Sentences with phrase «audio installation in»
So, for well under $ 1,000 I was able to get brand new, fantastic sounding, Atlantic Technology speakers in a full 4.1 setup plus I was able to do an audio installation in my bedroom.
http://www.pooraudiophile.com/ Not exact matches
Click - and - go installation on the Maxi Cosi car seat base gives audio and visual confirmation that it is set up is correct, easy to fit, ready to go in seconds.
We're told that the audio boffin in charge of the 1300W, 18 - speaker sound system spent five months with installation, and as a result, when the music includes words, you can actually understand what is being said.
Analog and digital filters have been optimally defined for their installation location and finely tuned after extensive in - car audio testing.
Freeman's Car Stereo is the Carolinas» best known and most respected name in car audio, car stereo, remote start, installation, home entertainment, and more.
Avery Dennison Graphics Solutions announced that John Scott of 360 Tint in San Antonio, Texas, won the Chrome Sweet Chrome grand - prize full - car makeover, which includes installation of an Avery Dennison car wrap of Scott's choosing, Giovanna wheels, a DUB audio package and Croftgate cleaning supplies.
Their installation has reduced vehicle floor vibrations across a wide frequency range, reduced body flex in left and right front suspension tower displacement, and even lowered audio system white noise levels.
Seven installations were spread throughout this federal penitentiary turned national park, and ranged from an audio experience in the former hospital ward to a carpet of Legos arranged into the faces of political prisoners.
The work also included installation of new in - flight entertainment screens with more audio and video content, and the deployment of Lufthansa's on - board broadband Wi - Fi network called FlyNet, now available on all long - haul flights.
Starting in February, two sculptural installations by Banks Violette (b. 1973, USA) and two works of sculpture by Oscar Tuazon (b. 1975, USA) will be on view on the museum's ground floor, complemented by an audio installation for which Tuazon collaborated with Vito Acconci (1940 — 2017, USA).
Adam Pendleton, a New York - based installation artist, takes a cue from the writer Reinaldo Arenas in an audio installation that invites written participation from the viewer.
It ranges from Four Posters (1984) through celebrated performances such as Museum Highlights (1989), Inaugural Speech (1997), Official Welcome (2001/2003), and her audio installations for the Austrian pavilion at the 45th Biennale di Venezia in 1993, to recent works such as Men on the Line (2012).
Visitors hear audio of the artist reciting a love poem in Japanese as they walk throughout the installation.
In two video installations, unscripted audio conversations unfold between an unnamed character played by Wakeman and real customer - service providers.
Highlighting Sala's continuing interest in how sound and music can engage architecture and history, «Anri Sala: Answer Me» features extensive multichannel audio and video installations that unfold across the Second, Third, and Fourth Floor galleries, composing a symphonic experience specific to the New Museum.
The inclusion of the Chicago - based collective Public Collectors mixed - media installation on the life of audio recording enthusiast and activist Malachi Ritscher seems an unusual choice that brings up questions of activism and suicide, as Ritscher notoriously killed himself by setting himself on fire in public in 2002.
SVITER art group and Ivan Svitlychnyi, whose work overlaps with Mikhailov's interest in the mutation of information and data echo chambers, will present a site - specific sound installation in which drum machines and electronic synthesizers create a unique algorithm that converts data in and around the pavilion into audio tracks in real time.
The pair will discuss the trajectory of Sala's art practice, his commitment to working with sound in relation to architecture and history, and his work for the exhibition «Anri Sala: Answer Me,» which includes multichannel audio and video installations that unfold across the Second, Third, and Fourth Floor galleries and create a symphonic experience specific to the New Museum.
Known for its competitive «New Genres» program — spanning installation, video, film, audio, performance, and assorted digital mediums — this unique area of study questions «preconceived notions of the role of art in culture and its relationship to a specific form or medium,» according to the school's literature.
Also in 2016, she presented «Nástio Mosquito: Template Temples of Tenacity,» composed of three new works by the Angola - born artist — a site - specific installation, audio - visual project, and a series performances.
Jenna Spevack, whose art practice is couched in sustainable design, created a binaural audio installation presented in a reclaimed wood outhouse.
Learn more about the inspirations behind part three of our new video installation The Scar in this accompanying audio commentary from Artists Noor Afshan Mirza and Brad Butler.
Earlier audio - visual installations range from Baltimore (2003), which, in part through the stylisations of black action movies from the 1970s, looks at the histories, divisions and intersections of black and white cultures, through to his trilogy comprising True North (2004), Fantôme Afrique (2005) and Western Union: Small Boats (2007), all of which deal with themes of voyaging and cultural displacement on both a local and global scale.
Simmons works in photography, installation, multi-media and audio.
Learn more about the inspirations behind part two of our new video installation The Scar in this accompanying audio commentary from Artists Noor Afshan Mirza and Brad Butler.
The first of the exhibition's environments is a five - channel audio installation portraying a series of mirrored speakers enact play excerpts from an 11th - century «mirror for prince» text in five different languages.
It also is renowend for its highly competitive «New Genres» program, which immerses students in installation, video, film, audio, performance, and digital work, plus «hybrid and emerging art forms.»
AA Bronson in collaboration with Mark Jan Krayenhoff van de Leur and Adrian Hermanides, with an audio component titled FIELD by Ebe Oke, Folly (Detail / detail), 2015/16, mixed media installation, installation view KW Institute for Contemporary Art, photo: Frank Sperling, Courtesy the artist and Esther Schipper, Berlin
Several large installations, in some cases with elaborate video projections, are complemented by a series of drawings, an audio installation, sculptures and numerous videos.
Lektor (2014), a six - channel audio installation, features excerpts from an 11th - century Turkic «mirror for prince» called Kutadgu Bilig (Wisdom of Royal Glory) in as many languages (Uighur, Polish, German, Arabic, Gaelic and Spanish).
Transposed into a gallery setting, the awnings become symbolic markers of transition and literally set the stage for a play that brings the real (the physical installation in the gallery) and the imaginary (the realm evoked through drawings, text, and audio) into conversation.
Bibi is a multi-disciplinary artist working in installation, performance, film / video, photography, audio, and language.
Since first making innovative use of audio and visual technology in the early 1980s, her groundbreaking installations, multi-screen videos and audio works have achieved international recognition.
The earliest piece, I Am Sitting in a Room (1969), is a slide - and - sound installation created with composer Alvin Lucier, where duplication of analogue, audio recordings, and Polaroid photographs compromise media integrity.
Working in photography, installation, audio, and video, Jessica Craig - Martin, Instant Coffee, Christian Jankowski, David Kramer, Liisa Lounila, and Tony Matelli invite the viewer to engage or witness various social scenes.
Among the highlights of Mark Leckey: Containers and Their Drivers will be Leckey's breakthrough film Fiorucci Made Me Hardcore (1999), which uses sampled footage to trace dance subcultures in British nightclubs from the 1970s to 1990s; a selection of the artist's Sound System sculptures (2001 — 2012), functioning stacks of audio speakers that recall those used in street parties in London; his pedagogical lecture performances; GreenScreenRefrigeratorAction (2010), a video and installation that considers «smart» objects and our increasingly technological environment; and a new iteration of the installation UniAddDumThs (2014), which Leckey created as a «copy» of a touring exhibition, The Universal Addressability of Dumb Things, that he had curated the year before.
Coinciding with MoMA's Broodthaers retrospective, Kasmin offers an unprecedented show in the U.S. including 20 artist books created between 1957 — 1975, and 26 editioned works from 1964 — 1975 — plus an iconic installation featuring a living African gray parrot and an audio loop of the artist reciting his poetry.
Her studio practice focuses on creating installations and interactive environments that explore various ways in which digital technologies can transform one's perception of audio and visual stimuli.
Her installations, often created in collaboration with her partner, George Bures Miller (born 1960), layer audio tracks to create engaging and transcendent multisensory experiences that draw the viewer into ambiguous and unsettling narratives.
In his audio documentaries and installations, the artist Lawrence Abu Hamdan explores some fascinating and alarming advances in sound technologIn his audio documentaries and installations, the artist Lawrence Abu Hamdan explores some fascinating and alarming advances in sound technologin sound technology.
His body of remix artworks includes published cult novels, pioneering works of Internet art, digital video and surround sound museum installations, large - scale video projections in public spaces, live audio - visual / VJ performance, and most recently, a series of feature - length «foreign films» shot with different image - capturing devices in various locations throughout the world.
Her focus is video / audio installations because there is room in them for everything (painting, technology, language, music, movement, lousy, flowing pictures, poetry, commotion, premonition of death, sex and friendliness)-- like in a compact handbag.
The Canadian husband - and - wife team of Janet Cardiff and George Bures Miller specialize in creating meditative, otherworldly site - specific sound installations that lead viewers through a multisensory journey — sometimes literally, as in the case of their audio guides that spur listeners on tours characterized by fictional narratives about what they're seeing.
Always dealing with three - dimensional space, she expanded her spatial investigations in the 1990s with multimedia installations that combine video, drawing, sculpture, and audio components.
While Location One seeks to nurture a critical awareness of the implications of technology for contemporary society in both our artists - in - residence and our audiences, and on a practical level, to introduce artists to the possibilities of new media in their art practice, the work we exhibit covers a full spectrum: painting, sculpture, video, digital, audio, installation and performance.
His work, which includes performance art, video, audio, installations, poetry, journalism, critical writings and cultural theory, explores cross-cultural issues and North / South relations in the era of globalization.
Anri Sala's Venice pavilion swop explored: In the Venice Biennale's first national pavilion swop, France and Germany switch exhibition venues, with French representative Anri Sala creating an audio - visual installation in the German pavilioIn the Venice Biennale's first national pavilion swop, France and Germany switch exhibition venues, with French representative Anri Sala creating an audio - visual installation in the German pavilioin the German pavilion.
Matthew Suib is a Philadelphia artist who works in installation, photography, video and audio.
Occupying a range of unexpected sites in the city of Houston, CounterCurrent includes audio and visual installation, live performance, and participatory events by artists from around the world.
Combining audio, architecture, sculpture, installation and performance, «Daniel Arsham: Hourglass» will extend the artist's investigation into how we interpret history through physical artifacts and will immerse audiences in environments that reflect on the relationship between past and present.