Sentences with phrase «audiences laugh for»

Their performances have made audiences laugh for years and it's no different here.

Not exact matches

Levitt got a tremendous laugh from the audience, which, I imagine, was worth a great deal more than the extra cash he ended up paying for doling out unsolicited pricing advice.

It's my last day as your interim proprietor, so thank you for being such a terrific audience, for responding to my questions and ~ hopefully ~ laughing at my jokes!

He used to say, «if at first you don't succeed, well so much for hang gliding» (audience laughs).

The director may have intended to draw the audience into complicity with the lovers» selfishness — and in fact, I was surprised at how long it took for the audience to stop laughing at Ernest, to lose their edgy sympathy for the lovers — but the ultimate effect was simply to make the lovers» erotic demands seem further from our own.

He has some of his audience laughing over names from other areas (used in alternate gospels) that would not make sense for alternate gospels, but that is not the only challenge against the Xtian gospels, right?

In terms of style, not only had the tent and stadium disappeared from the 700 Club, but the program «s elements were almost indistinguishable from those of the «Tonight Show,» with a genial host (Robertson), a foil with whom the host can banter (Ben Kinchlow, who now has become a «co-host»), guests lounging around a coffee table, musical breaks with cut - aways to commercials (for mission projects and CBN membership) and a «studio audience» to applaud and laugh.

The spin - off is that not only do I enjoy it and feel «right» when I am working creatively, but the people who are my audience also benefit by being able to laugh for a while, or quietly enjoying a painting.

I laugh every time it comes on... especially when she dead pans the question to the audience «Is he for real?»

Even if you're not one for network sitcoms, there's a reason to root for Roseanne to break beyond the typical audiences for laugh - track shows.

Sometimes the audience smiles or laughs at points in the translation where in the original manuscript there is not the faintest cause for humor.

Guests listened while Ms. Lauren shared her pathway to foster, adoption through Five Acres programs and told anecdotal stories (that garnered lots of laughs from the audience) and offered advice for people thinking about fostering or foster adoption.

«Whoever comes out of the primary I'm voting twice for that person in November,» he said to laughs and applause from the audience.

His audience laughed with Dietl as he described himself as thinking he was indicted for something when he first saw the Daily News front page featuring his photo on Easter Sunday, but they seemed quite familiar with the episode.

After the crowd laughed for a few moments, someone in the audience shouted out a phrase, and Diaz Jr. repeated it.

Having fun when it's time to play, being serious when it's time for professional or not a laughing matter, like to walk, like to talk to a more mature audience, like playing games, don't like a dull moment, i will keep trying till there's no more trying in me, very passionate, and anything you...

I'm not sure what kind of audience would really laugh at some of the stuff they do, but I guess there's a crowd for everything.

Andy Hardy (Mickey Rooney) thinks he can pass as a westerner, which results in saddle sores for the bethumped young Hardy and (hopefully) laughs for the audience.

We in the audience hope that all's well that ends well, since if we've got any soul at all, we feel as sorry for a benighted Tommy as we laugh at him and feel guilty for doing so.

For over a decade, sold out audiences have enjoyed Rocky Horror - like participation consisting of hilarious traditions such as screen - shouting, football playing, throwing spoons at the screen, rooting on the shockingly long establishing pans of San Francisco, and generally laughing hysterically at the film's clunky pseudo-Tennessee Williams dialogue, confused performances, and bizarre plot twists, like the mother - in - law character whose breast cancer ought to play like it matters a great deal, but really comes off as a non-sequitur.

This may not be a must - buy, but it is a stylish action romp that will please a mature audience looking for laughs and an ass - kicking good time.

The audience I was in laughed throughout, not like some Hollywood so called comedies where there is nary a peep for 2 hours.

I think you make a valid point about those moments of humour, most of which did pull the audience out of the film for a self - aware laugh.

Here the exact same lines are played for genuine laughs, proving once again that the movies don't change, the audiences do.

No wonder the audience laughs derisively through scenes not meant for laughter.

Though Punchline defies the Hollywood penchant for producing either pure comedy or straight drama, its view of those with the guts to stand before an audience and dare them to laugh is oddly uplifting.

The passing of nearly thirty years has undoubtedly bid farewell to some of the film's original audience and those taking their place are just as likely to watch a dated movie like this for the unintentional laughs as for the old - fashioned action sensibilities.

And thanks to strong directing, editing and great performances from the main cast, Mom's Night Out gives audiences plenty to laugh at without having to settle for off - colored jokes and suggestive humor.

Indeed, Senna is a must - see feature for consumers of cinema, lovers of action and aficionados of ambitious entertainment, with the flawless, fascinating and thrilling feature causing audiences to laugh and cry, and be moved and amazed, regardless of their prior ambivalence for or appreciation of the man at the centre or his chosen sport.

This film causes audiences to laugh, cry and long for the blithe innocence of childhood.

What might have worked as a 10 - minute segment on Funny or Die, is instead unnecessarily given the feature film treatment, hurdling towards a limited release for audiences at theaters where beer is served so they can have an excuse to laugh.

Marguerite has been living her passion in her own bubble, and the hypocrite audience, always coming in for a good laugh, acts as if she was the diva she believes she is.

All the same, there are a couple of laughs to be had in Dunston Checks In, though its audience is extremely limited and its value is ultimately just as a way to keep your children quiet and pliant for ninety minutes.

It's one thing for a film to have corny dialogue that makes audience members involuntarily laugh but Sucker Punch somehow manages to unintentionally cause sniggers by its music cues and the way it uses costumes.

There are no laughs (unless you're giddy for automotive puns), no genuine thrills, too much going on of relative unimportance to the audience, and a plethora of guns and ammo going off willy - nilly (the MPAA, asleep at the wheel when it comes to depictions of cartoon violence, bestowed a generous G rating).

The humor for these films will always breach a certain audience, and although I wasn't laughing hysterically I found myself grinning at the bizarre moments, of which there are many.

The ability to laugh — at the jokes, at themselves — is the connector, the one that humanizes the audiences Ahmed plays for to the one that watches this film.

For all its subtlety, though, Boogaloo and Graham ultimately reminds the audience that sometimes illogical utility is just what we need to laugh at ourselves.

Movie audiences now are pumped for big thrills, big laughs, FX animation or cartoons.

Once again MacFarlane throws everything and the kitchen sink from his bag of humor in the hopes of pulling a throaty laugh from his audience and for the most part he succeeds.

Shannon is best known for eliciting laughs from audiences, not tears.

One person's trials are another's vast entertainment, and whoever put together Four Weddings And A Funeral knew that there was an audience sick of patty - cake film romances ripe for the laughing.

And then, of course, there's the film's eventual premiere, when Wiseau first endures the feeling of having audiences laugh at his work, for which he had bared his soul and burned several million dollars of a fortune whose origins are anybody's guess (although «such nosy person» Sestero's best guess in the book, involving a shady business called Street Fashions USA, isn't even mentioned in the film).

The actors aren't all well cast (I counted only about three I'd consider to be above average for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role of Dogberry - the only time the audience I viewed the film with laughed at anything in the film that came from actual dialogue, rather than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part of Friar Francis) The rest often appear as though they're reciting lines without any sense of meaning in the words they are saying, and when one of those happens to be the male romantic lead, that's one hell of a liability.

These films have been chosen (and ranked) based on how many laughs we think they are likely to generate for the modern audience.

A day after unveiling the first trailer for the Seth Rogen - exec produced Future Man, Hulu screened the first episode for a New York Comic - Con audience, displaying the sci - fi comedy's tone - and time - shifting mix of raucous and raunchy laughs and video game violence brought to live - action.

The Riggs vs King tennis showdown played for a global TV audience in 1973; here it's mined for both laughs and drama by directors Jonathan Dayton and Valerie Faris.

It resembles Jurassic Park III in its general disdain for its audience and fatigue with its own shake - and - bake premise, but it does have a couple of laughs — the best bits involving a surreal dance - off and a ridiculously convoluted sequence with a pair of role - playing strippers.

I feel bad for the actors that no one in the audience laughs.

While Zack and Miri definitely gives viewers not averse to perpetual sexual references and scatological humor its share of solid belly laughs, there is a feeling of Kevin Smith finally beginning to appear a little long in the tooth in terms of his ability to connect with the modern day audience for R - rated romantic comedies.