The 5.1 DTS - HD
master audio mix does a fine job of distributing the dialogue and hip hop - laden soundtrack.
The 5.1 DTS - HD master
audio mix does a good job of distributing some distinctive score and the dialogue.
The 5.1 DTS - HD master
audio mix also offers an appropriate amount of engagement for a 2015 studio film.
But it's the sound effects that are the real winner here, and they sound entirely believable, dimensional, and immersive in this
excellent audio mix.
The 5.1 DTS - HD master
audio mix most comes to life with music, which flows regularly and prominently.
The 5.1 DTS - HD master
audio mix delivers nicely on some of the disaster sequences and is fine throughout.
It also comes with two
English audio mixes (5.1 or 2.0) and an optional Spanish - language track.
The 5.1 DTS - HD
master audio mix is more thrilling yet, utilizing all speakers tastefully and heavily, never drowning out dialogue or making you reach for the remote.
There's a noticeable sense of height to the SJ9's delivery, so where Atmos is used to its most extreme
in audio mixes you'll be able to sense audio objects placed in the room around you.
Finally, the Alienware Audio app lets you create the perfect
audio mix for your games.
The Blu - ray's 2.40:1 picture looks great and the aggressive 7.1 DTS - HD master
audio mix makes an even bigger impression with its enveloping sound design.
With Dolby Digital, it's possible to include a full 5.1 - channel
audio mix on a film print or a DVD, or as part of a TV broadcast.
Housed in a regular plastic Amaray case, Tales from the Script comes to DVD presented in anamorphic widescreen, with an English language
stereo audio mix.
It can inject Dolby Atmos spatial sound into your PC and console
audio mix with the headphones that you already own.
-- 7 inch double sided picture Vinyl Disc with score from the movie — DVD with 5.1
audio mix of Alexandre Desplat s score and a 7 minute video featurette of the scoring session, along with interviews with Composer Alexandre Desplat and Producers David Heyman and David Barron.
Housed in a regular plastic Amaray case, Creation comes to DVD presented in 2.35:1 anamorphic widescreen, with a Dolby digital 5.1 surround
sound audio mix, and optional English and Spanish subtitles.
This represents a significant departure from the confines and limitations of channel
based audio mixing and playback formats.
Also, although the soundtrack isn't the «hit - em - over-the-head» variety, it is a great example of well - blended and properly
balanced audio mixing, which makes it the perfect complement for the video presentation.
Active and scary, but properly modulated for dialogue scenes, this is a reference -
quality audio mix.
Games — experience amazing audio in any game, and specific Dolby
Atmos audio mixes in: ● Assassin's Creed ®: Origins ● Gears of War ® 4 ● Rise of the Tomb Raider ™ ● Super Lucky's Tale ™ ● Plus many more to come Pinpoint teammates, enemies, and obstacles for a competitive edge and more intense game experience.
There's a single dial underneath for
adjusting audio mix between party chat and game sound, a button for switching between EQ presets, and an on / off power switch.
There's a single dial underneath for adjusting
audio mix between party chat and game sound, a button for switching between EQ presets, and an on / off power switch.
It can inject Dolby Atmos spatial sound into your PC and
console audio mix with the headphones that you already own.
Ability of
operating audio mixing software on different Operating Systems like Windows (all versions), Macintosh and LINUX
The movie itself comes in 2.0, 5.1 and
DTS audio mixes, with optional English subtitles.
Namely, the search functionality has been improved and there is now a tool for
controlling audio mix during playback.
I didn't expect much from it because this kind of film doesn't really lend itself to
spectacular audio mixes; those seem more the domain of action flicks.
These scenes (the initial attack on young Conan's village, the final battle, and several others) should have a choral section during Basil Poledouris» «Riders of Doom», but it had been mistakenly omitted from the
new audio mix.
The DD 5.1
audio mix startled me a few times with subtle atmospherics, most noticeably not in the semi-raucous performance sequences, but in de Matteo's apartment with the TV «behind» the viewer.
The DTS - HD master
audio mix wails, with obsessive attention to ambient detail (drip, drip...).
A Dolby 5.1
audio mix loses nothing in the volume department but is suspiciously light in terms of depth of fidelity.
Featuring both 2.0 and 5.1 Dolby
Digital audio mixes, the latter demonstrates a nice depth of field, including some excellent rear - channel effects and a throaty rumble from the subwoofer.
A Dolby 5.1
audio mix shows surprising fidelity through every channel — a rich, faithful presentation with a hearty bass rumble and nice rear - channel effects.
Meanwhile, the 5.1 DTS - HD master
audio mix contains plenty of engulfing directional gunfire while maintaining appropriate volume levels.
The film's surround
audio mix combines a few pulsating songs with Marco Beltrami's synth / orchestral shadings and saturated sound effects, meant to evoke the emphatic «bang!»
The 5.1 DTS - HD master
audio mix springs to life with period music and consistently pleases with its crisp distribution of elements.
This BD bests any previous home video version with a nearly flawless transfer and a solid
hires audio mix.
The 5.1 DTS - HD master
audio mix gives musical numbers real weight you doubt they originally had in theaters, but it too satisfies for turning back the clock and keeping all elements crisp and easily heard.
THE BLU - RAY DISC For as little as there is to recommend the thing, lo, here's a packed Blu - ray presentation of Event Horizon — running at a smooth, beefy 45 mbps with a booming
48khz audio mix to vomit up the soundtrack jangles at regular intervals.
Seven
audio mixes adorn the film, including a DTS - ES 6.1 track in English that sounds crystal - clear and startling.
The release also features Dolby Atmos
audio mixed specifically for the home to place and move audio anywhere in the room, including overhead.