Sentences with phrase «audio books right»

OverDrive lets you checkout library books and audio books right onto your computer or other electronic device.
I don't use audio books right now, but when I used to have a longer commute in my car — I would just check out audio books (via CDs) from the library.
This allows you to listen to music or audio books right on the device.
I've downloaded this library audio book right onto my Kindle Fire!

Not exact matches

No wonder Italian rights were sold even before the book was published, and Turkish and audio rights were sold shortly after publication.
Right now, Audible.com is offering a free audio book and a one - month trial membership to the Scientific American audience.
The quality of UP books is clearly demonstrated by coverage from major broadcast and print media coast to coast; numerous literary award nominations; solid book reviews from professional journals and leading book industry publications; and growing revenues from translations, audio and reprint rights worldwide.
Trident Media Group is a full - service literary agency for authors, handling accounting, legal review, management, foreign rights (books in translation), book - to - film / TV, audio books, etc..
And so I would then buy that from you and you would retain all of the other rights, audio rights to your book.
Traditional publishers can assist with licensing deals, film rights, merchandising (toys and lunchboxes), foreign translations, large print versions, audio books, and more.
Right now, audio books exceed one BILLION in sales..
Now they're sitting on more money than you'll ever see from your padded cell, complete with overseas rights, reprints, movie options, audio book options, 70 % of their royalties (compared to the traditional 16 - 25 %), the whole package.
The CEO of Westland, Gautam Padmanabhan, said, «We made the deal based on Amish's sales record... It's a pre-emptive bid of Rs 5 crore for the book, audio, and e-publishing rights to his next series for the south - Asian region.
Just like print books, the books are licensed to only be shared with one patron at a time — I'm on waiting lists right now for audio books I want to borrow.
The 44th edition of London Book Fair — the global marketplace rights for negotiation and the sale and distribution of content across print, audio, TV, film and digital channels, is, believe me, huge.
• Subrights — TV and film rights, foreign rights, reprint rights, audio rights, serialization rights, book club sales, online electronic rights.
If you or your company owns over 100 previously produced unabridged audiobooks, or controls the audio rights to more than 100 books, contact us immediately.
Subsidiary rights secured by publisher: first serial (90 % author / 10 % publisher); second serial (50 % / 50 %), book club (50 % / 50 %), permissions (50 % / 50 %), other book publication (50 % / 50 %), British (80 % / 20 %), translation (75 % / 25 %), electronic (50 % / 50 %), audio (50 % / 50 %), paper products (50 % / 50 %)
But we know what audio rights basically are: The right to read a book aloud, record it, and distribute that recording.
Just specifically relating to library lending — under PLR (Public Lending Right) in the UK & Ireland (run by the British Library) authors (and collaborators e.g. narrators for audio etc.) are paid for * every * loan of their books (including electronic and audio).
DAW also gets certain other rights that they can sublicense, including things like putting them out in audio, selling them to a book club (in English), or licensing the UK edition to a UK publisher.
The second question, which is related, is are these talking book rights separate from audio rights or even possibly are they even a third kind of right separate from both text rights and audio rights?
The same form handles all our opt ins — do I want BVC to handle audio rights for the book, foreign rights, sending our Advance Reader Copies to reviewers?
Five years later: we've published well over 200 ebooks, we've incorporated, we've doubled our membership, our ebooks are in libraries worldwide, sold by nearly one hundred retailers worldwide, and we've just sold the audio rights to over one hundred of our books.
I know I've had no luck getting audio rights for my trad pubbed books.
Contact literary agent Mark Gottlieb of Trident Media Group, New York, who represents book / TV / Film / Foreign Rights / audio rightRights / audio rightsrights, at:
When it comes to the recording of the audio versions of my own books, I have had the good fortune to have publishers who seem to take infinite pains to get just the right reader for the task.
The London Book Fair continues to be the global market place and leading business -2-business exhibition for rights negotiation and the sales and distribution of content across print, audio, TV, film and digital channels.
The current editions will remain available until that time, and since I'm retaining audio rights, there will be no change in the Steve Carlson - narrated version of the book.
We sold the audio rights, international rights and book club rights.
Is there a better way to buy the audio rights to a book currently in print?
My «day» job is publisher - I deal with contracts and rights, vendors, sub rights deals (translation, audio, etc), plan ebook sales and promotions, plan our print books, supervise the cover art department and our ebook production department, provide guidance to the editorial department...
If the copyright is still valid on the book, you must do research to determine who holds the audio rights.
I'm not the first narrator to acquire audio rights and publish an audiobook of a current book.
I have kept my audio rights for all my books.
If you know the author, you can ask her whether she still has the audio rights to a book.
Authors could make more money by exercising as many subsidiary rights as possible for each book, especially the audio rights.
This can be bestseller lists or «notable book» lists, literary awards, featured or guest of honor speaking engagements, new book contracts, foreign / audio / movie rights sales, career reinvention, anthology invitations / appearances, offices in other literary organizations, or other milestones of significance.
The book has been so successful that Amazon's imprint Thomas and Mercer signed a deal for the worldwide paperback, digital, and audio rights.
If the book is still copyrighted, the RH could retain the audio rights and hire you as an independent contractor to produce the audiobook.
His new venture, Tim Ferriss Publishing, Tim is looking to acquire the audio rights to existing books, produce new audio versions.
After seeing the manuscript, he quickly snapped up the audio rights in a move that paid off handsomely when the book was awarded the 2008 Newbery Medal.
As Rowling was savvy enough to retain the digital rights to all of the books in the series, and since she will be making the digital editions and audio downloads available through the Pottermore website, it seems kind of odd that her print publishers would feel any claim to the sales of the ebooks is warranted.
If I remember right, amazon partner for audio books has an option wherein an author can get into an agreement where no initial upfront cost is involved, but there will only be royalty sharing.
Tim Ferris, who has launched Tim Ferris Publishing, will be taking a stab at the audiobook market by focusing on books whose audio rights have not be realized.
I turned down a five - figure advance on a book and traded it in for a much lower one — but it was print - only and I was more than willing to take a lower advance to keep my audio and ebook rights.
The only audio rights I hold, actually, are for self - published books.
Maybe in the indie world that might not always be the readers in the U.S. market, but we also enable them to sell foreign rights, translation rights, audio rights... We also can free their time so they can sell their own books and do what's most important and that is write more books.
Foreign rights is the granting to a foreign publisher legal licensing rights to translate (or reprint in English in English - speaking countries such as Australia, New Zealand, United Kingdom, and India), publish and sell a «work» (book content) in its country in specific formats (printed book, e-book, audio, video, book club, etc.) for compensation in the form of royalties and an advance payment thereof for a specific period of time.
Laura said they currently deal with Hoopla for audiobooks, Atomic for software training, Mango for language learning, Comics Plus for comics and graphic novels, 3M Clod Library for e-books and audio books, One Click Digital also for audio books, Image Quest for rights - cleared images, AZ Databases — Search for people and companies, Heritage Quest for Genealogy, Newsbank for digital newspapers and they just subscribed to Ancestry.Com for on - site use at the library.
a b c d e f g h i j k l m n o p q r s t u v w x y z