Next, we get
the audio commentary recorded for the 2002 Special Edition DVD hosted by the late Roy Disney and featuring Leonard Maltin, historian John Canemaker, Wendy's voice Kathryn Beaumont, animators Marc Davis, Frank Thomas, Ollie Johnston, and Tinker Bell's model Margaret Kerry, among others.
The many extras begin with a big group
audio commentary recorded in 2002.
Disappointingly absent here is
an audio commentary recorded by director Bill Condon.
Disc 1's numerous extras begin with
an audio commentary recorded by Kazan biographers Richard Schickel and Jeff Young for Sony's 2001 DVD.
Last but not least comes
an audio commentary recorded in 2010 by two of the film's five young stars, Anthony Michael Hall and Judd Nelson, with extras producer Jason Hillhouse serving as host.
I've never been a big fan of
audio commentaries recorded in the «casual chat» mode, largely because the information density tends to be too low make them worth the sit.
Finally, we get not one but two
audio commentaries recorded in 2005.
Not exact matches
In addition to a trailer, we find an
audio commentary from actors Keir Dullea and Gary Lockwood, both of whom were
recorded separately.
EXTRAS: In addition to an
audio commentary by Roy E. Disney and historian John Canemaker, the Signature Collection edition includes new featurettes on the film's iconography and character design, archival
recordings of Walt Disney discussing the project, deleted scenes, an alternate sequence and much more.
And throughout the new interviews and
audio commentary that were
recorded in celebration of Daughters of the Dust's 25th anniversary, director Julie Dash asserts and reasserts her aim to «reimagine history,» broadening our conception of American slavery to accommodate images that aren't of chains, whippings, and so forth.
Last but not least is an
audio commentary on the film
recorded by director Chris McKay and various other crew members including editor David Burrows, co-producer Amber Naismith, layout artist Laurence Andrews, and lighting supervisor Craig Welsh.
It carries over the
commentary by director Michael Laughlin and co-writer Condon
recorded years ago, plus the trailer, trademark isolated score
audio track, and booklet with an essay by Julie Kirgo.
On the Blu - ray Disc stamped FEATURE FILM, additionally find a full - length
audio commentary from Johnson, who's
recorded — and likely listened to — enough of these by now that he avoids common pitfalls like narrating the action or treading overcautiously.
For starters, there are two versions of the film to choose from — the theatrical release and the «first cut» — and both have their own
audio commentaries, the latter of which was
recorded for the 10th anniversary release.
First there is
audio commentary by producer Tim Burton, director Henry Selick and composer Danny Elfman from 2008 and it was actually
recorded separately.
First up comes an
audio commentary by director Michael Mann and James Caan
recorded together in 1995 for laserdisc.
Those hoping to get a Mel Gibson
audio commentary, possibly
recorded without his knowledge, receive no such treat here.
The Blu - ray debut features the
commentary track
recorded by Carpenter for the original DVD release and the vintage promotional featurette «The Making of John Carpenter's Vampires,» plus the trademark isolated score
audio track and booklet with an essay by Julie Kirgo.
Aside from brightened - up picture and a thrilling
audio track, it includes two previously -
recorded commentary tracks, one by screenwriter Abbe Wool, actors Gary Oldman and Choe Webb, critic Greil Marcus, filmmakers Julien Temple and Lech Kowalski, and musician Eliot Kidd, and a second one by Alex Cox and actor Andrew Schofield.
There's also a really cool alternate opening that was probably cut to keep the Loom of Fate (and the bullet curving techinque) a secret, as well as a few BD - Live features that allow you to chat with friends or even
record your very own
audio commentary.
Those features, all in HD, begin with an
audio commentary by Alain Silver and James Ursini, historians who have
recorded tracks for nearly twenty noir films of the 1940s and»50s.
An
audio commentary was supposedly
recorded, and the terrific but short fly - on - the - wall documentary that appears on the current Lilo & Stitch DVD was surely trimmed down from a more significant running time.
Series 6 special features include
audio commentaries from cast / crew; five Night and the Doctor specially
recorded scenes and episode prequels; two sketches
recorded for the UK's Comic Relief charity event; Monster Files; Doctor Who Confidential and BBC1 Trails.
He is a frequent contributor to the Criterion Collection and has
recorded audio commentaries for more than two dozen movies.
Blu - ray extras include
audio commentary by Roeg (
recorded during the film's world premiere); an interview with Mayersberg; and an isolated track of Stanley Myers» excellent score.
Director Danny Boyle has
recorded an
audio commentary on his own.
On the
audio commentary track Friedkin
recorded for home video, he declares over and over again his astonishment at the idea that Killer Joe earned an NC - 17 from the MPAA ratings board.
Finally, we come to an
audio commentary on the film by Reed and Rudd
recorded in early August.
Paramount comes out with a new two - disc special edition with new
commentary by Peter Bogdanovich (which he supplements with archival
recordings from his interviews with John Ford and James Stewart), a second track with bonus
audio clips of Ford, Stewart and Lee Marvin and a new seven - part featurette «The Size of Legends, The Souls of Myth.»
«Dennis Christopher's Fellini Story» (12:53) is a clip seemingly
recorded for but not used in the
audio commentary.
There is vintage
audio commentary track featuring Gilliam, cowriter / actor Michael Palin, and actors John Cleese, David Warner, and Craig Warnock, which was first taken from the DVD release of «Time Bandits» and
recorded exclusively for Criterion in 1997.
Three production featurettes appear, while DePalma continues his long streak of refusing to
record a single
audio commentary track.
Featuring three separate
audio commentaries with director Ron Howard, co-writer Akiva Goldsman, and co-writer Cliff Hollingsworth, the single - disc release also includes a nice selection of deleted scenes, a casting featurette («The Fight Card»), and a short profile on legendary trainer and film consultant Angelo Dundee («The
Record: The History of Boxing»).
The Blu - ray's extras begin with an
audio commentary,
recorded for laserdisc in 1997, by Terry Gilliam, co - writer / actor Michael Palin, and actors John Cleese, David Warner, and Craig Warnock.
First comes an
audio commentary by screenwriter Ernest Lehman,
recorded five years before his 2005 death.
Extras begin with an
audio commentary that director John Frankenheimer
recorded in 1997 for a laserdisc release of the film.
The Blu - ray's all - recycled extras slate begins with an
audio commentary by Wes Anderson and Noah Baumbach,
recorded in Bar Pitti, a busy New York City restaurant in early 2005.
Along with a director's cut of the film (which contains 14 minutes of additional footage), the first disc also includes two
audio commentaries: a filmmaker track with director Ben Stiller, co-writer Justin Theroux and other various crew members, and a cast track with Stiller, Jack Black and Robert Downey Jr. — the latter of which
records the entire
commentary in character.
SOM allows users to
record all of the actions on their computer as well as
audio commentary and save the
recording for sharing or future playback.
During the flight, you can listen to a
recorded commentary about the Grand Canyon and its surrounds via
audio headphones.You'll land for an unforgettable champagne picnic, 3,200 feet (960 meters) below the rim.
On November 12th, Writer / Director, Michael J. Bassett tweeted: «On my way to a
recording studio to do the DVD
audio commentary for Silent hill.
In this
audio commentary,
recorded for midhudsonnews.com in late October, 2016, Ned Sullivan introduces listeners to Scenic Hudson's High Banks Preserve, our newly - opened park in Esopus, Ulster County.
As a result, I'm tempted to believe that legal practitioners today would be more open to accepting content like a video
recording of a conference as potentially valid
commentary, but not (for example) an
audio - only version of the exact same content
recorded in [a basement disguised as] a studio.