Sentences with phrase «audiences laugh so»

From physical comedy (along side Will Ferrell) as the Cheerleader, Arianna, to impressions of Barbara Walters and Judge Judy, to wacky characters like Rita Del Vecchio, Nadeen or prescription drug junkie Collette Reardon, Cheri made audiences laugh so hard they often needed time to «Simma Down.»

Not exact matches

It's my last day as your interim proprietor, so thank you for being such a terrific audience, for responding to my questions and ~ hopefully ~ laughing at my jokes!

«We want to build more technology so that it gets the best of humanity and not the worst,» Nadella said as the audience of coders laughed.

Luckily, a lot of you are so obscure you're not that busy (audience laughs).

He used to say, «if at first you don't succeed, well so much for hang gliding» (audience laughs).

That's why the audience is laughing so hard.

We in the audience hope that all's well that ends well, since if we've got any soul at all, we feel as sorry for a benighted Tommy as we laugh at him and feel guilty for doing so.

The audience I was in laughed throughout, not like some Hollywood so called comedies where there is nary a peep for 2 hours.

And to add injury to insult, the audience at the screening I attended were laughing through the majority of the film — and rightfully so.

Even as characters are tweaked and actors bring a slightly different energy than his other movies, The Best of Me is still the same mushy Nicholas Sparks adaptation with drama so overwrought audience members can't help but laugh — at least until they're sniffling during the closing credits.

So when that assistant girl got whipped with the piano string thingy... (which I might also add caused a tremendous laugh from the audience... shouldn't we have felt sympathy?

Sausage Party is filled with so many WTF moments and jokes that the movie had my audience laughing and gasping from beginning to end.

What might have worked as a 10 - minute segment on Funny or Die, is instead unnecessarily given the feature film treatment, hurdling towards a limited release for audiences at theaters where beer is served so they can have an excuse to laugh.

It's as if Daley and Goldstein don't quite know what to do at times, so they relied on cheap laughs in an attempt to keep the audience engaged.

I had a great time and I think so did the audience because everyone was laughing from beginning to end.

Laughs are earned throughout this heart - warming story that never speaks down to its audience and never engages in the potty humor that so often undercuts these family - friendly films.

The Room costar and friend Greg Sestero plays the role of Batman, while Wiseau's Joker laughs maniacally and asks the audience, «Why so serious?»

Bad Moms is one of the more pushy raunchy comedies you'll likely come across, a film so reliant on using vulgarity as a crutch it has characters drop F - bombs at their children's schools and during PTA meetings because without them, the makers of this film feel like they won't get a laugh from audiences prone to guffaw just because they heard harsh language.

Equal parts black comedy and a study of mental illness, the film often strikes the perfect balance, so that we, the audience, find ourselves laughing uncomfortably.

In scenes such as this, the story doesn't shy away from graphic displays of blood so audiences should be prepared to flinch for a few seconds before they laugh at the pure insanity of it all.

MacFarlane has a very specific sense of humor, and the ridiculous, pop culture references and violent lunacy that make up 13 seasons — and two features so far — can only pull laughs from the audience for so long.

Around two - thirds of the way through the previously tight script becomes woolly, and not very funny, where previously it was consistently amusing â $ «my fellow audience seemed to think so too, with few laughs from that point.

Maybe it's because I found myself being so amused at how effectively this laugh - cue extravaganza appeared to work on my fellow audience members.

Now while the audience and myself laughed at multiple jokes and gags throughout the movie, it still felt like it was trying so very hard to do so.

So the audience is laughing but also their big note was, «unexpected».

The theatre audience was laughing so much that at times we couldn't hear some of the dialogue which came at you at lightning speed.

[laughs] It was the largest audience I'd ever seen it with, so it was terrifying but also incredibly gratifying.

It's a gambit that can pay off if the audience is laughing so hard that they lose track of time, but it's a tall order to deliver non-stop hilarity for two hours.

So is that then also being emotionally manipulative, isn't any film trying to elicit any strong reaction out of an audience — whether it be scares, laughs, or tears — technically guilty of manipulation?

But that's nothing compared to the sustained tone - deaf fiasco that is Penn's latest feature, The Last Face — a movie so monumentally miscalculated, right from its opening explanatory text, that the audience at Cannes, where it (inexplicably) premiered in Competition last year, started laughing at it within the first 30 seconds.

Some of the action is so over-the-top it draws the desired laughs from the audience, but be prepared for lots of gun play and plenty of Chevy commercial time.

The TV show's usual density of gags was reduced for theatrical audiences, so that a larger number of people laughing wouldn't cause too much dialogue to be missed.

Metcalf laughs at her own present - so does her family... and so does the audience.

The writing is so woefully awful that it resorts to cheap tricks to coax the audience into laughing during otherwise unfunny scenes.

The best I managed were a couple of smirks, mostly based on situational comedy rather than actual attempts at jokes - but the young couple of 16/17 were laughing their asses off at every fart joke - line, so I guess we know which audience is really captured by the film.

«The Weather Man» will struggle to find an audience, with so many of us seeking easier laughs or more sympathetic tragedy after a long week at work.

There are laugh - worthy moments and the directors wholly embrace the fart jokes, poop gags, and flailing erections — perhaps so much so that it caused some Sundance audience members to walk out on the film.

And like that previous film, it gives the audience what it wants to see: an irresistible confection that serves up the laughs and a sweet, involving romance, with the proven Roberts - Gere electricity as the not - so - secret ingredient that gives the film its special kick.

There are times when I laughed at a random line here or there so it's not one of the year's worst, but audiences deserve better than a movie that simply replicates clichés from other movies, ties them in a neat package with a few solid actors and then says it's something new.

Red is the kind of lazily written, thankless curmudgeon role that uses the trials of advanced age for cheap laughs rather than harnessing a veteran actor's talent to engage our empathy; in this sense, Red's characterization as a belligerent, prostitute - loving coot is rendered so outlandish that the audience has no choice but to laugh at him.

See this film in theaters with an audience so you can savor every scream and laugh together.

But however different their specific sensibilities are, the Farrellys and Berg share the same go - for - broke attitude when it comes to generating laughs, going so far as to seem to dare the audience not to laugh.

True to the spirit of Man Up's main character Nancy, writer Tess Morris was unabashedly honest about how she felt about the premiere, laughing and saying, «First time I'm going to see it with a paying audience — so I'm really excited and also I feel sick!»

Powerful as it is, the film is also so filled with laughs that at times I couldn't hear the punch - line follow - up for the raucous sounds of the audience enjoying itself.

The off - putting air of self - satisfaction is compounded by his recurring comments about how certain scenes received so many laughs from audiences at both test screenings and regular engagements.

May you be so fortunate as to see it with an audience that has not mistaken it for a raucous comedy of errors (I mean, who laughs at torture scenes, really?).

The laughs are tough to get on the very large thrust stage at the Mitzi Newhouse at Lincoln Center, particularly with a playing area that reaches so far back from the audience, and the play will likely get even more laughs if and when it is done in a more intimate space.

I found myself laughing out loud at much of this and so did the audience I saw it with — although a lot of the rat - a-tat tat delivery from star Ryan Reynolds necessarily sails over your head on first viewing.

Punch lines come so fast they're hard to catch when the audience is still recovering from the last laugh.

It, like, doesn't matter,» said Ellison, lapsing from mock sincerity to valley girl so quickly it won a big laugh from the audience.