In another strip, he bemoans having to guard «Ja Ja Ja Ja Ja, Nee Nee Nee Nee Nee,»
an audio installation by the German artist Joseph Beuys.
The Institute of the Arts and Sciences, in collaboration with the UC Santa Cruz's Arboretum and Botanic Garden and the San Jose Museum of Art, is pleased to present FOREST (for a thousand years...), the beguiling and uncanny
audio installation by renowned Cana
The Institute of the Arts and Sciences, in collaboration with the UC Santa Cruz's Arboretum and Botanic Garden and the San Jose Museum of Art, is pleased to present FOREST (for a thousand years...), the beguiling and uncanny
audio installation by renowned Canadian artists Janet Cardiff and George Bures Miller, April 7 - June 30, 2018.
The works, on show in the unfinished museum's third floor gallery include
an audio installation by Swedish composer and sound artist BJ Nilsen and a work in sound and light by Los Angeles artist Yann Novak.
SJMA is pleased to collaborate with the Institute of the Arts and Sciences of the University of California, Santa Cruz, Arts Division on its presentation at the university's Arboretum and Botanic Garden of: FOREST (for a thousand years...), the beguiling and uncanny
audio installation by renowned Canadian artists Janet Cardiff and George Bures Miller.
At Team's Wooster Street location,
an audio installation by Cory Arcangel that recreates and revises RUN-D.M.C.
The melancholic, slightly haunting monologues of Ilona Sagar's film piece and
an audio installation by Sharon Hayes to an anonymous lover, complete the exhibition.
December 2, 2014, Austin, Texas — From January 24 through April 19, The Contemporary Austin presents an immersive and interactive exhibition of assemblages, sculptures, objects, and
audio installations by New York - based artist Tom Sachs.
Not exact matches
Abt's full line of car
audio equipment features local
installation by our award - winning mobile
installation team.
Starting in February, two sculptural
installations by Banks Violette (b. 1973, USA) and two works of sculpture
by Oscar Tuazon (b. 1975, USA) will be on view on the museum's ground floor, complemented
by an
audio installation for which Tuazon collaborated with Vito Acconci (1940 — 2017, USA).
In two video
installations, unscripted
audio conversations unfold between an unnamed character played
by Wakeman and real customer - service providers.
The inclusion of the Chicago - based collective Public Collectors mixed - media
installation on the life of
audio recording enthusiast and activist Malachi Ritscher seems an unusual choice that brings up questions of activism and suicide, as Ritscher notoriously killed himself
by setting himself on fire in public in 2002.
Image: Willum Geerts thru January 27, 2008 A group exhibition curated
by Martijn Lucas Smit of Nieuwe Vide (NL) featuring artists Paul Baartmans (A / V - sculpture), Sema Bekirovic (video), Marissa Evers (drawing), Willum Geerts (video), Jannie Regnerus (film), Robbert van der Horst (
audio), Jochem van der Spek (video
installation) as well as Ward Denys with a functional sculpture.
A group exhibition curated
by Martijn Lucas Smit of Nieuwe Vide (NL) featuring artists Paul Baartmans (A / V - sculpture), Sema Bekirovic (video), Marissa Evers (drawing), Willum Geerts (video), Jannie Regnerus (film), Robbert van der Horst (
audio), Jochem van der Spek (video
installation) as well as Ward Denys with a functional sculpture.
Anne Hardy (b. 1970, St Albans, UK) presents a new field work - an
installation charged with colour, light,
audio and physical objects at the former headquarters of Nicholls & Clarke building suppliers, managed
by Location House.
Also in 2016, she presented «Nástio Mosquito: Template Temples of Tenacity,» composed of three new works
by the Angola - born artist — a site - specific
installation,
audio - visual project, and a series performances.
One of the most influential European graffiti artists, best known for breaking the dimensionality of the flat surface graffiti was painted on, took over the entire gallery space
by creating site - specific
audio - visual
installation.
The Infinite Mix held at The Store presents major
audio - visual
installations by leading international artists Martin Creed (UK); Jeremy Deller (UK) and Cecilia Bengolea (Argentina); Stan Douglas (Canada); Cyprien Gaillard (France)» Dominique Gonzalez - Foerster (France); Cameron Jamie (USA); Kahlil Joseph (USA); Elizabeth Price (UK); Ugo Rondinone (Switzerland) and Rachel Rose (USA).
AA Bronson in collaboration with Mark Jan Krayenhoff van de Leur and Adrian Hermanides, with an
audio component titled FIELD
by Ebe Oke, Folly (Detail / detail), 2015/16, mixed media
installation,
installation view KW Institute for Contemporary Art, photo: Frank Sperling, Courtesy the artist and Esther Schipper, Berlin
Several large
installations, in some cases with elaborate video projections, are complemented
by a series of drawings, an
audio installation, sculptures and numerous videos.
Sleep (1999), a large photography and sound
installation by Ugo Rondinone (b. 1963, Brunnen, Switzerland), uses the technique of the storyboard and couples it with an
audio component, creating a cinematic narrative without employing a moving image.
Installation view of sculpture
by KEVIN BEASLEY that features an
audio component capturing real - time sound from the Casey Kaplan space at Frieze New York.
Policing Gender is an
installation of photographs and
audio created
by artist Lorenzo Triburgo.
«The Chalk Factory» (2017) is an audiovisual
installation by Mikhail Karikis comprising 10 video channels and 10
audio channels.
The
installation which combines two bodies of work; a 15 meter long painting
by Reynolds and a thirty - two minute, six channel
audio composition
by Riegler, has been a moving experince for visitors and is a must see for those able to get to the gallery.
The Canadian husband - and - wife team of Janet Cardiff and George Bures Miller specialize in creating meditative, otherworldly site - specific sound
installations that lead viewers through a multisensory journey — sometimes literally, as in the case of their
audio guides that spur listeners on tours characterized
by fictional narratives about what they're seeing.
Occupying a range of unexpected sites in the city of Houston, CounterCurrent includes
audio and visual
installation, live performance, and participatory events
by artists from around the world.
Featuring 10 powerful
audio - visual works
by artists including Martin Creed, Jeremy Deller, Rachel Rose, Cyprien Gaillard and Kendrick Lamar - collaborator Kahlil Joseph, The Infinite Mix will lead visitors on an immersive journey through multi-screen
installations, holograms and cinema - style 3D projections.
This will also be aided
by guerrilla public
installations of radios installed around the Tenderloin bringing his interventions directly to the street as a form of
audio graffiti.
The opening of the Open Plan will be marked
by a site - specific sound
installation by Andrea Fraser, Down the River, which uses
audio recordings from a correctional facility to reflect on the parallel booms in museum and prison construction in the US since the 1970s (on view from February 26 until March 13, 2015).
A large - scale multi-media
installation incorporating
audio, video, digital photographs, and tamale leaves created
by Memphis artist Richard Lou.
Mercy Garden, 2013 — 14 (video still);
audio - video
installation (video projection on two walls, carpet, sheepskins, with music
by Heinz Rohrer); dimensions variable.
Worry Will Vanish Horizon, 2014 (video still);
audio - video
installation (video projection on two walls, carpet, blankets, with music
by Heinz Rohrer); dimensions variable.
Pipilotti Rist, [
Installation View] Himalaya's Sister's Living Room, 2000, seven projections surrounded
by furniture and objects, wallpaper mounted on wood, seven players, one
audio system with four speakers (sound with Anders Guggisberg).
Nari Ward Spellbound, 2015 (
Installation view) piano, used keys, spanish moss, light,
audio and video elements 55 x 30 x 62 inches / 139.7 x 76.2 x 157.5 cm Videographer: Steven Rose
Audio Composer: Austin Nelson Commissioned
by SCAD Museum of Art Courtesy of the artist and Lehmann Maupin, New York and Hong Kong.
The Development is comprised of three parts: an
audio guide of the Hudson Valley available as a download from the Apple Store and Google Play; a video
installation sited at CCS Bard
by the artist collaborative eteam; and a community screening.
The Jazz Museum at the Old Mint held a sampling of the sometimes naughty, little - known collages that jazz great Louis Armstrong made in the final two decades of his life, as well as Satch Hoyt's tambourines linked into chains attached to mirrors to form endless columns, or halved and assembled into crosses reminiscent of the city's famous ironwork; and there were two
installations by Dario Robleto, one featuring preserved, mounted butterflies with antennae made of
audio tape delicately perched on the edges of the fossilized inner - ear bones of whales, and the other a collaboration with the record label Dust - to - Digital to preserve early gospel music.
An
installation by Australian artist Michael Graeve considers abstract painting via painted blocks of color and tonal
audio overlays.
Kills 99.9 % of bacteria is a group exhibition — including new and existing video,
audio and
installation works
by Kate Cooper, French & Mottershead, Edy Fung, Jasmin Marker, Jennifer Mehigan & Darius Ou, and Roee Rosen — that explores encounters with otherness.
The Program in Visual Arts presents «You Are Not Required to Fight Fires,» an exhibition of new work
by Princeton senior Kathleen Ma, whose mixed media works (
audio - video
installations, diagrams, and poetry) explore themes of authority, instructions, agency, and individual / collective responsibility.
Developed
by staff and guest curators, this year - round programme consists of three - to - five exhibitions in the main gallery, eight exhibitions in the
audio art gallery and one
installation in the surround gallery.
CORNISH COLLEGE OF THE ARTS: 300 Eighth Ave. N. «Secret Identity,» interactive
audio and video
installation by Alicia Berger and John Burrow.
His recent works include «Pacific Ocean Water Colors,» a series of paintings created using the currents of the Pacific Ocean, and «The Voice,» a five - channel
audio installation commissioned for the Singapore Biennale 2013, where his poetry was narrated
by Carolyn Hopkins, a voice actress whose announcements are used for the entire New York City subway system and most airports worldwide.
McBride's
installation, which features her ceramic busts and torsos of bodies in decay and spaces made hollow
by time, also includes an
audio recording of her mother's soft voice as she sings.
In the same room, opposite the
audio installation, a film is projected, titled Maybe one must begin with some particular places (2012), featuring a dancer twisting and furling, as if moved
by an eddying current.
In the
audio installation, each memory is therefore mediated:
by the writer's choice of words and grammar,
by the reader, and
by the presentation.
Frieze Music Frieze Music returns in 2015 for one night only with a large - scale
audio - visual
installation and performance
by the collaborative project 18 +, co-commissioned with The Vinyl Factory.
Ceramic boomboxes, many of which were created in The Contemporary Austin's Art School studios, are joined
by additional
audio installations incorporating large - scale oratory speakers, cassette decks, and other outmoded listening devices and electronic components.
There is also a beguiling room - sized
installation by Hank Willis Thomas that recasts the symbols of the Confederate flag in the colors of black nationalism — and projects them in tune with a soundtrack of spoken - word
audio (a piece that Times art critic Christopher Knight describes as «enthralling.»)
A multimedia
installation of film projections and
audio explores notions of family and love
by queer - identified individuals, while a related film, made in collaboration with artist Jennifer Moon, employs footage from home movies to tell a story about memory and the meaning of home.