The adventures of reluctant heroine Tris Prior (Shailene Woodley) continue in The Divergent Series: Insurgent, a film that seems to rehash a lot of the plot points from the prior film, Divergent, but with daunting task of keeping
audiences interested enough to get to next year's (and the year after that's) grand finale Allegiant: Part 1 and 2.
Despite coming across as a glorified extra for the first half of the movie, Smith trusts her with a pretty good character and when the film begins to dip, Bishe keeps
the audiences interested enough to stick around.
He's ruthless, but has a sense of style about him that can keep the males in
the audience interested enough, and thankfully, gets a fair amount of screen time.
Not exact matches
If your offer isn't valuable
enough to your target
audience, it doesn't matter how much you promote it online and offline — no one will be
interested enough to take action.
Things as bizarre as «BoJack» or melancholy as «Derek» would never sustain a broad
enough audience for network TV, but they work online where all
interested viewers can find the content on their own time.
He frequently tells his growing
audience that he is rich
enough not to need money from
interest groups and can think for himself and to that end he's correct.
According to tweets from those in the
audience, Dimon said that ensuring economic strength is more important than changing
interest rates, although he added that the U.S. economy currently is sturdy
enough to survive a rate hike.
If your video is original, true to your brand, and instantly appealing
enough to capture your
audience's
interest, you could quickly start dominating the competition.
NBC has
enough & more things, more
interesting to probably 99 % of the
audience, than point out the < 1 % of gay athletes.
Critic Consensus: Mandy Lane has
enough wit and craft to spark the horror fan's
interest, but is not sufficiently original for mainstream
audiences.
Table 19 seems standard
enough to introduce us to a group of people who could keep us entertained over 90 minutes, but instead we get a grab - bag group of people who don't really develop any real
interest for the
audience to want to root for.
I felt Wheatley seemed a bit trapped as to how to keep the movie going long
enough to keep the
audience's
interest.
With a host of big Oscar nominations including best picture, best director / best screenplay (Greta Gerwig), as well as best actress (Saoirse Ronan) and best supporting actress (Laurie Metcalf), the buzz should be
enough to
interest most
audiences.
Indeed, as an action - adventure film it does offer
enough thrills to keep
audiences interested, and in Edward Norton it has an antagonist with the potential to become a real threat to Cross / Bourne in future films, much like Brian Cox in Supremacy.
Victor Frankenstein might not have fulfilled the promise of its subject material but it's
interesting enough to keep
audiences captivated by two young actors and a young director who offer a unique retelling of this well - known story.
The pretense of plot is distracting and insulting — let's not pretend that the
audience for Out Cold is
interested in anything but the snowboarding footage (not
enough of it, though what is there is good, I guess), the occasional low joke (stool sample in a urine cup?
As it stands, it has its moments, perhaps
enough to entertain most
audiences interested in the subject matter, but it doesn't carry the energy into making the film as a whole as truly forceful as it could have been.
But she has no
interest in tilting the delicate balance she has found as a movie star with character - actor range — high - profile
enough to carry studio films yet low - profile
enough for
audiences to believe her as everything from a magical nanny to a bloated binge drinker.
Let's hypothesize that the Super Bowl piqued
enough people's
interest that 10 percent of the total
audience were swayed by the secret release of The Cloverfield Paradox.
The young cast isn't gifted
enough to command the
audience's
interest in these unwavering eviscerations.
M. Blash (Director / Writer) doesn't give the
audience enough material to stay
interested in anything happening in the film.
Performances are bland, kills lack inspiration, there aren't even
enough of the prerequisite jump scares to keep the target PG - 13
audience interested.
His ambition has sometimes exceeded his grasp on the material, but his best films (Atonement, Hanna) and most
interesting efforts (Anna Karenina) have had more than
enough going on to project his take of cinema out to an
audience.
That can wear on the
audience a bit, but on the plus side, that structure and pacing is different
enough to keep things
interesting.
Thankfully Knight and Day gets the kernels of fluffy moviemaking just right, with
enough heat to keep things
interesting while not burning its
audience with copious amounts of sex and graphic violence.
In fact, there is an entire sequence about trying to look after a new baby for the first time, which is surely aimed solely at the parents in the
audience that have survived this; and the action of the entire film has
enough energy and visual
interest throughout to keep all ages engaged.
While the subject matter is
interesting, it is probably not
enough to bring the film a huge
audience.
With a run time of roughly two and a half hours, one would think there would be
enough screen time to clarify the situation and the interrelations of everybody, especially since American
audiences are very
interested in what exactly happened and how this could have been avoided.
Putting a whole bunch of furry creatures in a castle to fight one another fails to be even
interesting, as none of those furry creatures is known well
enough by the
audience to care.
The many twists in the script by Ron Bass and William Broyles Jr. do not always make complete sense, but it delivers
enough surprises to keep the
audience on their toes and
interested.
Even with an intriguing premise,
interesting characters and a clear direction, FlashForward wasn't able to draw a big
enough audience to continue on to an obviously bigger story than 22 episodes could allow.
Zhao ended up winning the first - ever Bonnie Award at the annual film awards, and The Rider has gotten her
enough attention that her next film is likely to have a lot more
interest from both
audiences and financiers.
The story works well here and provides
enough twists and turns to keep the
audience interested.
The film bravely steps away from the traditional formula and gimmicky flashback narrative, but is it
enough to recapture
audience's
interest after such a weak second outing?
-- Demonstrate that there is a sizeable
audience for your non-fiction book and that you know
enough about your potential readers to know that this book will be of
interest.
And TRUST ME if your work is good
enough to attract publisher
interest, it's good
enough to find an
audience on its own.
However, when it comes to the process of controversial essay topics creating a lot of students face definite problems, as it is rather difficult for them to find a subject, which is going to be controversial
enough and arise
interest within the
audience.
The Note 8 does have an advantage for anyone
interested in handwriting recognition — an area where Samsung's line of Note smartphones and tablets shine — but that may not be
enough to carve out an
audience.
Is there a big
enough global
audience interested in China to sustain the South China Morning Post's ambitious new sites?
There is just not an
audience for the kind of travel writing I want to do, and not
enough travel bloggers that cater to my
interests.
But to be fair to the game, I'm not really its target
audience; I already take a walk twice a day and find the world
interesting enough without adding virtual animals to it, and I'm not exactly a social person by nature.
Meanwhile, because motion controls were ultimately unable to lay down a wide avenue for traditional games to grow in
interesting ways (Red Steel 2, Skyward Sword, and IR aiming in Wii FPS games were not
enough, unfortunately) and in a way that attracted a traditional core
audience, 3rd parties retreated back to their \» safe \» AAA investments.
LawBreakers failed to gain much of an
audience, but Radical Heights seemed to be generating more
interest, although, apparently, it wasn't
enough to save the studio.
I think the main reason that a lot of games don't get reviews or are shown little
interest is because most sits just can't be bothered because the
audience isn't large
enough.
Like, say there's an
interesting artist associated with Cal Arts, but not
enough people are sufficiently aware of him for a solo show of his work to draw a large
audience.
Realizing that the Gallery did not have
enough space to install and maintain a large number of the artist's wall drawings at any one time, Reynolds suggested to LeWitt that MASS MoCA — with its expansive historic mill complex, growing
audience, and history of realizing ambitious new works — might be
interested in accommodating an extended retrospective.
Due to the esoteric nature and hybrid aesthetics of their graffiti - based paintings, and limited by their disparate locations around the globe, they had no way to band together and find an
audience to support them because of the lack of
enough interest within local communities.
Due to the esoteric nature and hybrid aesthetics of their graffiti - based paintings, and their disparate locations around the globe, they had no way to band together or find an
audience to support them because of the lack of
enough interest in their local communities for their esoteric and singular aesthetics.
Whenever I read one of these articles, I can not help thinking that academic concepts of «communication» are forged far too much by their day - to - day experience with essentially captive
audiences of students, and not
enough from experience with customers or investors, i.e. adults with other
interests and opportunities not subject to control or grading.
(I know that some readers aren't
interested in this sort of thing and it creates an editorial unevenness here, but obviously
enough readers like it to create an
audience.)