Sentences with phrase «audiences laugh with»

Rewind nearly two decades to writers Abby Kohn and Marc Silverstein making audiences laugh with their transformative 1999 comedy

For better or for worse, SNL has consistently tried to make audiences laugh with movie versions of their favorite sketches.

These new comedic species are not only making their audiences laugh with smart...

His audience laughed with Dietl as he described himself as thinking he was indicted for something when he first saw the Daily News front page featuring his photo on Easter Sunday, but they seemed quite familiar with the episode.

Einstein laughed out loud, and the audience laughed with him.

Not exact matches

Your audience will naturally generate buzz if you give them a reason to talk about you, offer them a good laugh with a fun video, or touch their hearts through a program that gives back.

While telling a joke or two to warm up an audience can be effective, avoid ending a presentation with a laugh.

The director may have intended to draw the audience into complicity with the lovers» selfishness — and in fact, I was surprised at how long it took for the audience to stop laughing at Ernest, to lose their edgy sympathy for the lovers — but the ultimate effect was simply to make the lovers» erotic demands seem further from our own.

In terms of style, not only had the tent and stadium disappeared from the 700 Club, but the program «s elements were almost indistinguishable from those of the «Tonight Show,» with a genial host (Robertson), a foil with whom the host can banter (Ben Kinchlow, who now has become a «co-host»), guests lounging around a coffee table, musical breaks with cut - aways to commercials (for mission projects and CBN membership) and a «studio audience» to applaud and laugh.

«When I do public readings we usually try to get a laugh from the audience early on because it lightens up the atmosphere, and that passage always gets them roaring with laughter.

Interesting to note that the audience laughed at his reference to males with a limp wrist, but when he talked about daughters not being butch and needing to dress up and be pretty, no one laughed.

and Michael replies with the expected, «Something came up» (uttered beforehand by his own father, George Sr.), the audience is already laughing.

Armed with a mixture of new ideas and old manifestos from places such as Cambridge and Leicester, Thomas reveals quite what makes jim and his audience laugh.

That reference to his texts with Ed Miliband raises a laugh from the audience.

The audience clearly enjoyed laughing at the Iron Lady's expense, especially a wonderful scene in which she has an illuminating conversation with Winston Churchill.

But these comedians managed to mix urgent political messages of the liberal left with crafty, irreverent punch - lines that had their audience laughing, often guiltily, at their riffs on the welfare state, immigration and Communist granola.

Coleman kept his seat on the council as an independent after the incident and was tonight referred to as «the candidate with no description» to laughs from the audience at the Barnet count.

It was then that Mr. Decker woke up the audience by suddenly stepping out from behind the podium and throwing his prepared speech into the air with a hearty laugh.

The audience laughed at that — and also as he recounted his mother's deadpan response when he asked her how she wound up with six children, all but two of whom have different fathers: «It was the 1960s and people were having a lot of sex.»

Was laughing with audience in the break about what @charliepick signed at the end of every show!

Things weren't going well (the audience was distracted by a waiter singing Happy Birthday, and part of the stage collapsed), and the spectators began laughing, upsetting Prince Charming - and he threatened them with his twisted sword: «Someday, you'll be sorry.»

I've seen gross and dumb comedies that were well written and made me laugh, but somehow You Don't Mess with the Zohan shouldn't «Mess with the Audience» on this horrible movie.

By the time Spader showed up with wild facial hair (which the movie is full of) and a swaggering paunch, the audience I was in was laughing with every new arrival.

Following an unlikely appearance as a football player in The Replacements (2000) and a turn as the son of Old Scratch in Little Nicky (2000), Ifans» role as a socially challenged forest dweller turned opera - loving socialite in the eccentric Human Nature provided audiences with abundant laughs and a further glimpse into the quirkiness of a truly unique actor.Of course the ever - eccentric Ifans was only warming up, and after supporting roles in such efforts as The 51st State, The Shipping News and Once Upon a Time in the Midlands Ifans once again took the lead in the 2003 comedy Donnie Deckchair.

HollyHood Comedy TV is the go to destination to laugh your head off with established commedians as well as up and coming talented comedians and entertainers looking to reach a greater audience.

An ambitious revue film with a two - pronged mission: making Western audiences laugh and exploring why Mideast audiences might not.

Even as characters are tweaked and actors bring a slightly different energy than his other movies, The Best of Me is still the same mushy Nicholas Sparks adaptation with drama so overwrought audience members can't help but laugh — at least until they're sniffling during the closing credits.

So when that assistant girl got whipped with the piano string thingy... (which I might also add caused a tremendous laugh from the audience... shouldn't we have felt sympathy?

The Nutty Professor is just plain dumb fun, with not much more of a purpose than to get a rise out of the audience and make them laugh.

His eccentric character got a few laughs and a few tears from the audience and when an actor can accomplish both, he, along with the filmmakers, have done something right.

Though Punchline defies the Hollywood penchant for producing either pure comedy or straight drama, its view of those with the guts to stand before an audience and dare them to laugh is oddly uplifting.

The preview audience I saw the film with spent a lot more time laughing than shrieking.

Sausage Party is filled with so many WTF moments and jokes that the movie had my audience laughing and gasping from beginning to end.

Indeed, Senna is a must - see feature for consumers of cinema, lovers of action and aficionados of ambitious entertainment, with the flawless, fascinating and thrilling feature causing audiences to laugh and cry, and be moved and amazed, regardless of their prior ambivalence for or appreciation of the man at the centre or his chosen sport.

At it's very best — «To Rome With Love «is laugh out loud funny — such as Ginacarlo on stage, in a shower, and singing to a refined opera audience.

As the credits rolled, the audience left the theater with stomach pains from laughing too hard, and everyone seemed to love it, like myself.

In the same category is David Wain «s «Wanderlust» and Nicholas Stoller «s «The Five - Year Engagement,» which both inexplicably failed to connect with audiences, but nevertheless managed to contain more laughs than your average smash - hit comedy.

«Breaking In» far too quickly devolves into unintentional laughs provided by the henchmen, complete with long stretches of near silence, affording the smart alecks in the audience the chance to half - shout, «She's gonna ELECTROCUTE him,» or «There's ONE IN THE CHAMBER» and «Shoot SHOOT» at the screen.

The Nice Guys is a decent popcorn flick, with enough action, laughs and mystery to sustain its audience.

The actors aren't all well cast (I counted only about three I'd consider to be above average for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role of Dogberry - the only time the audience I viewed the film with laughed at anything in the film that came from actual dialogue, rather than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part of Friar Francis) The rest often appear as though they're reciting lines without any sense of meaning in the words they are saying, and when one of those happens to be the male romantic lead, that's one hell of a liability.

Much like Horrible Bosses, Game Night will give audiences an entertaining time at the theater with plenty of laughs and hi - jinx, even when the plot rattles out of control.

The episodes were mostly taped with a studio audience and the laughing is balanced well with the snappy jokes and sharp dialogue.

It resembles Jurassic Park III in its general disdain for its audience and fatigue with its own shake - and - bake premise, but it does have a couple of laughs — the best bits involving a surreal dance - off and a ridiculously convoluted sequence with a pair of role - playing strippers.

While Zack and Miri definitely gives viewers not averse to perpetual sexual references and scatological humor its share of solid belly laughs, there is a feeling of Kevin Smith finally beginning to appear a little long in the tooth in terms of his ability to connect with the modern day audience for R - rated romantic comedies.

The sequel is equally as filled with that unique mix of culture and shtick, but it's still enough to wring more than a few laughs (and tears) from today's jaded audiences (there was even applause at the screening I attended).

While an older audience may not be quite as amused with some of it, I can guarantee my kids will have plenty of laughs playing.

Audiences who are eager for laughs may rate this «good enough,» which is exactly the problem with movie comedies right now.

The movie is such a massive decline that it must be some kind of joke on the part of any combination of director Paul Weitz (perhaps a subversive plan to kill a franchise he was not a fan of with his first (and let us hope only) entry), writers John Hamburg and Larry Stuckey (the former, maybe, enjoying steady work with the series after the success of the first movie; the latter possibly assuming he could coast on the coattails of his partner), and / or the cast (if we go with the hypothetical assault on the audience's sense of dignity, no doubt laughing themselves silly at the sight of the paycheck).

When it falls into conventional storytelling it is a sloppy, middling action film with lazy focus, bland characters, misses all its comic beats to the point the audience was laughing more at the fart jokes, which weren't even well timed either.

The real laugh is that the film's ostensible moral is to act your age while virtually every joke is stolen from a genre intended for stars and audiences ten - plus years younger than anyone involved, meaning all the sexual insecurity and juvenilia is infected with considerably more than the usual touch of the pathetic.