Sentences with phrase «audio effects with»
The update brings enhanced visual and audio effects with updated security.
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Furthermore the title offers a 12 - player online mode, 2 - player split screen, a free ride mode, new gear and design kits, remastered audio effects with 3D sound featuring for the first time along with environmental effects and comprehensive tutorials to help you get started.
Then, ramp up the audio effects with DTS Headphone: X to pump virtual 7.1 - channel surround sound straight to your ears!
Not exact matches
Danny Handke, creative design lead at Walt Disney Imagineering, says with the special effects, the lighting, the audio, the show control and the animation that comes to life in this space is the most complex attraction ever built on a Disney cruise ship.
If your kids are looking for some new apps to play with on the family iPad, Disney has a brand new app that lets your kids build their own stories, complete with animation, audio narration and sound effects!
(2) The audio - visual effects of the lights feature are great, but seem to be overwhelming to the baby (and adults as well) with too many lights flickering on and off at the same time and over stimulating the baby.
And in a famous illusion called the McGurk Effect, videos of lip cues dubbed with mismatched audio cause people to hear the wrong sound.
I highly suggest you pick up some of Gary Taubes audio books, it goes through study by study with full pull on the effects and there are many studies over the past few decades.
With a solid graphics engine and some decent audio effects to boot, there's no doubting that Archer Maclean's Mercury offers an engrossing, absorbing PSP gaming experience that offers the sort of longevity most titles can only dream of — even if you do run the risk of losing handfuls of hair each time you play it.
The audio department of Pokémon Sun is as cheery and colourful of the graphics with its catchy tunes and fun sound effects that help get you immersed into this wonderful gaming world.
The 7.1 DTS - HD audio track is outstanding, providing a lush soundscape for your home theater system with dialogue, action, and background effects always discernable and evenly balanced.
The 5.1 DTS - HD master audio soundtrack is surprisingly robust, getting your attention with crisp recordings of proper weight and fittingly mixed and distributed effects and music.
As for the audio, while the DC's 5.1 DTS - HD MA track sounds deceptively tamer than the TC's lossy 5.1 DTS option, after some level - matching the DC comes out on top again; only with the DC does the voice of Darkness come close to reverberating with that basso profundo effect you'd expect.
EXTRAS: In addition to a pair of audio commentaries (one with director / co-writer Paul Feig and co-writer Katie Dippold, and the other with Feig and various crew members), there's a series of production featurettes covering things like casting, creature design and visual effects, over an hour of deleted / extended scenes, alternate takes and two different gag reels.
The DVD features a Dolby Digital 5.1 audio track which provides clear dialogue and sound effects, with no hissing or distortion.
The DTS offers a superbly immersive audio environment, with excellent use of directional effects laid on top of a crisp, clear, and rich overall soundtrack.
Blu - ray extras include audio commentary by Stewart and Maroney; separate commentary by writer - director Thom Eberhardt; interviews with Stewart, Maroney, Beltran and special makeup effects creator David B. Miller; and the theatrical trailer.
Extras repeat the U.K. release including a feature length audio commentary track with the Chiodo Brothers, The Making of Killer Klowns: a 20 - minute featurette looking at the film's production, including an interview with the Chiodo Brothers alongside behind - the - scenes footage, Visual Effects with Gene Warren Jr.: an interview with Charles Chiodo and visual effects supervisor Gene Warren Jr., Kreating Klowns: an interview with Charles Chiodo and creature fabricator Dwight Roberts, Bringing Life to These Things - A Tour of Chiodo Bros..
Blu - ray extras on Demon Knight include audio commentary by Dickerson; separate audio commentary by various special effects personnel; a making - of featurette; a panel discussion with Dickerson and Miller; and the theatrical trailer.
The New York Times has a audio commentary slideshow with Aaron McBride, the visual effects art director for Iron Man, describing how the suit up machine was created for the film, featuring concept art like the photo seen above.
The Blu - ray's default 7.1 DTS - HD master audio mix is equally lively and commendable, engulfing with effects and music that never drown out the dialogue.
Mix tracks, experiment with audio effects, and stream live to your friends over the PlayStation Network by using 4 am's unique Virtual Audio Canvas to control your composition with the PlayStation Move's full range of motion.
The music is generic and forgettable, too, but the main problem with the audio is the lack of effects.
With three different audio commentaries leading the pack, the disc also includes a backseat interview with stars John Cho and Kal Penn, a sound effects featurette entitled «The Art of the Fart,» eight short interviews with supporting cast members, a short featurette on the making of the CG - based Land of Burgers, eight deleted scenes and the film's theatrical traiWith three different audio commentaries leading the pack, the disc also includes a backseat interview with stars John Cho and Kal Penn, a sound effects featurette entitled «The Art of the Fart,» eight short interviews with supporting cast members, a short featurette on the making of the CG - based Land of Burgers, eight deleted scenes and the film's theatrical traiwith stars John Cho and Kal Penn, a sound effects featurette entitled «The Art of the Fart,» eight short interviews with supporting cast members, a short featurette on the making of the CG - based Land of Burgers, eight deleted scenes and the film's theatrical traiwith supporting cast members, a short featurette on the making of the CG - based Land of Burgers, eight deleted scenes and the film's theatrical trailer.
The audio is rather mediocre, too, with unmemorable music and generic sound effects.
«One of the final stages of the process was having a print of the film prepared with the music stripped out for the live mix; the mix in the rehearsals and concert being a constant conversation between the on - stage performances, the film's audio and the room's acoustics, requiring a huge amount of skill and awareness of the moments where a particular element (be it the music, dialogue or sound effects) needs to come to the fore, or be shaded off to make way for another layer.
Running time: 95 minutes Distributor: 20th Century Fox Home Entertainment DVD Extras: «Nimrod and Stinky's Antarctic Adventure,» «Ladies and Gentoomen» and «Ready for Their Close - up» featurettes, deleted scenes with optional commentary by director Mark Waters, editor Bruce Green and visual effects Supervisor Richard Hollander, gag reel, audio commentary with director Mark Waters, editor Bruce Green and visual effects supervisor Richard Hollander, original story sampler, theatrical trailer and a sneak peek.
On the other hand, the audio is fantastic with gratifying sound effects and a diverse soundtrack that consists of a lot of catchy tunes and appropriate dramatic orchestral pieces that suit the hectic action.
Extras: New 4K scan from the original film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The Making of Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.
The accompanying DD 5.1 audio is a predictable blitzkrieg of discrete effects; it's a soundtrack sure to impress but also one with a slightly - undercooked centre channel and slightly overcooked surround channels.
The audio, rendered in 5.1 Dolby TrueHD, is fairly robust, if a tad monotonous, working every channel and the sub with ambient and environmental sound effects plus a generally rumbly score.
The 5.1 DTS - HD master audio is also lively, dealing out a good deal of atmosphere and directional effects with good levels and perfect clarity.
An audio - only technical commentary features Sonnenfeld along with Rick Baker and the Industrial Light & Magic effects team.
A Dolby 5.1 audio mix shows surprising fidelity through every channel — a rich, faithful presentation with a hearty bass rumble and nice rear - channel effects.
Ruzowitzky uses camera angles designed to force audience identification with the prisoners, and one scene late in the film follows suit with subjective audio effects — a very flat soundmix, with muffled dialogue — to put you inside Sol's head, his senses going dull after he witnesses the death of another inmate.
Blu - ray — Includes everything on the DVD, as well as an audio commentary with the director, additional scenes, a special effects comparison, and another featurette on the legends of Halloween.
The audio is equally unmemorable with plenty of stereotypical chiptunes and a lack of satisfying sound effects.
The film's surround audio mix combines a few pulsating songs with Marco Beltrami's synth / orchestral shadings and saturated sound effects, meant to evoke the emphatic «bang!»
Some of the baseball scenes with the angels effects make good use of the surrounds, and the audio is not disappointing the way the video quality is.
The film's incredibly effective sound design is also captured quite well in the immersive DTS - HD MA audio track with effects spread out through the field and the period - correct dialogue coming through clearly.
The Dolby TrueHD audio is mainly focused across the front with only occasional ambient effects utilizing the surrounds.
EXTRAS: In addition to a pair of audio commentaries — one with co - writer / director Stuart Beattie and another with producers Gary Lucchesi, Richard Wright, James McQuaide and Kevin Grevioux — the Blu - ray includes a making - of featurette and a behind - the - scenes look at designing the creature effects.
Music, audio and sound effects go hand in hand with the gameplay and I must admit that the professional voice acting really transforms this silly premise into a way to draw the player into the world of our reluctant hero who was stolen from his father's farm.
Unfortunately, the sound quality on Race with the Devil isn't all it could be, as the audio mix makes the music and sound effects sound a lot louder than the dialogue track.
The 5.1 DTS - HD master audio soundtrack is also up to par, with dialogue remaining crisp and complemented, not overpowered, by music and effects.
Between Joe Hisaishi's repetitive but pleasant score to wide range of sound effects, the audio envelops you with remarkable fidelity and limitless potency.
The 5.1 DTS - HD master audio also serves the film well, engaging the ears with African - flavored score, suitable needle drops, and the dialogue and sound effects that drive the comedy.
The 5.1 Dolby TrueHD audio is exceptional, however, with booming effects from every channel reproduced with clarity and logic.
The 5.1 DTS - HD master audio soundtrack is perfectly satisfactory, staying crisp throughout while frequently getting your attention with dynamic sound effects.
The audio track sounds excellent, with an amazing balance between the surrounds as this film is filled with screams and demonic effects of all kinds.