His early immersion in consumer electronics led to countless car stereo, home theater and live
audio installations which laid down the foundation for his current work.
Ethan Breckenridge and Sean Dack will exhibit a new iteration of a collaborative work first seen at The Suburban in Illinois: a sculptural and
audio installation which invites visitor participation.
Not exact matches
It includes Volvo's signature ultra-slim waterfall center stack,
which is attractive but prohibits the
installation of an aftermarket
audio system.
Avery Dennison Graphics Solutions announced that John Scott of 360 Tint in San Antonio, Texas, won the Chrome Sweet Chrome grand - prize full - car makeover,
which includes
installation of an Avery Dennison car wrap of Scott's choosing, Giovanna wheels, a DUB
audio package and Croftgate cleaning supplies.
Starting in February, two sculptural
installations by Banks Violette (b. 1973, USA) and two works of sculpture by Oscar Tuazon (b. 1975, USA) will be on view on the museum's ground floor, complemented by an
audio installation for
which Tuazon collaborated with Vito Acconci (1940 — 2017, USA).
SVITER art group and Ivan Svitlychnyi, whose work overlaps with Mikhailov's interest in the mutation of information and data echo chambers, will present a site - specific sound
installation in
which drum machines and electronic synthesizers create a unique algorithm that converts data in and around the pavilion into
audio tracks in real time.
The pair will discuss the trajectory of Sala's art practice, his commitment to working with sound in relation to architecture and history, and his work for the exhibition «Anri Sala: Answer Me,»
which includes multichannel
audio and video
installations that unfold across the Second, Third, and Fourth Floor galleries and create a symphonic experience specific to the New Museum.
Earlier
audio - visual
installations range from Baltimore (2003),
which, in part through the stylisations of black action movies from the 1970s, looks at the histories, divisions and intersections of black and white cultures, through to his trilogy comprising True North (2004), Fantôme Afrique (2005) and Western Union: Small Boats (2007), all of
which deal with themes of voyaging and cultural displacement on both a local and global scale.
It also is renowend for its highly competitive «New Genres» program,
which immerses students in
installation, video, film,
audio, performance, and digital work, plus «hybrid and emerging art forms.»
Since the mid-1990s, Kruger began creating various large - scale immersive video —
audio — text
installations,
which can completely envelop the viewer and his mind.
Among the highlights of Mark Leckey: Containers and Their Drivers will be Leckey's breakthrough film Fiorucci Made Me Hardcore (1999),
which uses sampled footage to trace dance subcultures in British nightclubs from the 1970s to 1990s; a selection of the artist's Sound System sculptures (2001 — 2012), functioning stacks of
audio speakers that recall those used in street parties in London; his pedagogical lecture performances; GreenScreenRefrigeratorAction (2010), a video and
installation that considers «smart» objects and our increasingly technological environment; and a new iteration of the
installation UniAddDumThs (2014),
which Leckey created as a «copy» of a touring exhibition, The Universal Addressability of Dumb Things, that he had curated the year before.
Her studio practice focuses on creating
installations and interactive environments that explore various ways in
which digital technologies can transform one's perception of
audio and visual stimuli.
His work embraces moving image, sound and other media to create immersive
audio - visual
installations and performances
which emerge from his long - standing investigation of the voice as a sculptural material and a socio - political agent.
The
installation which combines two bodies of work; a 15 meter long painting by Reynolds and a thirty - two minute, six channel
audio composition by Riegler, has been a moving experince for visitors and is a must see for those able to get to the gallery.
His work,
which includes performance art, video,
audio,
installations, poetry, journalism, critical writings and cultural theory, explores cross-cultural issues and North / South relations in the era of globalization.
This is evident in the popularity of sculptural works and
installations in the exhibition, many of
which incorporate
audio or video narrations: as if sculpture is no longer enough on its own, or simply in celebration of augmenting static form with aural and visual media.
The artist creates environments
which incorporate sculptural
installation, photography and
audio.
Channels, Susan Hiller «s fourth exhibition at Matt's Gallery, is a vast
audio - sculptural
installation in
which disembodied voices report on «near - death» experiences.
The opening of the Open Plan will be marked by a site - specific sound
installation by Andrea Fraser, Down the River,
which uses
audio recordings from a correctional facility to reflect on the parallel booms in museum and prison construction in the US since the 1970s (on view from February 26 until March 13, 2015).
With diagrams, drawings, text,
audio and
installations, he creates devices in
which the individual experience of the agents and observers who participate play an important role.
William Kentridge's Thick Time at Whitechapel Gallery is the artist's first major public solo presentation in the UK in over 15 years, and features six works created between 2003 and 2016 — including two of the artist's immersive
audio - visual
installations which have never previously been exhibited in the UK.
Guan Xiao's ICA exhibition includes a video triptych and new
installation comprising five large printed screens, in front of
which sculptures made up of various materials are placed, including speakers that emit new
audio works.
Mirza combines a variety of readymade and time based material to create
audio compositions,
which are often realised as performances, site - specific
installations and kinetic sculptures.
Mikhail Karikis» work embraces a variety of media to create immersive
audio - visual
installations and performances
which emerge from his long - standing investigation of the voice.
McBride's
installation,
which features her ceramic busts and torsos of bodies in decay and spaces made hollow by time, also includes an
audio recording of her mother's soft voice as she sings.
For the
installation Playbacks # 1 - 5, Day extracted
audio from the video,
which plays on a row of five vintage Pioneer Mimmy headphones.
Ceramic boomboxes, many of
which were created in The Contemporary Austin's Art School studios, are joined by additional
audio installations incorporating large - scale oratory speakers, cassette decks, and other outmoded listening devices and electronic components.
Among the highlights of Containers and Their Drivers are Leckey's breakthrough film Fiorucci Made Me Hardcore (1999),
which uses sampled VHS footage to trace dance subcultures in British nightclubs from the 1970s to 1990s; a selection of the artist's Sound System sculptures (2001 — 2012), functioning stacks of
audio speakers that recall those used in street parties in London; his pedagogical lecture performances; GreenScreenRefrigerator (2010 - 16), an
installation that considers «smart» objects and our increasingly technological environment; and the fullest iteration to date of the
installation UniAddDumThs (2014),
which Leckey created as a «copy» of a touring exhibition, The Universal Addressability of Dumb Things, that he had curated the year before.
London - based artist Cara Tolmie works across performance, film,
audio and
installation to explore the ways in
which meaning is created and, in particular, how context shifts our reception and understanding of events.
He combines a variety of readymade and time based material to create
audio compositions,
which are often realised as performances, site - specific
installations and kinetic sculptures.
And here is the link to the fig - 2
which will open at the ICA studio on Monday, and consists also of
audio elements combined with
installation.
In 2014, he unveiled this new model of embodied writing - as - art practice at the Whitney Biennial with his
audio installation 16 Sculptures, in
which he re-created iconic and lesser known sculptural works from throughout the history of art in the medium of language, infesting these works with an authorial agency hitherto unexplored and allowing the viewer to collaborate in a re-creative perceptual exercise of meaning - formation.
Recent
audio - visual
installation works include «Ten Thousand Waves» (2010),
which was shot in China and recently exhibited at Museum of Modern Art, as well as «Playtime» (2014), an ambitious new body of work exploring the dramatic and nuanced subject of capital starring an international roster of actors.
Susan Hiller's Channels is a vast
audio - sculptural
installation in
which disembodied voices report on «near death» experiences.
Curated by Katharine Stout, the exhibition includes a video triptych and new
installation comprising six large printed screens, in front of
which are sculptures made up of various materials, including speakers that emit new
audio works.
Other themes at the exhibition include a mixed media
installation by Guillermo Bert,
which features video testimonies of L.A. immigrants projected onto suspended tumbleweeds; multiple slide projections and
audio narratives exploring what it means to be a second - generation Filipina by looking to the past, present and future by artist Michelle Dizon; and a video
installation that critiques systemic patriarchy and misogyny by Michele O'Marah.