Book Country to empower this movement of community collaboration, to give writers better tools for finding the most appropriate colleagues, bettering their work by engaging with each other, and beginning to build the natural audience for their work while they were still in the writing process.

The work should be accessible to a general reading audience (i.e., not written for a specialized or academic audience).

-- write well — keep writing — if you are convinced its ready for an audience, try it - if it fails, fix stuff and try again - overnight success always only comes after spending hundred of nights pouring over the work.

All Acting Vs. Writing Advertising Apps For Writers Art Author Collectives Banning Books Blogging Blog Tours Book Cover Design Book Marketing Booksellers Branding Character Development Character - Driven Fiction Christian Erotica Clichés In Writing Co-Authoring Construction Coping With Anxiety Coping With Rejection Letters Copyright Copyright Infringement Copywriting Creating A Business Plan Dealing With Fear Defining Success Depression Developing Setting Drug & / or Alcohol Abuse Editing Vs. Writing Editors Education Entrepreneurial Skills Ethical Issues In Fiction Evoking Emotion Expat Writers Fame Fantasy Finding Inspiration Finding Your Voice Follow Your Dreams For Aspiring Writers For Indie Authors Gender Issues Genre Getting Published Ghostwriting Grief Handling Critique Historical Fiction Horror Stories In Publishing Interdisciplinary Art Karma Lit Killing Off Characters Learning From Mistakes LGBT LGBT Literature Literary Adaptations Literary Journals Lyrics Mailing Lists Marketing Memoir Metaphysical Lit Multicultural Fiction Music Music Vs. Writing Nonfiction Nonfiction To Fiction Nurturing Creativity Packaging Advice Perfectionism Photography Playwriting Plotting Poetry Political Art Pornography Protagonist Development Public Speaking Publishing Religion Research Romance Novels Self - doubt Selfpublishing Setting Goals Social Effects Of Fiction Social Media Social Networking Spiritual Lit Staying Motivated Stereotypes Success Taking Care Of Yourself Taking Risks Target Audience Thrillers Time Management Time Travel Traditional Publishing Trilogy Trust Your Instincts Truth In Fiction Twitter For Writers Typesetting Websites Work / Life Balance Writer Quirks Writer's Block Writers» Conference Writer's Life Writing Advice Writing A Series Writing As Therapy Writing Book Reviews Writing Craft Writing Dialects Writing Erotica Writing For A Living Writing For Children Writing (General) Writing Groups Writing In A Foreign Language Writing Playlists Writing Sequels Writing Vs. Medicine Writing Workshops Writing Yourself Into Your Characters Youth Arts Youth Education

None of us know the future, and it's good to have several things working — hybrid publishing options, multiple channels of distribution, several series, perhaps even writing (in time) for several audiences in different genres.

Unless writing specifically for a genre - loving audience, one should always aim to make their work multi-dimensional, complex and thought - provoking.

posted at Writer Avoiding Writing, saying, «Marketing your book using an age - range for your audience is difficult enough when you consider the shifting definitions of say, Young Adult work, but now New Adult is on the scene, what does this mean for indie authors and readers?

Sarah's novel is in the genre of Fantasy and is teen fiction, whereas my work is written for an adult audience and is in the genre of Paranormal Fiction or Religious Fantasy.

It precedes the research work for dissertation writing2) Thesis statement or the main sentence of essay introducing the reader to the topic of your writingThis article explores the second type of thesis essay — thesis statement.Thesis essays give the audience the central idea of your writing.

Thus, it would be useful for a wide audience to find out more about the work of firms, which offer writing services.